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羅伯特·馬瑟韋爾
《自動輓歌（第I階段白色） (E. & B. 271)》
- 估價
- £1,500 - 2,000
£3,048
拍品詳情
石版畫 壓花 Arches Cover紙本（全包邊）
1980年作
I. 12 x 25.5 公分（4 3/4 x 10 英吋）
S. 45.3 x 55.9 公分（17 7/8 x 22 英吋）
S. 45.3 x 55.9 公分（17 7/8 x 22 英吋）
款識：藝術家簡稱、編號ap VII/VIII
共有40版、8版羅馬數字藝術家試作版，由藝術家及紐約州 Tyler Graphics畫廊共同出版，此為已裱第VII版藝術家試作版。
共有40版、8版羅馬數字藝術家試作版，由藝術家及紐約州 Tyler Graphics畫廊共同出版，此為已裱第VII版藝術家試作版。
專家
完整圖錄內容
文學
羅伯特·馬瑟韋爾
American | B. 1915 D. 1991One of the youngest proponents of the Abstract Expressionist movement, Robert Motherwell rose to critical acclaim with his first solo exhibition at Peggy Guggenheim's Art of This Century gallery in 1944. Not only was Motherwell one of the major practicing Abstract Expressionist artists, he was, in fact, the main intellectual driving force within the movement—corralling fellow New York painters such as Jackson Pollock, Willem de Kooning, Hans Hoffman and William Baziotes into his circle. Motherwell later coined the term the "New York School", a designation synonymous to Abstract Expressionism that loosely refers to a wide variety of non-objective work produced in New York between 1940 and 1960.During an over five-decade-long career, Motherwell created a large and powerful body of varied work that includes paintings, drawings, prints and collages. Motherwell's work is most generally characterized by simple shapes, broad color contrasts and a dynamic interplay between restrained and gestural brushstrokes. Above all, it demonstrates his approach to art-making as a response to the complexity of lived, and importantly felt, experience.
瀏覽藝術家