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理查德．阿維頓
《理查德．阿維頓：法國製造》
- 估價
- $10,000 - 15,000
$30,480
拍品詳情
舊金山Fraenkel畫廊（2001年）
附有一組銀鹽照片《蘇西·帕克與加德納·麥凱，巴爾曼設計的連身裙，巴黎美術學院咖啡館，1956年》
附有一組銀鹽照片《蘇西·帕克與加德納·麥凱，巴爾曼設計的連身裙，巴黎美術學院咖啡館，1956年》
1956年作
照片 10 x 7 3/4 英吋（25.4 x 19.7 公分）
書本 14 3/4 x 11 1/8 x 1/2 英吋（37.5 x 28.3 x 1.3 公分）
書本 14 3/4 x 11 1/8 x 1/2 英吋（37.5 x 28.3 x 1.3 公分）
款識：簽名、編號93/100（書本尾頁、照片）
鈴印：版權信用、複印限制、標題、日期、版本（邊緣）
共有100版特別版及10版藝術家試作版，此作存於訂製木質書套連印刷標題。
鈴印：版權信用、複印限制、標題、日期、版本（邊緣）
共有100版特別版及10版藝術家試作版，此作存於訂製木質書套連印刷標題。
專家
完整圖錄內容
來源
文學
理查德．阿維頓
American | B. 1923 D. 2004From the inception of Richard Avedon's career, first at Harper's Bazaar and later at Vogue, Avedon challenged the norms for editorial photography. His fashion work gained recognition for its seemingly effortless and bursting energy, while his portraits were celebrated for their succinct eloquence. "I am always stimulated by people," Avedon has said, "almost never by ideas." Indeed, as seen in his portraits — whether of famed movie stars or everyday people — the challenge for Avedon was conveying the essence of his subjects. His iconic images were usually taken on an 8 x 10 inch camera in his studio with a plain white background and strobe lighting, creating his signature minimalist style. Avedon viewed the making and production of photographs as a performance similar to literature and drama, creating portraits that are simultaneously intensely clear, yet deeply mysterious.
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