258
李察德．佩利斯
《女人》
- 估價
- £800 - 1,200‡
£1,651
拍品詳情
彩色沖印 相紙（全包邊，散裝如出版所示）存於原裝黑色紋理文件夾及隨附藝術家書本
2004年作
紙本：56.3 x 39.7 公分 (22 1/8 x 15 5/8 英吋)
文件夾：57.2 x 41.5 x 1.2 公分 (22 1/2 x 16 3/8 x 1/2 英吋)
文件夾：57.2 x 41.5 x 1.2 公分 (22 1/2 x 16 3/8 x 1/2 英吋)
款識：簽名、Y（隨附標籤）
尚有26版A-Z版，由奧斯特菲爾登-瑞特Hatje Cantz Editionen畫廊出版，此為未裱。
尚有26版A-Z版，由奧斯特菲爾登-瑞特Hatje Cantz Editionen畫廊出版，此為未裱。
專家
李察德．佩利斯
American | 1947For more than three decades, Prince's universally celebrated practice has pursued the subversive strategy of appropriating commonplace imagery and themes – such as photographs of quintessential Western cowboys and "biker chicks," the front covers of nurse romance novellas, and jokes and cartoons – to deconstruct singular notions of authorship, authenticity and identity.Starting his career as a member of the Pictures Generation in the 1970s alongside such contemporaries as Cindy Sherman, Robert Longo and Sherrie Levine, Prince is widely acknowledged as having expanded the accepted parameters of art-making with his so-called "re-photography" technique – a revolutionary appropriation strategy of photographing pre-existing images from magazine ads and presenting them as his own. Prince's practice of appropriating familiar subject matter exposes the inner mechanics of desire and power pervading the media and our cultural consciousness at large, particularly as they relate to identity and gender constructs.
瀏覽藝術家