73
李察德．佩利斯
《黑色笑話》
- 估價
- £7,000 - 9,000‡
拍品詳情
全套11組蝕刻版畫 直刻版畫 光刻版畫 幼點腐蝕 英國索馬賽特緞面版畫紙本（全包邊）
1992年作
圖像：27.3 x 40.3 公分 (10 3/4 x 15 7/8 英吋)
紙本：46.2 x 54.2 公分 (18 1/4 x 21 3/8 英吋)
紙本：46.2 x 54.2 公分 (18 1/4 x 21 3/8 英吋)
款識：簽名、38/40
尚有10版藝術家試作版，由紐約Edition Julie Sylvester畫廊出版，缺少原裝文件夾，全部未裱。
尚有10版藝術家試作版，由紐約Edition Julie Sylvester畫廊出版，缺少原裝文件夾，全部未裱。
專家
完整圖錄內容
文學
李察德．佩利斯
American | 1947For more than three decades, Prince's universally celebrated practice has pursued the subversive strategy of appropriating commonplace imagery and themes – such as photographs of quintessential Western cowboys and "biker chicks," the front covers of nurse romance novellas, and jokes and cartoons – to deconstruct singular notions of authorship, authenticity and identity.Starting his career as a member of the Pictures Generation in the 1970s alongside such contemporaries as Cindy Sherman, Robert Longo and Sherrie Levine, Prince is widely acknowledged as having expanded the accepted parameters of art-making with his so-called "re-photography" technique – a revolutionary appropriation strategy of photographing pre-existing images from magazine ads and presenting them as his own. Prince's practice of appropriating familiar subject matter exposes the inner mechanics of desire and power pervading the media and our cultural consciousness at large, particularly as they relate to identity and gender constructs.
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