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戴歷.亞當斯

《與救生圈的自畫像》

2019年作
木刻版畫 金箔拼貼 重編織紙本(全紙本)
S. 40 x 40 英吋(101.6 x 101.6 公分)
款識:簽名、23/50
鈴印:威斯康辛州Tandem Press, Madison(畫背)
尚有50版及10版藝術家試作版,由威斯康辛州Tandem Press, Madison出版,此為未裱。

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戴歷.亞當斯

American | 1970

Through the mediums of collage, video, sculpture and drawing, Brooklyn-based artist Derrick Adams explores the way mass media affects identity, particularly in the context of African Americans in contemporary culture.

In his collage works mimicking television screens, Adams takes his source imagery from screen captures of old clips from YouTube, which he then uses as reference. “The images come from…everything from ‘Good Times’ to ‘Coming to America’ to Oprah on the news…These images I’m taking from all these shows—from comedy to news or whatever—all are representations of black characterization…These images can be problematic because they’re such a high-animated state that they become more like caricatures of themselves”. In rendering these reference images with blocks of color, Adams confronts the media’s deconstruction of reality. 

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