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戴歷.亞當斯

《黑桃皇后(B版)》

2015年作
全套2組彩色版畫 Hotpress 紙本(全紙本連文本)存於原裝紅布文件夾
兩組紙本:15 1/4 x 11 1/2 英吋 (38.7 x 29.2 公分)
款識:簽名、日期、II/II P.P(畫背)
尚有18版、3版藝術家試作版,此為出版商試作版,由紐約 Eminence Grise Editions 出版。
Including: Holding Court; and Countess N and Lizaveta Ivanovna

戴歷.亞當斯

American | 1970

Through the mediums of collage, video, sculpture and drawing, Brooklyn-based artist Derrick Adams explores the way mass media affects identity, particularly in the context of African Americans in contemporary culture.

In his collage works mimicking television screens, Adams takes his source imagery from screen captures of old clips from YouTube, which he then uses as reference. “The images come from…everything from ‘Good Times’ to ‘Coming to America’ to Oprah on the news…These images I’m taking from all these shows—from comedy to news or whatever—all are representations of black characterization…These images can be problematic because they’re such a high-animated state that they become more like caricatures of themselves”. In rendering these reference images with blocks of color, Adams confronts the media’s deconstruction of reality. 

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