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57Δ

倉俁史朗

《玻璃椅》

1976年作
玻璃 Photobond 100 粘合劑
89.6 x 89.9 x 60 公分 (35 1/4 x 35 3/8 x 23 5/8 英吋)
共有40版,此為第31版,由日本 Mihoya Glass 有限公司製造,並附 Meiko Kuramata 之保證書。
Examples of the 'Glass' chair are in the permanent collection of the Corning Museum of Glass, New York; the High Museum of Art, Atlanta; the Museum of Fine Arts, Houston; the National Museum of Modern Art, Kyoto; the Toyama City Museum of Modern Art and the New York Museum of Modern Art.

倉俁史朗

Japanese | B. 1934 D. 1991

Shiro Kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention. After a restless childhood, his ideas of being an illustrator having been discouraged, Kuramata discovered design during his time at the Teikoku Kizai Furniture Factory in Arakawa-ku in 1954. The next year he started formal training at the Department of Interior Design at the Kuwasawa Design Institute. His early work centered on commercial interiors and window displays. In 1965, at the age of 31, he opened his own firm: Kuramata Design Office.



Throughout his career he found inspiration in many places, including the work of Italian designers (particularly those embodying the Memphis style) and American conceptual artists like Donald Judd, and combined such inspirations with his own ingenuity and creativity. His dynamic use of materials, particularly those that were transparent, combination of surfaces and awareness of the potential of light in design led him to create objects that stretched structural boundaries and were also visually captivating. These qualities are embodied in his famous Glass Chair (1976).

瀏覽藝術家