48
Yayoi Kusama
《永遠的愛 (K. 282-291)》
- 估價
- $150,000 - 250,000
$466,200
拍品詳情
全套10組絲印 閃粉 Rives BFK 紙本（全包邊）
隨附 Alain Jouffroy 的詩、標題頁和版權頁（散裝，如出版所示）包裝在原裝手工紙本和壓紋皮革文件夾
隨附 Alain Jouffroy 的詩、標題頁和版權頁（散裝，如出版所示）包裝在原裝手工紙本和壓紋皮革文件夾
2000年作
圖像：15 x 17 7/8 英吋 (38.1 x 45.4 公分)
紙本：19 5/8 x 25 1/2 英吋 (49.8 x 64.8 公分)
紙本：19 5/8 x 25 1/2 英吋 (49.8 x 64.8 公分)
款識：簽名、標題、日期、34/60
共有15版藝術家試作版，由巴黎 Atelier Eric Seydoux 印刷及日本枚方市 FMR Trading Limited 出版，全部已裱。
共有15版藝術家試作版，由巴黎 Atelier Eric Seydoux 印刷及日本枚方市 FMR Trading Limited 出版，全部已裱。
專家
完整圖錄內容
圖錄文章
Including: Chapeau (I); Chapeau (II); Citrouille (I); Citrouille (II); Panier de fruits (I); Panier de fruits (II); Papillon (I); Papillon (II); Tulipe (I); and Tulipe (II)
來源
文學
Yayoi Kusama
JapaneseNamed "the world's most popular artist" in 2015, it's not hard to see why Yayoi Kusama continues to dazzle contemporary art audiences globally. From her signature polka dots—"fabulous," she calls them—to her mirror-and-light Infinity Rooms, Kusama's multi-dimensional practice of making art elevates the experience of immersion. To neatly pin an artistic movement onto Kusama would be for naught: She melds and transcends the aesthetics and theories of many late twentieth century movements, including Pop Art and Minimalism, without ever taking a singular path.
As an nonagenarian who still lives in Tokyo and steadfastly paints in her studio every day, Kusama honed her punchy cosmic style in New York City in the 1960s. During this period, she staged avant-garde happenings, which eventually thrust her onto the international stage with a series of groundbreaking exhibitions at the Museum of Modern Art in the 1980s and the 45th Venice Biennale in 1993. She continues to churn out paintings and installations at inspiring speed, exhibiting internationally in nearly every corner of the globe, and maintains a commanding presence on the primary market and at auction.
瀏覽藝術家As an nonagenarian who still lives in Tokyo and steadfastly paints in her studio every day, Kusama honed her punchy cosmic style in New York City in the 1960s. During this period, she staged avant-garde happenings, which eventually thrust her onto the international stage with a series of groundbreaking exhibitions at the Museum of Modern Art in the 1980s and the 45th Venice Biennale in 1993. She continues to churn out paintings and installations at inspiring speed, exhibiting internationally in nearly every corner of the globe, and maintains a commanding presence on the primary market and at auction.