Private Collection, New York
Sotheby's, New York, March 2, 2018, lot 314
Acquired at the above sale by the present owner
Vienna, Kunsthalle Wien; Stuttgart, Württembergischer Kunstverein; Bozen, AR/GEKUNST; Bregenz, Vorarlberger Kunstverein, Tracey Moffatt, April 10 - August 3, 1998, pp. 10 (another example exhibited and illustrated, pp. 53, 55)
Ulm, Ulmer Museum; Berlin, Neuer Berliner Kunstverein; Freiburg, Kunstverein Freiburg im Marienbad, Tracey Moffatt: laudanum, 1999, p. 10 (another example exhibited and illustrated)
Barcelona, Centre Cultural de la Fundació La Caixa; Santiago de Compostela, Centro Galego de Arte Contemporánea; Paris, Centre national de la photographie, Tracey Moffatt, May 20, 1999 - January 24, 2000, p. 31 (another example exhibited and illustrated, front cover and p. 32)
Atlanta, High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection, November 4, 2000 - January 28, 2001, p. 198 (another example exhibited and illustrated)
Roslyn Harbor, Nassau County Museum of Art, Tracey Moffatt, February - April 2001 (another example exhibited)
Gael Newton and Tracey Moffatt, eds., Tracey Moffatt: Fever Pitch, Annandale, 1995, p. 38 (another example illustrated, p. 39)
Adrian Martin, "Tracey Moffatt's Australia (A Reconnaissance)", Parkett, no. 53, 1998 (another example illustrated)
Lourdes Peracaula, ed., Tracey Moffatt, Barcelona and Paris 1999, p. 32, and cover (another example illustrated)
Burkhard Riemschneider and Uta Grosenick, eds., Art at the Turn of the Millennium, Cologne, 1999, p. 394 (another example illustrated)
Chloe Wolifson, "'It took a lot of guts': Tracey Moffatt's eerie new portals", The Sydney Morning Herald, July 5, 2019, online (another example illustrated)