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  • Provenance

    Barbara Gladstone Gallery, New York; Galerie Micheline Szwajcer, Antwerp

  • Artist Biography

    Richard Prince

    American • 1947

    For more than three decades, Prince's universally celebrated practice has pursued the subversive strategy of appropriating commonplace imagery and themes – such as photographs of quintessential Western cowboys and "biker chicks," the front covers of nurse romance novellas, and jokes and cartoons – to deconstruct singular notions of authorship, authenticity and identity.

    Starting his career as a member of the Pictures Generation in the 1970s alongside such contemporaries as Cindy Sherman, Robert Longo and Sherrie Levine, Prince is widely acknowledged as having expanded the accepted parameters of art-making with his so-called "re-photography" technique – a revolutionary appropriation strategy of photographing pre-existing images from magazine ads and presenting them as his own. Prince's practice of appropriating familiar subject matter exposes the inner mechanics of desire and power pervading the media and our cultural consciousness at large, particularly as they relate to identity and gender constructs.

    View More Works

20

Untitled (Good News Bad News)

1988
Ink, felt-tip pen and spraypaint on paper (in eight parts).
11 5/8 x 15/5/8 in. (29.5 x 7.6 cm) each.
Signed and dated "R Prince 88" lower right of seven of the works.

Estimate
£40,000 - 60,000 

Property from The Vanmoerkerke Collection, Belgium

3 Apr 2008, 4pm
London