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  • Literature

    Lucie Rie, exh. cat., Crafts Council — The Victoria and Albert Museum, London, 1981, p. 86, item 190 for a similar example; Issey Miyake Meets Lucie Rie, exh. cat., Sogetsu Gallery, Tokyo, 1989, p. 116, item 91 for a similar example; Lucie Rie/Hans Coper — Masterworks by Two British Potters, exh. cat., The Metropolitan Museum of Art, New York, 1994, p. 8, item R32 for a similar example; Tony Birks, Lucie Rie, French edition, Vendin le Vieil, 2006, p. 181 for a similar example

  • Artist Biography

    Lucie Rie

    Austrian • 1902 - 1995

    Dame Lucie Rie studied under Michael Powolny at the Kunstgewerbeschule in Vienna before immigrating to London in 1938. In London she started out making buttons for the fashion industry before producing austere, sparsely decorated tableware that caught the attention of modernist interior decorators. Eventually she hit her stride with the pitch-perfect footed bowls and flared vases for which she is best-known today. She worked in porcelain and stoneware, applying glaze directly to the unfired body and firing only once. She limited decoration to incised lines, subtle spirals and golden manganese lips, allowing the beauty of her thin-walled vessels to shine through. In contrast with the rustic pots of English ceramicist Bernard Leach, who is considered an heir to the Arts and Crafts movement, collectors and scholars revere Rie for creating pottery that was in dialogue with the design and architecture of European Modernism.

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Footed bowl

ca. 1980
Porcelain, glassy green glaze with manganese speckle and bright golden manganese rim.
7 7/8 in. (20 cm.) diameter.
Impressed with artist’s seal.

$12,000 - 16,000 

Sold for $47,500


9 June 2010
New York