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‘‘There is nothing more fit to be looked at than the outside of a book. It is, as I may say from repeated experience, a pure and unmixed pleasure to have a goodly volume lying before you, and to know that you may open it if you please, and need not open it unless you please. It is a resource against ennui, if ennui should come upon you.’’ —Thomas Love Peacock, Crotchet Castle, 1831. John J. McKendry, Curator in Charge, Department of Prints and Photographs, Metropolitan Museum of Art, 1973
‘The primary function of a book cover, whether it be simply paper or a lavish jewel-encrusted gold binding, is to protect the book's pages. But protection is only the beginning. Covers are also used to inform us of a book's content, sometimes directly, sometimes quite subtly; often they are used to enhance, to give delight and pleasure. Covers have been made from a wide-ranging assortment of materials, paper, wood, cloth, leather, ivory, and metal, and they have been designed or decorated in a great variety of fashions. Some conceal, some reveal, some surprise, some detract, but all of them are part of our experience of enjoying a book.
Books are ambiguous objects, for cover and contents combine to make a three-dimensional object that can be looked at in an enormous variety of ways. In this exhibition the emphasis is on the covers. However, the contents of the book should not be ignored, as both are inextricably linked together, both figuratively and literally.
Frankenthaler is a book consisting of text and illustrations, dealing with the paintings of one of the foremost painters of the New York School, Helen Frankenthaler. It is a beautiful book, designed by Robert Motherwell, with a text that is a unique blend of familiarity and perception, by Barbara Rose, who has known Frankenthaler as both a friend and a painter for many years. The cover of the regular edition reproduces a drawing by Frankenthaler, mainly eggplant in color against a white background, with touches of green and yellow. The book is substantial but not ponderous, capturing the essentials of Frankenthaler's oeuvre without attempting to be complete or in any way final; this would be an impossible task with an artist so young and active as Frankenthaler.
After the book had been completed, the artist and publisher decided to do a special edition. The first suggestion, which is a tradition in book publishing, was that an edition of a print should be done for a limited number of copies. But Frankenthaler was not excited at the idea of adding, as she said, what seemed like a premium to an already completed book. Instead she decided to paint a number of specially bound cloth covers. She attacked this project with characteristic spontaneity and verve.
Somehow the very limitations imposed by the nature of a book cover - its flatness and three-dimensionality and the repetition of the format-- led her to do a remarkable series of paintings, uncontainable yet strictly confined, which combine discipline and spontaneity equally. In these covers Frankenthaler's full range of shapes and colors is suggested. With ease and precision she draws on her extensive invented vocabulary. Frankenthaler has said that she does not want her paintings to look like images that have been labored over, and they do not look as if they were. But the ease of Frankenthaler's work is deceptive, for there is enormous control behind those dashes and blots of paint.
The covers were done over a short period of time, on weekends. When Frankenthaler told me this I could not help thinking of Rubens, whose publisher, Moretus, wrote that when he commissioned title pages from the artist, "I must inform him six months ahead, that he may think over the title and delineate It with complete leisure on Sundays." Both artists seem to have approached their book projects in somewhat the same spirit. Three centuries separate them, and their aims were completely different - while Rubens dashed off free sketches that were translated by skilled craftsmen into finished engravings, Frankenthaler painted the books themselves-- but both lavished their talents on enhancing books.
Other artists have specially designed covers for their books or the books of others, and some have decorated individual copies of books with drawings or paintings, but this series of book covers is unique. It is in many ways characteristic of Frankenthaler, who so often acts counter to what is common, that she should make a special edition that is not an edition at all, as each of the sixty-two covers is different. Frankenthaler, like a true artist-magician, has transformed this book. She has made a book on art into a work of art.’
“I think a good dealer is also a collector.”
—Rosa EsmanRosa and Aaron Esman assembled an outstanding collection of Modern, Post-War, and Contemporary art over the course of their seventy-year marriage. The collection’s highlights mirror that of Rosa’s career as a gallerist and edition publisher with the strong support of Aaron, a psychoanalyst and passionate collector, with interests in Modernism, Dada, Russian Constructivism, and American Pop Art taking center stage. Rosa began publishing portfolios of prints by contemporary artists in the 1960s. Editions such as the New York Ten Portfolio, 1965, Seven Objects In A Box, 1966, and Ten from Leo Castelli, 1968, which featured works by rising contemporary artists such as Andy Warhol, Roy Lichtenstein, Claes Oldenburg, and Robert Rauschenberg, pioneered the field of artist’s editions. Her eponymous gallery exhibited in Manhattan for over twenty years, and she was a founding partner of Ubu Gallery, which is still in operation today.
When asked about her wide artistic tastes in 2009, Rosa emphasized her love of drawing, “the
quintessential bit of the art,” which can be seen across the Esman collection, regardless of genre.Art was one of several passions that Rosa and Aaron shared, even when they began dating in the early 1950s. In 1952, they bought their first artwork together, a drawing by Miró, initiating their shared pursuit of inspired collecting that would continue for the rest of their lives. Rosa recalled: “sometimes we look at something, and I say, ‘Oh, isn’t that marvelous?’ and Aaron would respond, ‘It’s for us.’” Founded in lifelong love, the Collection of Rosa and Aaron Esman gives a unique vision of the art movements of the 20th century that shaped New York’s art scene.
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Rosa and Aaron Esman, Madrid, 1963
Property from the Collection of Rosa and Aaron Esman
57
Painted Book Cover
1971
Acrylic in colors, on canvas bound monograph of the artist, with text by Barbara Rose, designed by Robert Motherwell.
11 x 11 3/4 x 1 1/2 in. (27.9 x 29.8 x 3.8 cm)
Signed in black ink on the spine of the book, additionally signed and numbered '23' in black ink on the title page (from a series of 62 unique paintings), published by Harry N. Abrams, Inc., New York, framed.
Estimate
$15,000 - 25,000
Sold for $24,130
Editions@phillips.com
212 940 1220
Editions & Works on Paper
New York Auction 21 June 2023
1
Alexander Calder
Le Noble chevalier (The Noble Knight)
Estimate $800 - 1,200
Sold for $3,302
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2
Alexander Calder
Untitled (Pin Wheel and Circles)
Estimate $1,500 - 2,500
Sold for $6,985
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3
Alexander Calder
Le Crâne dans le nid (The Skull in the Nest)
Estimate $2,000 - 3,000
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4
Alexander Calder
Untitled
Estimate $1,500 - 2,500
Sold for $6,096
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5
Alexander Calder
Un Drôle de poisson (A Funny Fish)
Estimate $2,000 - 3,000
Sold for $2,540
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6
Alexander Calder
La Mousson (The Monsoon)
Estimate $1,500 - 2,500
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7
Alexander Calder
Le S et le O (The S and the O)
Estimate $1,500 - 2,500
Sold for $3,302
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8
Alexander Calder
Les Scies (The Saws)
Estimate $1,500 - 2,500
Sold for $5,334
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9
Alexander Calder
Horizontal Pyramides
Estimate $1,500 - 2,500
Sold for $4,064
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10
Alexander Calder
Flat World
Estimate $2,000 - 4,000
Sold for $3,556
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11
Alexander Calder
El Círculo de Piedra (The Stone Circle): one plate
Estimate $800 - 1,200
Sold for $1,016
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12
Alexander Calder
Untitled (Fiesta)
Estimate $2,000 - 3,000
Sold for $5,334
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13
Alexander Calder
Untitled, from Calder, Magie Éolienne (Calder, Aeolian Magic)
Estimate $1,000 - 2,000
Sold for $8,255
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14
Alexander Calder
Abe Ribicoff
Estimate $1,500 - 2,500
Sold for $2,794
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15
Alexander Calder
Tapestry
Estimate $2,000 - 4,000
Sold for $6,096
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16
Alexander Calder
Taches de rousseur (Freckles), from La Mémoire élémentaire
Estimate $4,000 - 6,000
Sold for $8,890
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17
Alexander Calder
Homage to Euclid (Composition IX), from La Mémoire élémentaire
Estimate $3,000 - 5,000
Sold for $9,525
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18
Alexander Calder
Elephants, from Our Unfinished Revolution
Estimate $3,000 - 4,000
Sold for $8,890
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19
Alexander Calder
Seal, from Our Unfinished Revolution
Estimate $2,000 - 3,000
Sold for $4,445
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20
Alexander Calder
Lion and Tamer
Estimate $1,500 - 2,500
Sold for $2,413
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21
Alexander Calder
Un Patriote (A Patriot)
Estimate $1,500 - 2,500
Sold for $1,905
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22
Alexander Calder
Galactic System
Estimate $3,000 - 5,000
Sold for $5,334
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23
Alexander Calder and Carlos Franqui
Lo Oscuro Invade (The Dark Invades)
Estimate $1,200 - 1,800
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24
Alexander Calder
Flying Colors
Estimate $3,000 - 5,000
Sold for $4,826
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25No Reserve
Alexander Calder
Boomerang
Estimate $1,000 - 2,000 •
Sold for $6,985
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26
Joan Miró
Escalade vers la lune (Climbing to the Moon) (D. 496)
Estimate $7,000 - 10,000
Sold for $22,860
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27
Joan Miró
Sans le soleil, malgré les autres astres, il ferait nuit, Héraclite d'Éphèse (Without the Sun, Despite the Other Stars, it Would be Night, by Heraclitus of Ephesus): one plate (see D. 400, see C. bks. 98)
Estimate $800 - 1,200
Sold for $1,651
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28
Eduardo Chillida
Omar Khayyam Txiki (Little Omar Khayyam) (K. 82007)
Estimate $3,000 - 5,000
Sold for $2,540
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29
Conrad Marca-Relli
Multiple A; Multiple B; Multiple C; Multiple D; and [Untitled]
Estimate $2,000 - 3,000
Sold for $1,270
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30
Richard Serra
Weight IX
Estimate $10,000 - 15,000
Sold for $25,400
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31
Richard Serra
Venice Notebook 2001, #15 (G. 1923, B.-W. 159)
Estimate $3,000 - 5,000
Sold for $6,350
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32
Richard Serra
Venice Notebook 2001, #17 (G. 1926, B.-W. 161)
Estimate $3,000 - 5,000
Sold for $6,985
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33
Richard Serra
Untitled (Film Forum Print) (G. 1417, B.-W. 57)
Estimate $2,000 - 3,000
Sold for $2,032
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34
Bernar Venet
Undetermined Line
Estimate $8,000 - 12,000
Sold for $12,700
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35
Vija Celmins
Saturn Stamps (R. 28)
Estimate $2,000 - 3,000
Sold for $5,334
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36
Vija Celmins
Untitled, from The Stars
Estimate $3,000 - 5,000
Sold for $3,810
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37
Vija Celmins
Night Sky I (Reversed) (G. 1932, R. 38)
Estimate $5,000 - 7,000
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38
No ReserveSol LeWitt
A Sphere Lit from the Top, Four Sides, and all their Combinations (Composite) (K. 2004.07)
Estimate $2,000 - 3,000 •
Sold for $1,524
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39
Sol LeWitt
Pyramids: plate #2 (K. 1987.03)
Estimate $2,000 - 3,000
Sold for $2,794
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40
No ReserveRichard Tuttle
Entertaining...
Estimate $1,000 - 2,000 •
Sold for $953
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41No Reserve
Richard Tuttle
Plastic History (Portfolio)
Estimate $800 - 1,200 •
Sold for $762
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42
Tauba Auerbach
Plate Distortion II
Estimate $2,000 - 3,000
Sold for $1,905
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43No Reserve
Mark Tobey
Renaissance of a Flower; Paean; and Of Time and Age
Estimate $1,500 - 2,500 •
Sold for $1,080
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44
Peter Halley
A Tour of the Monuments of Passiac, New Jersey (S. pp. 132-133)
Estimate $1,000 - 2,000
Sold for $1,143
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45
Robert Motherwell
La Casa de la Mancha (E. & B. 349)
Estimate $3,000 - 5,000
Sold for $3,302
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46No Reserve
Frank Stella
Polar Co-ordinates IV, from Polar Co-ordinates for Ronnie Peterson (A. 122)
Estimate $3,000 - 5,000 •
Sold for $8,255
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47
Frank Stella
Itata, from V Series (G. 76, A. 23)
Estimate $3,000 - 5,000
Sold for $5,715
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48
Frank Stella
Gezira; and Gavotte, from Black Series II (G. 67 & 72, A. 14 & 19)
Estimate $5,000 - 7,000
Sold for $6,985
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49
Josef Albers
Allegro (D. 155)
Estimate $1,000 - 2,000
Sold for $4,064
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50
Leon Polk Smith
Volair Constellation Series: two plates
Estimate $2,000 - 3,000
Sold for $4,445
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51
Ellsworth Kelly
Light Blue with Orange (Bleu clair avec orange), from Suite of Twenty-Seven Color Lithographs (A. 14)
Estimate $5,000 - 7,000
Sold for $11,430
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52
Larry Zox
Stencil Series: three plates
Estimate $1,800 - 2,500
Sold for $4,445
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53
Richard Anuszkiewicz
Silent Red
Estimate $900 - 1,200
Sold for $3,302
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54
Tauba Auerbach
Fold Slice Topo II
Estimate $1,500 - 2,500
Sold for $2,794
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55
Ross Bleckner
Chaperone
Estimate $2,000 - 3,000
Sold for $5,334
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56
Ross Bleckner
PS I; and PS II
Estimate $1,500 - 2,500
Sold for $4,826
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57
Helen Frankenthaler
Painted Book Cover
Estimate $15,000 - 25,000
Sold for $24,130
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58
Helen Frankenthaler
Flirt (R. p. 195)
Estimate $5,000 - 7,000
Sold for $17,145
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59
Emma Webster
La Nouvelle Epoque (The New Era)
Estimate $2,000 - 3,000
Sold for $3,810
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60
Alex Katz
Blue Umbrella 2
Estimate $30,000 - 50,000
Sold for $72,390
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61
Alex Katz
White Visor (S. 381)
Estimate $25,000 - 35,000
Sold for $25,400
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62
Alex Katz
Late Summer Flowers
Estimate $10,000 - 15,000
Sold for $36,830
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63
Ellsworth Kelly
Melon Leaf (Feuille de Melon), from Suite of Plant Lithographs (A. 44)
Estimate $4,000 - 6,000
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64
Ellsworth Kelly
Seaweed (Algue), from Suite of Plant Lithographs (A. 53)
Estimate $4,000 - 6,000
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65
Jim Dine
The White Foot (B. 101)
Estimate $20,000 - 30,000
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66
Tom Wesselmann
Helen Nude (W.P.I. P816)
Estimate $8,000 - 12,000
Sold for $8,255
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67
Henri Matisse
Nu assis dans un fauteuil au décor fleuri (Nude Sitting in a Floral Decorated Armchair) (D. 445)
Estimate $7,000 - 10,000
Sold for $17,780
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68
After Pablo Picasso
Jacqueline à l'Atelier (Jacqueline at the Easel)
Estimate $10,000 - 15,000
Sold for $22,860
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69
Pablo Picasso
Deux femmes se reposant (Two Women Resting), plate 10 from La Suite Vollard (Bl. 143, Ba. 210)
Estimate $6,000 - 9,000
Sold for $15,240
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70
Françoise Gilot
Young Girl and Pelican
Estimate $1,500 - 2,000
Sold for $7,620
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71
Rufino Tamayo
Hombre I (Man I); and Mujercita (Little Woman) (P. 295 & 300)
Estimate $2,000 - 4,000
Sold for $4,445
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72
Henry Moore
Head of Girl and Reclining Figure (C. 506)
Estimate $600 - 800
Sold for $1,207
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73
David Hockney
Gregory Reclining, from Friends (G. 772, M.C.A.T. 198)
Estimate $5,000 - 7,000
Sold for $6,350
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74
David Hockney
Joe McDonald, from Friends (G. 717, S.A.C. 175, M.C.A.T. 164)
Estimate $4,000 - 6,000
Sold for $8,890
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75
Kerry James Marshall
Untitled (Woman)
Estimate $6,000 - 9,000
Sold for $7,620
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76
Kerry James Marshall
Untitled (Handsome Young Man)
Estimate $6,000 - 9,000
Sold for $12,065
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77
John Currin
Milestones
Estimate $6,000 - 9,000
Sold for $5,715
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78
Paul Cadmus
Two Boys on a Beach, No. 2 (D. 43, J. 86)
Estimate $4,000 - 6,000
Sold for $5,334
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79No Reserve
Eric Fischl
On the Beach, Blue
Estimate $10,000 - 15,000 •
Sold for $6,350
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80No Reserve
Malcolm Morley
Beach Scene with Parasailor
Estimate $600 - 900 •
Sold for $2,032
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81
Tom Wesselmann
Country Bouquet (W.P.I. E35)
Estimate $60,000 - 90,000
Sold for $292,100
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82
Wayne Thiebaud
Candy Counter (State 1), from Seven Still Lifes and a Rabbit
Estimate $3,000 - 5,000
Sold for $7,620
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83
No ReserveTom Wesselmann
Still Life, from New York Ten (W.P.I. P654)
Estimate $1,000 - 2,000 •
Sold for $1,905
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84
George Segal
Girl in a Chair (S. 1025)
Estimate $2,000 - 3,000
Sold for $1,778
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85
Claes Oldenburg
Baked Potato, from 7 Objects in a Box (P. 3)
Estimate $4,000 - 6,000
Sold for $8,890
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86
Claes Oldenburg
Apple Core - Spring (G. 1438, A. & P. 210)
Estimate $1,000 - 2,000
Sold for $8,255
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87
Roy Lichtenstein
Brushstrokes (C. 45)
Estimate $10,000 - 15,000
Sold for $50,800
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88
Roy Lichtenstein
Interior with Chair, from the Leo Castelli 90th Birthday portfolio (C. 309)
Estimate $12,000 - 18,000
Sold for $15,240
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89
Roy Lichtenstein
Modern Sculpture with Apertures (C. 46)
Estimate $4,000 - 6,000
Sold for $6,985
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90
Jeff Koons
Diamond (Red)
Estimate $12,000 - 18,000
Sold for $19,050
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91
James Rosenquist
Paper Clip (G. 71)
Estimate $3,000 - 5,000
Sold for $12,700
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92No Reserve
Mel Ramos
Devil Doll (H. p. 56)
Estimate $700 - 1,000 •
Sold for $762
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93
Emily Mae Smith
Medusa
Estimate $3,000 - 5,000
Sold for $4,826
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94
Lari Pittman
Existential and Needy (C. p. 335)
Estimate $400 - 600
Sold for $826
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95
Kenny Scharf
Blimy
Estimate $1,000 - 1,500
Sold for $1,207
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96
Takashi Murakami
AND THEN Black
Estimate $1,000 - 2,000
Sold for $3,302
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97
Takashi Murakami
Killer Pink
Estimate $2,000 - 3,000
Sold for $3,556
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98
Yoshitomo Nara
Miss Spring
Estimate $3,000 - 5,000
Sold for $8,890
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99No Reserve
Calvin Marcus
Untitled
Estimate $400 - 600 •
Sold for $76
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100
David Wojnarowicz
Fire & Water, from Four Elements
Estimate $3,000 - 5,000
Sold for $5,080
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101
Pablo Picasso
Sueño y mentira de Franco I & II (The Dream and Lie of Franco) (Bl. 297 & 298, Ba. 615 & 616, C. bks 28)
Estimate $7,000 - 10,000
Sold for $22,860
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102
Roy Lichtenstein
Morton A. Mort, from Expressionist Woodcut Series (G. 886, C. 178)
Estimate $10,000 - 15,000
Sold for $16,510
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103
Keith Haring
Untitled (Free South Africa): one plate (S. p. 142, L. pp. 42-43)
Estimate $20,000 - 30,000
Sold for $25,400
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104
Keith Haring
Catalogue Dedication
Estimate $6,000 - 9,000
Sold for $24,130
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105
After Jean-Michel Basquiat
Flexible
Estimate $60,000 - 90,000
Sold for $88,900
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106
Huma Bhabha
Reconstructions
Estimate $8,000 - 12,000
Sold for $12,700
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107
Kara Walker
The Bush; Skinny; and De-boning
Estimate $3,000 - 5,000
Sold for $12,700
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108
William Kentridge
Panic Picnic, from Sleeping on Glass (K. p. 82)
Estimate $2,000 - 3,000
Sold for $2,540
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109
Mike Kelley and Tony Oursler
Poetics Country (S. p. 414)
Estimate $800 - 1,200
Sold for $4,445
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110
Raymond Pettibon
Thinking of You
Estimate $12,000 - 18,000
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111
Mike Kelley
Reconstructed History
Estimate $1,000 - 2,000
Sold for $2,032
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112
Bruce Nauman
Untitled (Hands)
Estimate $1,200 - 1,800
Sold for $2,159
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113
Jadé Fadojutimi
Clustering Thoughts
Estimate $5,000 - 7,000
Sold for $10,160
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114
Julie Mehretu
Fracture
Estimate $3,000 - 5,000
Sold for $22,860
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115
Glenn Ligon
Draft
Estimate $3,000 - 5,000
Sold for $3,302
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116
Chakaia Booker
Untitled
Estimate $800 - 1,200
Sold for $1,080
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117
Faith Ringgold
Here Comes Moses, from Jones Road
Estimate $2,000 - 3,000
Sold for $2,032
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118
Jordi Ribes
The Green Partner
Estimate $1,500 - 2,500
Sold for $1,397
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119
This lot is no longer available.
120
Andy Warhol
Liza Minnelli at Halston's House, from Photographs
Estimate $2,000 - 3,000
Sold for $6,350
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121
Anna Weyant
Robes
Estimate $2,000 - 3,000
Sold for $2,540
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122
Alex Israel
The Bigg Chill; Maltese Falcon; and Risky Business
Estimate $8,000 - 12,000
Sold for $19,050
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123
Robert Longo
Tiger
Estimate $15,000 - 25,000
Sold for $25,400
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124
Gerhard Richter
P-16 (Flow)
Estimate $8,000 - 12,000
Sold for $19,050
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125
Damien Hirst
Superstition
Estimate $4,000 - 6,000
Sold for $15,240
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126
Daniel Arsham
Future Relic 03 (Clock)
Estimate $1,500 - 2,500
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127
Doug Starn and Mike Starn
Double Rembrandt (with steps)
Estimate $2,500 - 3,500
Sold for $5,080
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128
Ed Ruscha
Various Small Fires; Some Los Angeles Apartments; Nine swimming pools; A Few Palm Trees; Colored People; and S Books (E. B2, B3, B8, B13 & B16)
Estimate $2,500 - 3,500
Sold for $5,715
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129No Reserve
Matthew Barney
Cremaster: Field Suite
Estimate $1,000 - 2,000 •
Sold for $3,048
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130
Banksy
No Ball Games (Grey)
Estimate $30,000 - 40,000
Sold for $44,450
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131
Jeff Koons
Gazing Ball (Manet Olympia)
Estimate $18,000 - 25,000
Sold for $38,100
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132
Damien Hirst
The Empresses (H. 10)
Estimate $12,000 - 18,000
Sold for $16,510
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133
Ai Weiwei
Artist's Hand
Estimate $2,500 - 3,500
Sold for $6,985
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