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  • Provenance

    Acquired directly from the artist by the present owner

  • Catalogue Essay

    Carolee Schneemann
    Born 1939, Fox Chase, Pennsylvania
    Died 2019, New Paltz, New York

    1959 BA Bard College, New York
    1961 MFA University of Illinois, Illinois

    Selected museum exhibitions: Museum der Moderne Salzburg, Austria (2015); The Merchant House, Amsterdam (2015); Göteborg International Biennial for Contemporary Art, Sweden (2013); Dia Beacon, New York (2012); MOCCA, Toronto (2007); New Museum of Contemporary Art, New York (1997); Kunstraum, Vienna (1995); Syracuse University, New York (1994); Colby-Sawyer College, New Hampshire (1984)
    Selected honors: Golden Lion for Lifetime Achievement, Venice Biennale (2017); Aurora Award (2014); Jimmy Earnst Lifetime Achievement Award (2002); Rockefeller Foundation Award (2001); Pollock-Krasner Artist Grant (1997); Guggenheim Fellowship (1993); National Endowment for the Arts Grant (1983); Cassandra Foundation Grant (1970)
    Selected public collections: ARCO Museum, Spain; Berkeley Art Museum, California; Bronx Museum of the Arts, New York; J. Paul Getty Center, California; Hamburg Kunste Museum, Germany; Hirschhorn Museum, Washington; Institute of Contemporary Art, London; Institute of Contemporary Art, Los Angeles; Ludwig Collection, Germany; Museum of Modern Art, New York; Muzeum Wspólczesne, Poland; Moderna Museet, Stockholm; Whitney Museum of Art

    Carolee Schneemann was a pioneer of feminist art and performance. Her multimedia works and performances confronted taboos around creativity, nudity, sensuality, and sexuality. Among Schneemann’s most groundbreaking work is Interior Scroll, a performance from 1975 that is documented in these 13 photographs. During the performance, she entered the space wearing a white sheet and an apron. After undressing, she read from her book Cezanne, She Was a Great Painter and applied paint to her body. She then extracted a scroll from her vagina and read the text on it aloud, a response to a critic who accused her of making messy, female work.


Interior Scroll

each signed, titled, dated and numbered “HC” on the reverse of the mount
thirteen gelatin silver prints, printed 2008
each 11 x 14 in. (27.9 x 35.6 cm.)
Includes colophon and transcript of scroll text, enclosed in clothbound clamshell case.

Estimate On Request

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NOMEN: American Women Artists from 1945 to Today

New York Selling Exhibition 19 June - 3 August 2019