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法蘭西斯·培根

《頭像習作:伊莎貝·羅思索恩和喬治·戴爾》

估價
$13,000,000 - 18,000,000
$16,015,000
拍品詳情
油彩 畫布(雙聯作)
款識:Study for Head of Isabel Rawsthorne 1967.(左組畫背)Study for Head of George Dyer 1967.(右組畫背)
每組 14 x 12 英吋(35.6 x 30.5 公分)
1967年作於英國

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法蘭西斯·培根

Irish-British | B. 1909 D. 1992
Francis Bacon was a larger-than-life figure during his lifetime and remains one now more than ever. Famous for keeping a messy studio, and even more so for his controversial, celebrated depictions of papal subjects and bullfights, often told in triptychs, Bacon signified the blinding dawn of the Modern era. His signature blurred portraits weren't murky enough to stave off his reputation as highly contentious—his paintings were provocations against social order in the people's eye. But, Bacon often said, "You can't be more horrific than life itself."
 
In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.
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