Zhou Xiaohu - China Avant-Garde: The Farber Collection London Friday, October 12, 2007 | Phillips

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  • Provenance

    Acquired directly from the artist

  • Exhibited

    China (traveling exhibition), Long March Project, 2002; Warsaw, Zacheta National Gallery of Art, New Zone – Chinese Art, December 2, 2003 – February 1, 2004; New York, Museum of Modern Art, China Now, February 12 – 16, 2004; Seville, Seville Contemporary Art Biennale, October 1 – December 5, 2004; New York, International Center of Photography and Asia Society, June 11 – September 4, 2004; Chicago, David and Alfred Smart Museum of Art, University of Chicago and Museum of Contemporary Art, October 2, 2004 – January 16, 2005; Seattle, February 10 – May 15, 2005; London, Victoria and Albert Museum, September 15, 2005 – January 8, 2006; Berlin, Haus der Kulturen der Welt, March 23 – May 21, 2006; Santa Barbara, Santa Barbara Museum of Art, June 24 – September 17, 2006; Durham, Nasher Museum of Art, Duke University, October 19, 2006 – February 18, 2007; Between Past and Future: New Photography and Video from China; Casoria, Casoria International Contemporary Art Museum, 100 Artists for a Museum, May 28 – June 28, 2005; New York, Ethan Cohen Fine Arts, Zhou Xiaohu, September 9 – December 11, 2005; Berlin, Kino Arsenal, 2006; Vienna, Kunsthalle Wien, Zhou Xiaohu, May 1 – May 20, 2007

  • Literature

    B. Genocchio, “Ambivalent Views of an Urbanized China,” New York Times, January 12, 2003, p. 41; B. Pollack, “Mainland Dreams on Tape,” Art in America, June – July 2004; Y. Yi, Un-interpretation, Arts2021.com, December 27, 2004; H. Rutkowski, “The China Symdrome,” Art Asia Pacific, Summer 2006; K. Smith, The Real Thing: Contemporary Art from China, Liverpool, 2007, p. 188-190 (illustrated)

520

Utopian Machine

2002
DVD.
Duration: 8 minutes, 35 seconds.
This work is from an edition of 20.

Estimate
£5,000 - 7,000 Ω

China Avant-Garde: The Farber Collection

The Farber Collection
13 October 2007, 7pm
London