Zhang Xiaogang - Contemporary Evening Sale London Sunday, July 5, 2009 | Phillips

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  • Provenance

    Acquired directly from the artist

  • Literature


    U. Grosenick, C. H. Schubbe, eds., China Art Book, Cologne, 2007, p.615 (illustrated)

  • Catalogue Essay

    "Zhang's artworks focus on the relationship with the past, memory and history.The artist has always placed an emphasis on the existence of history and memory in the present. In his works, history exists in the present, there is no way to erase it, and it is continuously being revised. It is impossible to not involve history, our current perception is too derived from our memories. Zhang has always been a traditional artist, who expresses man's experiences and emotions through his paintings.Those scintillating spots, scars and lines on his canvases reveal the references to history and there lease of emotions. Such traditional expression and the insistence on it brings us back to the belief in and worship of painting's narrative." (L. Leng, Revision: Zhang Xiaogang, Pace Wildenstein,2008. p. 7)
    To the artist's generation of Chinese citizens, the colour grey is a protective coat often donned during the Cultural Revolution: a comforting indifference within the masses, an emotional nostalgia of the fading past and an uneasy thread between dreams and reality.The blurriness of Zhang's technique has been compared to Gerhard Richter's paintings: both use old photographs as resources, the lines melt into forms, and an ambiguity is introduced into the painting.The idea of realism is deliberately removed; a distance is created between the painting and its source: in this case, possibly a vintage photograph.The canvas' metaphorical grey displays the vast emptiness of the self-exiled generation.The serene expression of the dispassionate young lady in this present lot only raises questions. Who is she, and where is she going? Is she gazing through reality or have we caught her in a dream state? A patch of yellow light lands on the emotionless visage, directing us into her gaze, which extends into a complex reverie.
     

  • Artist Biography

    Zhang Xiaogang

    Chinese • 1958

    Relying on memory and inspired by family portraits from the Chinese Cultural Revolution, Zhang Xiaogang creates surreal, subtle artworks that explore the notion of identity in relation to the Chinese culture of collectivism. Using a muted, greyscale palette, Xiaogang repeatedly depicts a series of unnervingly similar figures, often dressed in identical Mao suits, to create an endless genealogy of imagined forebears and progenitors. Their somber, melancholy gazes are interrupted only by thin red bloodlines intimating familial links as well as occasional pale splotches of color resembling birthmarks.

    Xiaogang investigates how to express individual histories within the strict confines of a formula. His sitters, while appearing muted and compliant, are given physical exaggerations: oversized heads, tiny hands and long noses. These distortions imply stifled emotions and give a complex psychological dimension to the artist's work.

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19

Untitled

2006
Oil on canvas.
200 x 260 cm. (78 3/4 x 102 3/8 in).
Signed and dated 'Zhang Xiaogang 2006 [in Chinese]' lower right.
 

Estimate
£300,000 - 400,000 ≠†

Contemporary Evening Sale

29 June 2009, 7pm
London