Rose Gallery, Santa Monica, 2006
Frizot, A New History of Photography, 1998, p. 657, black and white variant
William Eggleston: Thames & Hudson, pl. 61
Szarkowski, William Eggleston's Guide, p. 105
Yale U., William Eggleston: Democratic Camera: Photographs and Video, 1961-2008, 2008, pl. 34
American • 1939
William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.
At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.
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