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  • Provenance

    Private Collection

  • Exhibited

    New York, The Studio Museum in Harlem, Wifredo Lam and His Contemporaries, 1938-1952, 6 December 1992 - 11 April 1993, no. 33.

  • Literature

    M.-P. Fouchet, Wifredo Lam, 1st ed., Barcelona/Paris, Polígrafa/Cercle d'Art, 1976, p. 234, no. 400 (illustrated).
    M.-P. Fouchet, Wifredo Lam, 2nd ed., Barcelona/Paris, Polígrafa/Cercle d'Art, 1989, p. 254, no. 432 (illustrated).
    L. Laurin-Lam and E. Lam, Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I 1923-1960, Lausanne, Acatos, 1996, p. 359, no. 44.65 (illustrated).

  • Artist Bio

    Wifredo Lam

    Cuban • 1902 - 1982

    Wifredo Lam was born in Sagua la Grande, Cuba and was of mixed Chinese, European, Indian and African descent. He studied under Fernando Álvarez de Sotomayor, curator for the Museo del Prado and teacher of Salvador Dalí.

    While studying in Spain, he met Pablo Picasso, who would become his mentor and friend as well as one of his great supporters, introducing him to the intelligentsia of the time. Lam significantly contributed to modernism during his prolific career as painter, printmaker, sculptor and ceramist. His works explored Cubism and expanded the inventive parameters of Surrealism while negotiating figuration and abstraction with a unique blend of Afro-Cuban and Surrealist iconography. His iconic visual language incorporated syncretic and fantastical objects and combined human-animal figures fused with lush vegetation.

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8

LOT OFFERED WITH NO RESERVE

Femme Nue, III (Naked Woman, III)

1944
oil on paper mounted on canvas
78 x 60.9 cm (30 3/4 x 24 in.)
Signed and dated lower right

Contact Specialist
Henry Allsopp
Worldwide Head of Latin American Art
+44 20 7318 4060 August Uribe
Deputy Chairman, Americas
+1 212 940 1208

Wifredo Lam: Blurring Boundaries

London 10 – 21 October 2016