Create your first list.

A way to share and manage lots.

  • Provenance

    Marella Gallery, Milan

  • Exhibited

    Macau, Fundaçâo Oriente, Galeria de Casa Garden, September 6 - October 6, 2002 (another example exhibited); Beijing, Courtyard Gallery, April – May, 2004 and New York, Salon 94, Wang Qingsong, Romantique, May - July, 2004 (another example exhibited); Guangzhou, Guangdong Museum of Art, Guangzhou Photo Biennale 2005, January – February, 2005 (another example exhibited); Arras, Wang Qingsong in Arras, May – June, 2005 (another example exhibited); London, Albion Gallery, Wang Qingsong, June 6 - July 7, 2006 (another example exhibited); Memmingen, MEWO Kunsthalle, China: Past, Present and Future, February, 2007 (another example exhibited)

  • Literature

    Red Mansion Foundation, Dream 02, 2002, p. 41 (illustrated); Frich, ed., La
    photographie panaramique, Paris, 2003, pp. XXII-XXIII (illustrated); NY Arts Magazine, Vol.9 n.7/8, 2004, p. 22 (illustrated); National Museum of Contemporary Art, Korea, Young Artists from Korea, China and Japan 2004, pp. 150-151 (illustrated); Officina Asia, Bologna, 2004, p. 168-169 (illustrated); Albertini and P. Marella, Out of the Red La Nuova Generazione Emergente dei Fotografi Cinese, Bologna, 2004, pp. 180-181 (illustrated); R. Vine, “The Academy Strikes Back,” Art in America, June/July, 2004 (illustrated); “Dining Out: Celebrating a “wild modernity”, The Guardian, London, October 4, 2004 (illustrated); T. Whisnand, “Wang Qingsong: The Viewer and the Viewed”, Eyemazing Issue 5, The Netherlands, Winter 2004, pp. 36-37 (illustrated); H. Du, “A Lens on Diversity”, Artlink, Contemporary Art Quarterly, Vol.23, No.4., 2004 pp. 54-55 (illustrated); A. Kotzan, “Reich der Mittel”, PHOTO TECHNIK INTERNATIONAL, MAI/JUNI, Germany, 2005, pp. 42-43 (illustrated); S. Bright, ART PHOTOGRAPHY NOW, London, 2005, p. 100 (illustrated); B. Pollack, "Enter the Dragon," Modern Painters, June, 2005, p. 80-83 (illustrated); J. Cuzin and D. Salmon, eds., Ingres, Paris, 2006, pp. 252-253 (illustrated); Museum Moderner Kunst Stiftung Ludwig, ed., Why Pictures Now, Vienna, 2006, pp.142-143, (illustrated); Digitalis Foto Magazin, Budapest, June 2006, pp. 88-91 (illustrated); LE MONDE diplomatique, Deustsche Ausgabe, October, 2006, p.1 (detail illustrated); N. Garcia, “Wang Qingsong”, H Magazine, no. 76, September 2006, pp. 74-75 (illustrated); K. Roach, ed., Wang Qingsong, London, 2006, pp. 92-93 (illustrated); “The Sunday Review”, The Independent on Sunday, London, September 24, 2006, pp. 28-29 (illustrated); M. Field, “Naked Capitalism Westem-style Consumerism is Sweeping China”, Courrier Japon, Vol. 027, April 18, 2007, pp. 69-70 (illustrated); “Portfolio: Qingsong”, Photograph Magazine, Greece, January 2007, pp. 42-43 (illustrated)


China Mansion

Digitally manipulated c-print.

50 x 447 4/5 in. (127 x 1213.5 cm).
Signed and dated "Wang Qingsong [in Chinese and English] 2003" and numbered of eight lower right. This work is from an edition of eight.

£25,000 - 35,000 

Sold for £90,000

The Marino Golinelli Collection

13 October 2007, 1pm