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  • Literature


    Shiro Kuramata, exh. cat., Hara Museum of Contemporary Art, Tokyo, 2000, p. 60, pl. 15, p. 177, pl. 4 and p. 181, pl. 71 for examples of the chair; A. Bassi, ‘Shiro Kuramata, Il Design Trasparente’, Casabella, July/August 1999, p. 18 for a drawing of the model; C. and P. Fiell, 1000 Chairs, Cologne, 1997, p. 575; E. Sottsass, ‘Una Mostra Dedicata a Shiro Kuramata’, Domus, 1996, p. 55 for an example of the chair; K. B. Hiesinger and F. Fischer, Japanese Design: A Survey since 1950, exh. cat., Philadelphia Museum of Art, Philadelphia, 1994, p. 163, no. 186; M. Dietz and M. Mönninger, Japan Design, Cologne, 1992, pp. 68-69 for an example of the chair

  • Artist Biography

    Shiro Kuramata

    Japanese • 1934 - 1991

    Shiro Kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention. After a restless childhood, his ideas of being an illustrator having been discouraged, Kuramata discovered design during his time at the Teikoku Kizai Furniture Factory in Arakawa-ku in 1954. The next year he started formal training at the Department of Interior Design at the Kuwasawa Design Institute. His early work centered on commercial interiors and window displays. In 1965, at the age of 31, he opened his own firm: Kuramata Design Office.

    Throughout his career he found inspiration in many places, including the work of Italian designers (particularly those embodying the Memphis style) and American conceptual artists like Donald Judd, and combined such inspirations with his own ingenuity and creativity. His dynamic use of materials, particularly those that were transparent, combination of surfaces and awareness of the potential of light in design led him to create objects that stretched structural boundaries and were also visually captivating. These qualities are embodied in his famous Glass Chair (1976).

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261

‘How High the Moon’ sofa

c. 1986

Copper-plated expanded steel mesh, copper-plated steel.

75 x 155 x 80 cm. (29 1/2 x 61 x 31 1/2 in).

Manufactured byTeradaTekkojo Ltd., Japan. From an edition of 30 sofas. Together with a certificate of authenticity.
Of the edition of How High the Moon sofas approximately 23 were made in nickel plate, the remaining in copper.

Estimate
£50,000 - 70,000 

KYOBAI, Japanese Art and Culture

3 Apr 2008, 6pm
London