Sanyu - Foujita/Sanyu: Muses and Models Hong Kong Sunday, March 17, 2019 | Phillips

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  • Provenance

    Beijing ChengXuan Auctions Co., Ltd., 18 December 2017, lot 672
    Private Collection, Asia

  • Literature

    Rita Wong, SANYU Catalogue Raisonné: Drawings and Watercolours, Taipei, 2014, no. D0108, electronic index p.16 (illustrated)

  • Catalogue Essay

    “The female figures in some of [Sanyu’s] sketches and watercolours are distorted in such a way that the feet and lower half of their bodies are grossly and massively oversized while their head is drastically reduced in scale. The optical effect is that of a surrealist photographic conceit derived from the surprising angling, dramatic foreshortening, or special mirror distortion, that emphatically magnifies parts of a female body to yield a biomorphic mass, as seen in André Kertész’ Distortion series, produced in Paris in the early 1930s. Sanyu’s composition therefore both affirms the cursive drawing suggestive of automatism and the mirroring space suggested by the implied camera lens, a mirror with memory.” (Eugene Wang, Sanyu: a Chinese Surrealist in Paris in ‘Sanyu l’écriture du corps’, Skira, 2004, p. 63)

    Sanyu’s distorted female bodies refer to multiple inspirations: the joyful explorations of the body and its limits to the manner of Henri Moore, the surrealist representation of the subconscious and the access to another level of intangible reality as a metamorphosis of the realm of dreams and fantasies, in a continuity of the same quest throughout artists of the time and mediums of drawing, painting, sculpture and photography.


    André Kertesz
    Distorsion n° 60, 1933
    Collection Centre Georges Pompidou, Paris, France
    Copyright tag – tbc

44

Seated woman with extended leg

signed ‘Yu [in Chinese] SANYU’ lower left
ink and charcoal on paper
45.3 x 27.8 cm (17 7/8 x 10 7/8 in.)

Estimate On Request

Foujita/Sanyu: Muses and Models

Hong Kong Selling Exhibition 18-31 May 2019