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  • Provenance


    Barbara Gladstone Gallery, New York; Jablonka Galerie, Cologne

  • Artist Biography

    Richard Prince

    American • 1947

    For more than three decades, Prince's universally celebrated practice has pursued the subversive strategy of appropriating commonplace imagery and themes – such as photographs of quintessential Western cowboys and "biker chicks," the front covers of nurse romance novellas, and jokes and cartoons – to deconstruct singular notions of authorship, authenticity and identity.

    Starting his career as a member of the Pictures Generation in the 1970s alongside such contemporaries as Cindy Sherman, Robert Longo and Sherrie Levine, Prince is widely acknowledged as having expanded the accepted parameters of art-making with his so-called "re-photography" technique – a revolutionary appropriation strategy of photographing pre-existing images from magazine ads and presenting them as his own. Prince's practice of appropriating familiar subject matter exposes the inner mechanics of desire and power pervading the media and our cultural consciousness at large, particularly as they relate to identity and gender constructs.

    View More Works

420

Untitled

1999

Acrylic, pen and ink and conte crayon on paper.

20 x 18 1/2 in. (50.8 x 47 cm).

Signed and
dated “R Prince 1999” lower right.

Estimate
$15,000 - 20,000 

Sold for $37,000

Contemporary Art Part II

16 Nov 2007, 10am & 2pm
New York