Provenance
Barbara Gladstone Gallery, New York
Catalogue Essay
“But what is it about canceled checks? Gathered together under even a princely eye they still make one flinch, like excavated body pits – pretty business-order maids all in a row. Tattooed skin. They have the same stubborn will to live as do supermarket receipts and photo-booth portraits. Like bodies of lost loved ones in makeshift morgues, you keep looking, at some cellular level thinking you will finally come across a check that is your own. When paired with 8 x 10s or posters or anything iconographic they’re particularly heart wrenching but then again just by themselves, stacked on a wash, or washed up on an abstracted sea of color, they are poignant and unfathomable, out of reach from our best forensic accountants, part of something modern and timeless and very old as well, of books that can never be balanced, our own Alexandrian library of bloggy, econo-diarist footprints. Whatever makes us think we could balance the books? From checks we come to checks we will return.” (B. Wagner, “Twilight Zone,” Richard Prince Check Paintings, New York, 2005, p. 7)
Artist Biography
Richard Prince
American • 1947
For more than three decades, Prince's universally celebrated practice has pursued the subversive strategy of appropriating commonplace imagery and themes – such as photographs of quintessential Western cowboys and "biker chicks," the front covers of nurse romance novellas, and jokes and cartoons – to deconstruct singular notions of authorship, authenticity and identity.
Starting his career as a member of the Pictures Generation in the 1970s alongside such contemporaries as Cindy Sherman, Robert Longo and Sherrie Levine, Prince is widely acknowledged as having expanded the accepted parameters of art-making with his so-called "re-photography" technique – a revolutionary appropriation strategy of photographing pre-existing images from magazine ads and presenting them as his own. Prince's practice of appropriating familiar subject matter exposes the inner mechanics of desire and power pervading the media and our cultural consciousness at large, particularly as they relate to identity and gender constructs.
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111

Richard Prince

Crazy Three

2004
Acrylic, ink and paper collage on canvas.
35 5/8 x 48 in. (90.5 x 121.9 cm).
Signed, titled and dated “R. Prince ‘Crazy Three’ 2004” on the reverse.

Estimate
$250,000 - 350,000

Sold for $458,500

Contemporary Art Part I

8 November 2010
New York

101
Glenn Ligon
Gold just us #7
Estimate $70,000 - 90,000
Sold for $98,500
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102
Charles Ray
Wet Paint
Estimate $400,000 - 600,000
Sold for $422,500
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103
Robert Gober
Untitled Candle
Estimate $400,000 - 600,000
Sold for $458,500
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104
Dan Colen
Untitled (Vete al diablo)
Estimate $150,000 - 250,000
Sold for $290,500
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105
Christopher Wool
ONE YEAR NO HALLOWEEN (P464)
Estimate $400,000 - 600,000
Sold for $602,500
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106
Cy Twombly
Untitled
Estimate $500,000 - 700,000
Sold for $698,500
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107
Andy Warhol
Mona Lisa
Estimate $1,500,000 - 2,500,000
Sold for $1,986,500
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108
Jeff Koons
Caterpillar Ladder
Estimate $5,500,000 - 7,500,000
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109
George Condo
Particle Pick Up
Estimate $500,000 - 700,000
Sold for $542,500
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110
Keith Haring
Andy Mouse
Estimate $600,000 - 800,000
Sold for $722,500
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111
Richard Prince
Crazy Three
Estimate $250,000 - 350,000
Sold for $458,500
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112
Maurizio Cattelan
Frank and Jamie
Estimate $1,000,000 - 1,500,000
Sold for $1,594,500
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113
Richard Prince
Untitled (Cowboy)
Estimate $1,000,000 - 1,500,000
Sold for $902,500
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114
Takashi Murakami
Eye Love SUPERFLAT
Estimate $600,000 - 800,000
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115
Ed Ruscha
Sex at Noon Taxes
Estimate $3,000,000 - 4,000,000
Sold for $4,338,500
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116
Roy Lichtenstein
Two figures, Indian
Estimate $3,000,000 - 5,000,000
Sold for $3,890,500
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117
Mark Rothko
No. 9
Estimate $800,000 - 1,200,000
Sold for $842,500
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118
Ed Ruscha
Production
Estimate $600,000 - 800,000
Sold for $662,500
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119
Cecily Brown
Eclogue
Estimate $250,000 - 350,000
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120
Eric Fischl
April in the Shower
Estimate $300,000 - 500,000
Sold for $338,500
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121
Jean-Michel Basquiat
MP
Estimate $2,000,000 - 3,000,000
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122
Jenny Holzer
Selections from Erlauf II
Estimate $300,000 - 400,000
Sold for $386,500
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123
Bill Viola
Union
Estimate $250,000 - 350,000
Sold for $242,500
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124
Wade Guyton
Untitled
Estimate $70,000 - 90,000
Sold for $302,500
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125
Martin Creed
Work No. 202: Half the air in a given space
Estimate $80,000 - 120,000
Sold for $98,500
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126
Raymond Pettibon
No Title (a reaction to) Surfer
Estimate $80,000 - 120,000
Sold for $92,500
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Contemporary Art Part I

8 November 2010 New York

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Provenance

Catalogue Essay

Artist Biography

Richard Prince

111

Richard Prince

Crazy Three

Contemporary Art Part I

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8 November 2010
New York