Richard Diebenkorn - Evening & Day Editions New York Wednesday, October 31, 2012 | Phillips

Create your first list.

Select an existing list or create a new list to share and manage lots you follow.

  • Literature

    Gemini G.E.L. 1508 and 1509

  • Artist Biography

    Richard Diebenkorn

    Wholly devoted to painting, Richard Diebenkorn created artworks that often hovered between abstraction and figuration and were committed to exploring the inadequacies of the artform as well as celebrating its triumphs. Diebenkorn pioneered a quintessentially Californian style of abstraction lauded for its lyrical geometry and originally conceived during an epiphanic experience viewing the landscape from an aerial perspective: these paintings are neither fully representational nor abstract, but can be viewed as exploring the interstices between the two concepts and articulating the material experience of life in California. Although these works cemented the artist’s status as one of the premier painters of the postwar era, Diebenkorn oscillated between figuration and abstraction for the entirety of his career, achieving great successes with each new series; he is considered one of the founding members of the Bay Area Figurative Movement and his renowned Ocean Park paintings are considered chief accomplishments of postwar abstraction.

    Diebenkorn’s works betray the painstaking process of their creation. The laborious and contemplative nature of his practice shines through the richly rendered color and translucent striations of drawing, ethereal totems of the artist’s effort. Diebenkorn is considered an essential American abstractionist and his work is represented in many of the most important institutions in the country, including The Metropolitan Museum of Art, New York; the National Gallery of Art, Washington, D.C.; and the Fine Art Museums of San Francisco. 

    View More Works


Untitled; and Untitled

Two lithographs, on Arches Cover paper, with full margins,
one I. 8 1/2 x 6 1/8 in (21.6 x 15.6 cm);
one I. 10 x 7 1/8 in (25.4 x 18.1 cm);
one S. 16 1/4 x 14 1/4 in (41.3 x 36.2 cm);
one S. 18 x 15 1/8 in (45.7 x 38.4 cm)

both signed with initials, dated `91’ and numbered 47/75 and 48/75 in pencil (there were also 12 and 20 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), both in excellent condition, both framed

$2,500 - 3,500 

Sold for $2,250

Evening & Day Editions

31 October & 1 November 2012
New York