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  • Provenance


    Karen Amiel, New York

  • Exhibited

    Ridgefield, Aldrich Museum of Contemporary Art, Interaction- Light, Sound, Motion, 22 May – 5 September, 1988; Ridgefield, The Aldrich Museum of Contemporary Art, Selections From a Private Collection, 25 June – 8 October, 1989; Gainesville, Samuel P. Harn Museum of Art, 22 March, 1998 – 3 Januray, 1999; Knoxville, Knoxville Museum of Art, Spring 1999; Athens, Georgia, Museum of Art, Summer 1999; Norfolk, Chrysler Museum of Art, 29 October, 1999 – 2 January, 2000; Purchase, Neuberger Museum of Art, January – April, 2000, Inner Eye; Peekshill, Hudson Valley Center for Contemporary Art, Symbolic Space, 6 June, 2004 – 20 April, 2005; Peekshill, Hudson Valley Center for Contemporary Art,Nostalgia, September, 2005 – May 2006; New York, Zwirner & Wirth, Contemporary Sculpture from a Private Collection, 14 September – 14 October, 2006

401

The Pigment of a Whole Ocean

1987
Dry cerulean blue pigment, natural sponge, wire, mesh, electrical motor and wiring.
304.7 x 22.8 x 15.2 cm. (120 x 9 x 6 in).
This work is accompanied by installation instructions provided by the artist.

Estimate
£20,000 - 30,000 Ω ♠

Sold for £23,300

Contemporary Art Day Sale

29 Feb 2008, 2pm
London