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  • Provenance

    Guido Costa Gallery, Turin; Mathew Marks Gallery, New York

  • Exhibited

    Nan Goldin, including: Paris, Centre Pompidou, 11 October - 31 December 2001; London, Whitechapel Gallery, 25 January - 31 March 2002; Madrid, Museo Reina Sofía, April 25 - June 30 2002; Porto, Fundaçao Serralves, 19 July - 06 October 2002; Turin, Castello di Rivoli, 23 October 2002 - 13 January 2003; Warsaw, Ujazdowski Castle, 14 February - 30 March 2003
    (each another example exhibited)

  • Literature

    Nan Goldin: The Ballad of Sexual Dependency, 1996, p. 15; Nan Goldin: I'll be your mirror, 1997, p. 75; Nan Goldin Monograph, Phaidon, 2002

  • Catalogue Essay

    Another print of this image is held in the collection of the Museum of Modern Art, New York

  • Artist Biography

    Nan Goldin

    American • 1953

    American artist Nan Goldin uses photography to expose the intimate and vulnerable nature of her personal life. Her photographs are raw, authentic, sexual and, at times, highly violent. Her most famous series, The Ballad of Sexual Dependency, chronicles Goldin's life during the late 1970s and '80s, following the artist through the gritty, abusive and often dangerous situations she put herself through.

    The material being half-autobiographical and half-universal, Goldin attempts to depict the complexities of city living by way of diaristic practices. Having shot New York during its golden years, she has created an expansive archive of the AIDS crisis, drug abuse in the 1980s, underground culture and urban development.

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54

C.Z. and Max on the Beach, Truro, MA.

1976
Dye destruction print, printed later.
97 x 63.8 cm (38 1/4 x 25 1/8 in).
Signed, titled, dated and numbered on the verso. Accompanied by a certificate of authenticity from the Guido Costa Gallery. One from an edition of 25.

Estimate
£8,000 - 12,000 

Sold for £10,625

Photographs

3 November 2011
London