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Matthew Wong’s ebullient paintings are prisms of art history. Refracting and synthesizing such diverse reference points as the pointillist landscapes of Georges Seurat and Paul Signac, Vincent van Gogh's expressive brushwork and Chinese literati painting, the body of work Wong created within his brief yet profound career reveals a distinct and overarching vision. A striking example of the artist's sought-after landscape paintings, A Dream, 2018, encapsulates the “visionary fusion of form and feeling” which, according to Roberta Smith, has cemented Wong as one of the most talented painters of his generation.i
"Mr. Wong made some of the most irresistible paintings I’ve ever encountered…It was a visceral experience, like falling for an unforgettable song on first listen." —Roberta Smith
As with the landscape painting West, 2017, Dallas Museum of Art, the viewer’s gaze is drawn to a stark tree that activates the pictorial field with a palpable presence. Towering above a single resting figure, it here arches gracefully across a flower-covered shore while a setting sun sets the sky ablaze in bands of vibrant color. It is perhaps above all in Wong’s brushstrokes, overflowing with a sense of urgency and speed, that we recognize a painter making claim to his own place in the annals of art history.
Prisms of Art History
A Dream notably belongs to the larger breakthrough body of work that garnered Wong widespread critical acclaim in 2018 following his first solo exhibition at Karma in New York, which included works such as his lauded Realm of Appearances, 2018. As such, the present work beautifully demonstrates the painterly virtuosity that Wong achieved within just a few years after shifting his focus from photography to drawing and painting. The visual idiom the self-taught artist started developing as of 2012 reveals a deep study of his artistic forebears; as his mother recalled, “he would go to libraries and study all the masters—Picasso, van Gogh, Matisse.” ii Wong also actively sought out advice and feedback from a Facebook community of artists, including Brian Calvin and Peter Shear, as he sought to learn from the art of the past and present with an equal degree of curiosity and confidence.
"He had a huge appetite for looking and studying art he was interested in...He was the modern day Van Gogh." —Jonas Wood
Vincent van Gogh, The Red Vineyards near Arles, 1888. Pushkin Museum of Fine Arts, Moscow. The present work embodies Wong’s unique take on the grand tradition of landscape painting. While at first glance evoking such precedents as Paul Signac's Antibes (la pinède), 1917, the motif of the figure resting below the tree places A Dream within an art historical lineage of paintings examining the relationship between man and nature. As Eric Sutphin observed, writing in Art in America in 2018, "Wong can be considered a kind of nouveau Nabi, a descendant of Post-Impressionist painters like Édouard Vuillard and Paul Sérusier. Like his forebears, he synthesizes stylized representations, bright colors, and mystical themes to create rich, evocative scenes. His works, despite their ebullient palette, are frequently tinged with a melancholic yearning.”iii
Vincent van Gogh, The Flowering Orchard, 1888. The Metropolitan Museum of Art, New York. 
Paul Signac, Antibes (la pinède), 1917. Formerly in the Collection of Peggy and David Rockefeller, New York, Artwork © 2020 Artists Rights Society (ARS), New York / ADAGP, Paris. -
Vincent van Gogh, The Flowering Orchard, 1888. The Metropolitan Museum of Art, New York. Paul Signac, Antibes (la pinède), 1917. Formerly in the Collection of Peggy and David Rockefeller, New York, Artwork © 2020 Artists Rights Society (ARS), New York / ADAGP, Paris.
Feeling Nature
"Sometimes I long to paint landscapes...and in all of nature, in trees for instance, I see expression and soul." —Vincent van Gogh
A Dream is permeated with an undeniable emotional charge, one that recalls Vincent van Gogh's expressive, oftentimes almost hallucinogenic landscapes in which trees in particular represent a force of life. Wong's works typically feature solitary figures, often diminished in scale within the vastness of nature that harkens back to van Gogh but also the vistas of German Romanticism. His miniature figures appear to stand in both for the artist himself and the viewer, offering an emotional conduit into the pictorial space and inviting existentialist contemplation on the nature of solitude.
"I do believe that there is an inherent loneliness or melancholy to much of contemporary life ..." —Matthew Wong
At the same time, however, A Dream also expresses a sense of belonging and communion with nature in a manner that reflects a Daoist conception of the universe, whereby mankind is considered an integral component of the natural world. Mountains, waterfalls and rivers figured as places of refuge, as idealized gateways to immortality and spiritual purification. Wong, who has cited Shitao and Xu Wei as influences, seems to channel this philosophy in A Dream. Drawing on Chinese landscape painting, in which small figures are often peppered throughout vast vistas, Wong abandons naturalistic depiction in favor for stylistic hybridity. Like the Chinese literati before him, he exalts in the expressive nature of his brushwork in pursuit of capturing the emotional essence of his imagined subjects.
Shitao, Landscape with Figure, circa 1678. The Metropolitan Museum of Art, New York (detail). Impossible Painterly Spaces
Speaking of Wong’s focus on landscapes, Katherine Siboni observed in ArtForum, "Wong harnessed the genre’s conventions as a framework around which to build impossible spaces. Coding earth and trees with nonmimetic, calibrated mark-making, and painting in vibrating Fauvist hues, he created feverish, labyrinthine canvases.” iv Relishing in the materiality of paint, Wong with the present work builds up a pastoral, yet psychologically charged, scene in which multiple modes of painting converge to remarkable effect.
"What really makes Wong his own painter is his preternatural feel for pattern." —Jerry Saltz
Impressionistic daubs of impasto co-exist next to willowy lines evocative of Van Gogh’s existential brushstrokes, playfully giving form to the flowers, leaves and grass that animate the scene. Simultaneously, Wong approaches the expanse of the sky as an arena for pure abstraction; while he would sometimes delineate the skies in his painting into clearly defined horizontal bands - in a manner that Roberta Smith likened to a "tribute to the Color Field painter Kenneth Noland”- here he presents the viewer with a field of color gradients reminiscent of the technicolor backgrounds of Ed Ruscha. v
It is this self-assured hybridity that truly distinguishes Wong's sublime painterly spaces. "What really makes Wong his own painter is his preternatural feel for pattern," Jerry Saltz indeed observed, writing on Wong's 2018 exhibition at Karma. "Every painted area becomes a graphic field that allows us to see changing shapes and luminosities, allowing a consciousness of otherness to settle into the work... Space solidifies, then becomes metamorphosing mirage." vi
Taking his artistic forebears as a point of departure to learn from, but also transcend, Wong creates dreamlike painterly realms in which color, line and form powerfully coalesce. “These paintings are extremely open and vulnerable,” Roberta Smith put in a nutshell. “But once they lure you in, they leave you alone to explore their chromatic, spatial and psychological complexities.” vii
i Roberta Smith, “A Final Rhapsody in Blue From Matthew Wong", The New York Times, December 24, 2019, Section C, p. 1
ii Monita (Cheng) Wong, quoted in Neil Genzlinger, “Matthew Wong, Painter on Cusp of Fame, Dies at 35,” The New York Times, October 21, 2019, online
iii Eric Sutphin, "Matthew Wong", Art in America, June 1, 2018, online
iv Katherine Siboni, Matthew Wong, Artforum, November 27, 2019, online
v Roberta Smith, “A Final Rhapsody in Blue From Matthew Wong", The New York Times, December 24, 2019, Section C, p. 1
vi Jerry Saltz, " Losing Myself in the Paintings of Facebook-Educated Matthew Wong", Vulture, April 19, 2018, online
vii Roberta Smith, “A Final Rhapsody in Blue From Matthew Wong", The New York Times, December 24, 2019, Section C, p. 1Provenance
KARMA, New York
Acquired from the above by the present ownerArtist Biography
Matthew Wong
Matthew Wong was a Canadian artist who enjoyed growing acclaim for his lush, dreamlike scenes that play on a rich tradition of art historical precedents. His work depicts the vivid but often melancholy terrain between sleep and wakefulness, lonely landscapes and isolated interiors rendered with a carefree hand and an ebullient palette, yet which contain an ineffable sorrow and a palpable but unnamed longing.
Wong spent his childhood between cultures: he was born in Toronto, Canada and at age 7 moved with his family to Hong Kong where he lived until he was 15, at which time the family returned to Canada. Wong began to experiment artistically already well into his adulthood, first with photography, which he pursued at the postgraduate level at the City University of Hong Kong, and then with painting. A self-taught painter, Wong developed his aptitude for the medium by immersing himself in online conversations with other artists and dedicated personal study of the history of art. His paintings attracted almost immediate attention, but Wong tragically passed away in 2019 just as his work was beginning to receive widespread critical praise.
108
A Dream
signed in Chinese, titled and dated in Chinese "A DREAM [Wong 2018]" on the reverse
oil on canvas
24 x 20 in. (61 x 50.8 cm)
Painted in 2018.
Estimate
$150,000 - 200,000
Sold for $864,900
John McCord
Head of Day Sale, Morning Session
New York
+1 212 940 1261
20th c. and Contemporary Art Day Sale - Morning Session
New York 8 December 2020
101
Bill Traylor
Untitled (Black and Brown Horse)
Estimate $40,000 - 60,000
Sold for $55,440
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102
Jacob Lawrence
Street Scene
Estimate $40,000 - 60,000
Sold for $69,300
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103
Milton Avery
Landscape
Estimate $60,000 - 80,000
Sold for $81,900
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104
Hans Hofmann
Provincetown Blue Sea
Estimate $50,000 - 70,000
Sold for $105,840
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105
Vivian Springford
Untitled (VSF327)
Estimate $50,000 - 70,000
Sold for $81,900
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106
Helen Frankenthaler
Thanksgiving Day Series (#13)
Estimate $25,000 - 35,000
Sold for $27,720
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107
Beauford Delaney
Street Scene
Estimate $120,000 - 180,000
Sold for $478,800
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108
Matthew Wong
A Dream
Estimate $150,000 - 200,000
Sold for $864,900
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109
Alexander Calder
Untitled
Estimate $60,000 - 80,000
Sold for $302,400
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110
Alexander Calder
Untitled
Estimate $60,000 - 80,000
Sold for $176,400
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111
Alexander Calder
Light Fixture
Estimate $40,000 - 60,000
Sold for $37,800
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112
Alexander Calder
Untitled
Estimate $350,000 - 500,000
Sold for $315,000
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113
Alexander Calder
Fly choker
Estimate $70,000 - 100,000
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114
Alexander Calder
Tray
Estimate $25,000 - 35,000
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115
Alexander Calder
Lion Cage
Estimate $20,000 - 30,000
Sold for $45,360
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116
Alexander Calder
Untitled
Estimate $18,000 - 25,000
Sold for $52,920
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117
Alexander Calder
Aerialist
Estimate $400,000 - 600,000
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118
Alexander Calder
The Crooked Stick and the Straight Stick
Estimate $20,000 - 30,000
Sold for $28,980
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119
Joan Miró
Tête
Estimate $60,000 - 80,000
Sold for $60,480
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120
Joan Miró
Figures
Estimate $250,000 - 350,000
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121
Robert Rauschenberg
Untitled
Estimate $180,000 - 250,000
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122
Robert Rauschenberg
Untitled (de Gaulle)
Estimate $250,000 - 350,000
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123
Robert Rauschenberg
Untitled
Estimate $12,000 - 18,000
Sold for $37,800
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124
Conrad Marca-Relli
The Expendible
Estimate $100,000 - 150,000
Sold for $277,200
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125
Andy Warhol
Puma Invader
Estimate $40,000 - 60,000
Sold for $138,600
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126
Andy Warhol
Map of Eastern U.S.S.R. Missile Bases (positive)
Estimate $40,000 - 60,000
Sold for $88,200
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127
Andy Warhol
Map of Eastern U.S.S.R. Missile Bases (negative)
Estimate $40,000 - 60,000
Sold for $85,680
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128
Arthur Segal
Stillleben mit Flasche
Estimate $60,000 - 80,000
Sold for $163,800
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129
Marc Chagall
La danse au village
Estimate $4,000 - 6,000
Sold for $15,120
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130
Käthe Kollwitz
Mutter, zwei Kinder an sich pressend
Estimate $40,000 - 60,000
Sold for $56,700
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131
Richard Pettibone
Andy Warhol, "Liz," 1963
Estimate $40,000 - 60,000
Sold for $55,440
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132
Richard Pettibone
Andy Warhol, "Marilyn Monroe," 1962 (brown)
Estimate $30,000 - 40,000
Sold for $32,760
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133
Richard Pettibone
Jasper Johns "Grey Rectangles," 1957
Estimate $40,000 - 60,000
Sold for $37,800
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134
Richard Pettibone
Marcel Duchamp "Bicycle Wheel," 1913
Estimate $40,000 - 60,000
Sold for $63,000
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135
Alexander Calder
Untitled
Estimate $200,000 - 300,000
Sold for $365,400
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136
Saul Steinberg
Two Worlds
Estimate $8,000 - 12,000
Sold for $10,080
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137
Jean Dubuffet
Site aux trois arbres
Estimate $400,000 - 600,000
Sold for $541,800
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138
Jack Tworkov
Marsh
Estimate $60,000 - 80,000
Sold for $75,600
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139
Philip Guston
Slope
Estimate $300,000 - 500,000
Sold for $365,400
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140
Willem de Kooning
Untitled
Estimate $500,000 - 700,000
Sold for $630,000
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141
Mary Heilmann
Glide
Estimate $150,000 - 200,000
Sold for $126,000
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142
Richard Pousette-Dart
Pool of Contemplation
Estimate $180,000 - 250,000
Sold for $214,200
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143
Ralph Humphrey
Armanda
Estimate $30,000 - 50,000
Sold for $107,100
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144
Hans Hofmann
Untitled
Estimate $150,000 - 200,000
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145
This lot is no longer available.
146
Theodoros Stamos
Navarone
Estimate $80,000 - 120,000
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147
Betty Parsons
Untitled
Estimate $20,000 - 30,000
Sold for $138,600
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148
Robert Motherwell
Basque Suite #50
Estimate $50,000 - 70,000
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149
David Smith
Classic Figure III
Estimate $100,000 - 150,000
Sold for $201,600
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150
Elaine de Kooning
Bull
Estimate $15,000 - 20,000
Sold for $75,600
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151
Larry Poons
Panamar
Estimate $50,000 - 70,000
Sold for $100,800
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152
Friedel Dzubas
Key Largo
Estimate $50,000 - 70,000
Sold for $63,000
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153
Roger Brown
Two works: (i-ii) Untitled
Estimate $30,000 - 50,000
Sold for $35,280
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154
Roger Brown
Looking for a Leveraged Buyout
Estimate $60,000 - 80,000
Sold for $132,300
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155
Roger Brown
The Big Bang
Estimate $40,000 - 60,000
Sold for $42,840
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156
John Wesley
Flight
Estimate $90,000 - 120,000
Sold for $81,900
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157
Kenneth Noland
Dawn-Dusk
Estimate $150,000 - 250,000
Sold for $195,300
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158
Fred Sandback
Untitled
Estimate $60,000 - 80,000
Sold for $69,300
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159
Nam June Paik
Music is Not Sound
Estimate $100,000 - 150,000
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160
Carl Andre
Steel Parallels
Estimate $100,000 - 150,000
Sold for $176,400
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161
John Chamberlain
Los Ang Us
Estimate $400,000 - 600,000
Sold for $365,400
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162
Frank Stella
k.161b
Estimate $60,000 - 80,000
Sold for $75,600
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163
This lot is no longer available.
164
Roy Lichtenstein
Suspended Mobile
Estimate $150,000 - 200,000
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165
Jean-Michel Basquiat
Untitled (Geese+)
Estimate $300,000 - 400,000
Sold for $302,400
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166
Martin Wong
Untitled (Antonio Home)
Estimate $40,000 - 60,000
Sold for $138,600
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167
Keith Haring
For Herb
Estimate $50,000 - 70,000
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168
Andy Warhol
Marilyn
Estimate $100,000 - 150,000
Sold for $113,400
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169
Andy Warhol
Flowers
Estimate $250,000 - 350,000
Sold for $277,200
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170
Andy Warhol
Portrait of Bronka Weintraub
Estimate $120,000 - 180,000
Sold for $126,000
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171
Robert Rauschenberg
Pewter Drawer
Estimate $300,000 - 500,000
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172
Robert Rauschenberg
Quarters from the series Anagrams (A Pun)
Estimate $100,000 - 150,000
Sold for $126,000
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173
Ed Ruscha
Chick Unit
Estimate $200,000 - 300,000
Sold for $214,200
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174
Ed Ruscha
Three works: (i-iii) Periods
Estimate $120,000 - 180,000
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175
Alex Katz
Zihuatenejo Bay
Estimate $35,000 - 45,000
Sold for $50,400
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176
Neil Jenney
Lines and Track
Estimate $200,000 - 300,000
Sold for $245,700
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177
Ralph Goings
Hot Fudge Sundae
Estimate $200,000 - 300,000
Sold for $403,200
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178
Fernando Botero
Venus
Estimate $350,000 - 450,000
Sold for $529,200
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179
Manolo Valdés
Regina
Estimate $50,000 - 70,000
Sold for $55,440
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180
Fernando Botero
Reclining Woman with Mirror
Estimate $400,000 - 600,000
Sold for $403,200
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181
Bowl of Fruits
Estimate $180,000 - 220,000
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182
Pablo Picasso
Personnage endormi et femme accroupie (VIII)
Estimate $150,000 - 200,000
Sold for $151,200
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183
Henri Matisse
Jeune fille assise
Estimate $50,000 - 70,000
Sold for $56,700
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184
This lot is no longer available.
185
Francis Picabia
Sans titre
Estimate $20,000 - 30,000
Sold for $42,840
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186
Francis Picabia
Sans titre
Estimate $250,000 - 350,000
Sold for $226,800
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187
Joan Miró
Sans titre
Estimate $70,000 - 90,000
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188
Wassily Kandinsky
Untitled
Estimate $140,000 - 180,000
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189
Jean Dubuffet
Texte Logologique VI
Estimate $40,000 - 50,000
Sold for $52,920
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190
Alexander Calder
Untitled
Estimate $30,000 - 50,000
Sold for $69,300
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191
Alexander Calder
Untitled
Estimate $40,000 - 60,000
Sold for $75,600
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192
Bob Thompson
The Beg
Estimate $30,000 - 50,000
Sold for $75,600
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193
Beauford Delaney
Self-portrait
Estimate $30,000 - 40,000
Sold for $315,000
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194
Andy Warhol
Rolling Stones - Love you Live Bill Wyman
Estimate $15,000 - 20,000
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195
Andy Warhol
The Annunciation (after Leonardo da Vinci)
Estimate $40,000 - 60,000
Sold for $40,320
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196
Andy Warhol
Head (After Picasso)
Estimate $15,000 - 20,000
Sold for $71,820
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197
Marisa Merz
Untitled (Gold and Silver)
Estimate $70,000 - 90,000
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198
Gordon Matta-Clark
Bing-Go Gone
Estimate $20,000 - 30,000
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199
Sigmar Polke
Untitled
Estimate $100,000 - 150,000
Sold for $75,600
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200
Georg Baselitz
Untitled (Beach Picture)
Estimate $12,000 - 18,000
Sold for $12,600
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201
Anselm Kiefer
Gilgamesch im Zedernwald
Estimate $40,000 - 60,000
Sold for $37,800
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202
Friedrich Schröder-Sonnenstern
Pussy, Die mondmoralische Märchenwundersau com Kurfürstendamm
Estimate $3,000 - 5,000
Sold for $3,780
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203
Francis Bacon
Untitled (Figure upside down on sofa)
Estimate $100,000 - 150,000
Sold for $157,500
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204
William Turnbull
Untitled (Walking Figures)
Estimate $10,000 - 15,000
Sold for $50,400
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205
Yayoi Kusama
Grass-Igniting Coruscation
Estimate $50,000 - 70,000
Sold for $75,600
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206
Yayoi Kusama
Village with Mountain Views
Estimate $15,000 - 20,000
Sold for $23,940
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207
Mark Tobey
Untitled (Raissance of a Flower)
Estimate $20,000 - 30,000
Sold for $44,100
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208
Paul Jenkins
Phenomena Entrance to Peking
Estimate $25,000 - 35,000
Sold for $22,680
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209
Al Held
Cygnus I
Estimate $20,000 - 30,000
Sold for $52,920
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210
David Novros
Untitled
Estimate $15,000 - 20,000
Sold for $32,760
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211
Alfred Jensen
Gothic
Estimate $18,000 - 25,000
Sold for $25,200
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212
Lee Mullican
Isis Appearing (Guardian Figure)
Estimate $10,000 - 15,000
Sold for $44,100
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213
Larry Bell
Small Mirage Study #162
Estimate $15,000 - 20,000
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214
Harvey Quaytman
Walnut, Slate and Clay
Estimate $25,000 - 35,000
Sold for $47,880
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215
Sol LeWitt
Black and Gray Diagonal Bands in Three Directions with a Black Border
Estimate $40,000 - 60,000
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216
Richard Tuttle
Untitled
Estimate $7,000 - 10,000
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217
George Rickey
Inverted Column
Estimate $30,000 - 50,000
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218
George Rickey
Two Fixed Two Moving Lines III
Estimate $20,000 - 30,000
Sold for $32,760
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219
Joel Shapiro
Untitled
Estimate $12,000 - 18,000
Sold for $11,970
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220
Luis Tomasello
Atmosphère Chromoplastique No. 259
Estimate $40,000 - 60,000
Sold for $39,060
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221
Edgar Negret
Árbol
Estimate $25,000 - 35,000
Sold for $21,420
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222
This lot is no longer available.
223
Carlos Alfonzo
Thought Forms
Estimate $60,000 - 80,000
Sold for $138,600
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224
This lot is no longer available.
225
Ana Mercedes Hoyos
Inverapuestas el Perro
Estimate $70,000 - 90,000
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226
LeRoy Neiman
Le rendez-vous
Estimate $40,000 - 60,000
Sold for $40,320
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227
Bernard Buffet
La montagne Sainte-Victoire
Estimate $50,000 - 70,000
Sold for $52,920
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228
Bernard Buffet
Princesse Espagnole
Estimate $40,000 - 60,000
Sold for $252,000
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229
Christian Zervos
The complete set of Pablo Picasso, Catalogue Raisonné 1875-1973
Estimate $12,000 - 18,000
Sold for $37,800
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230
Georges Rouault
Jeune clown pensif
Estimate $25,000 - 35,000
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231
Auguste Herbin
Untitled
Estimate $8,000 - 12,000
Sold for $8,820
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232
Carl Paul Jennewein
Iris
Estimate $40,000 - 60,000
Sold for $37,800
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233
Jim Dine
Untitled
Estimate $18,000 - 25,000
Sold for $16,380
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234
Claes Oldenburg
Two Small Ray Guns
Estimate $40,000 - 60,000
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235
Larry Rivers
Dreyfus
Estimate $10,000 - 15,000
Sold for $8,820
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236
Kenny Scharf
Coconut Donut in Space
Estimate $15,000 - 20,000
Sold for $41,580
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237
Kenny Scharf
Turkone
Estimate $40,000 - 60,000
Sold for $126,000
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238
Kenny Scharf
Spacecase
Estimate $30,000 - 40,000
Sold for $81,900
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