• Executed in 2011, KAWS’ THE GREAT BELOW is a monumental example of the artist’s unique aesthetic that bridges the worlds of art, popular culture and commerce. THE GREAT BELOW exemplifies KAWS’ dramatic re-envisioning of pop cultural icons as he illustrates the inflated facial details of KAWSBOB, an intervention of the animated cartoon SpongeBob SquarePants rendered in the artist’s distinctive graphic style. This work is distinguished by the artist’s use of a circular shaped canvas, or tondo, a format reaching back to the Renaissance which the artist continues to explore in his work today. KAWS’ celebrated practice was recently subject to a large survey at the Brooklyn Museum, exhibiting his imaginative and otherworldly practice to a New York audience on a large scale for the first time.

    "I always think: Where does [graffiti] fall? You can’t look at it the way you do artists coming out of art schools. With graffiti, you’re making work to reach people, you have this bravado, you want to dominate spaces." 



    A defining artist of the present moment, KAWS has created a rich multimedia empire that coyly oversteps widespread distinctions between art and popular culture. Born Brian Donnelly in New Jersey, KAWS came to prominence at the turn of the 21st Century as a street artist tagging subway cars and structures around the New York area. Assuming the nom-de-guerre “KAWS” for its graphic appeal at any size—a crucial consideration for any ambitious graffiti artist—he has since taken the world by storm, bringing with him an army of characters defined by their trademark crossed-out eyes and often inexplicably distorted demeanors. KAWS’ creations are recognized around the world for their wit and bold visual immediacy; macabre manipulations of pop cultural mainstays imbued with a mixture of pathos, humor and rebelliousness, they resituate icons of television firmly within the pantheon of the fine arts. Extending the legacy set by artists such as Keith Haring, Jeff Koons, and Takashi Murakami, KAWS poses important questions about the nature and purpose of art, asking where—and to whom—it belongs. His creations, in turn, have defined a generation; as the critic Michael Auping has written, “KAWS is not just referring to pop culture, he is making it.”1




    The present work exemplifies the breadth of influences of KAWS' daring multimedia practice: fusing the humor of Pop and the spartan refinement of Minimalism with a traditional form commonly used during the Renaissance, THE GREAT BELOW straddles street art, pop culture, the history of painting. THE GREAT BELOW assumes the form of the tondo, a type of circular canvas commonly used during the Italian Renaissance distinguished for its compositional difficulty. Long regarded as a challenging form to paint, the tondo has tested artists since the Cinquecento. Works that mastered the tondo, such as Raphael’s Madonna della Seggiola, 1514, are distinguished for their deft harmonization of lifelike forms within the unnatural frame of the circular canvas.


    Raphael, Madonna della Seggiola, 1514. Palazzo Pitti, Florence. 

    KAWS has similarly achieved this effect by balancing swirling forms around the edges of the canvas. Focusing in on the features of KAWSBOB, one of his most iconic figures, KAWS abstracts the composition into a turbulent swirl of line and color, further distorted as the artist casts the composition in shocking, highly saturated tones of blue and red. By balancing the concentric circles within the round canvas, KAWS assures a high degree of formal accord. This effect, however, is both augmented and offset by the facial features of the eponymous deep-sea sponge, which imbue the work with a delicate abstract quality without undermining its formal harmony. THE GREAT BELOW is an impressive achievement for its balance of competing formal goals and influences; KAWS fuses abstraction and figuration, the contemporary and the anachronistic, and the harmonious and discordant to create a work that smirkingly sidesteps such distinctions.


    1  KAWS: Where the End Starts, exh. cat., Modern Art Museum of Fort Worth, 2017, p. 63

    • 來源

      洛杉磯 Honor Fraser 畫廊

    • 過往展覽

      Los Angeles, Honor Fraser Gallery, KAWS: Hold the Line, September 10–October 22, 2011

    • 藝術家簡介


      American • 1974

      KAWS (b. 1974, Jersey City, New Jersey; lives and works in Brooklyn, New York) is renowned for his prolific body of work that straddles the worlds of art and design to include paintings, murals, graphic and product design, street art, and large-scale sculptures. Over the last two decades KAWS has built a successful career with work that consistently shows his formal agility as an artist, as well as his underlying wit, irreverence, and affection for our times. His refined graphic language revitalizes figuration with both big, bold gestures and playful intricacies.  

      KAWS often appropriates and draws inspiration from pop culture animations, forming a unique artistic vocabulary across mediums. Admired for his larger-than-life sculptures and hardedge paintings that emphasize line and color, KAWS’s cast of hybrid cartoon characters are the strongest examples of his exploration of humanity. As seen in his collaborations with global brands, the artist’s imagery possesses a sophisticated humor and reveals a thoughtful interplay with consumer products. With their broad appeal, KAWS’s artworks are highly sought-after by collectors inside and outside of the art world, establishing him as a uniquely prominent artist and influence in today’s culture.  




款識:KAWS.. 11(畫背)
壓克力 畫布
直徑:96 英吋 (243.8 公分)

Full Cataloguing

$400,000 - 600,000 



Patrizia Koenig

New Now主管暨副專家

212 940 1279

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New Now

紐約拍賣 2021年9月28日