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  • Provenance

    Acquired directly from the artist; Private collection, California

  • Catalogue Essay

    Chamberlain is the only sculptor really using color, the full range, not just metallic shades; his color is as particular, complex and structural as any good painter’s. In part it involves the hard, sweet, pastel enamels, frequently roses and ceruleans, of Detroit’s imitation elegance for the poor – coupled, Rooseveltianly, with reds and blues.
    Donald Judd quoted in Pace Wildenstein, ed., John Chamberlain: Recent Sculpture, New York, 2000, p. 23




Painted and chromed steel.

29 1/2 x 50 x 47 1/4 in. (74.9 x 127 x 120 cm).

$400,000 - 600,000 

Sold for $386,500

Contemporary Art Part I

13 Nov 2008, 7pm
New York