Provenance
White Cube, London
Exhibited
Berlin, Kunste-Werke Berlin e.V. – Institute for Contemporary Art, 3rd Floor, Dinos and Jake Chapman: Disasters of War, July 16 – November 12, 2000 (another example exhibited); Modern Art Oxford, Jake and Dinos Chapman: The Rape of Creativity, April 12 – June 8, 2003 (another example exhibited); Liverpool, Tate Liverpool, Jake and Dinos Chapman: Bad Art for Bad People, December 15, 2006 – March 4, 2007 (another example exhibited)
Literature
J. Ramkalawon, “Jake and Dinos Chapman’s Disasters of War,” Print Quarterly, XVIII, 2001, pp. 64-77 (another example illustrated); S. Aquin, Francisco Goya and Jake and Dinos Chapman: The Disasters of War, Musée des Beaux-Arts de Montréal, Quebec, 2001; J. & D. Chapman, Disasters of War, Chapman Publishing, London, 2002 (another example illustrated); N. Brown, “Burger Fetish,” Modern Painters, Spring 2003, pp. 94-97 (another example illustrated); J. Jones, “What Have They Done to Goya?,” G2 The Guardian Monday, March 31, 2003, pp.1-3 (another example illustrated); M. Gayford, “They Only Do it to Annoy,” The Sunday Telegraph, November 2, 2003, p. 9 (another example illustrated); Jake and Dinos Chapman, Jake and Dinos Chapman: Insult to Injury, London, 2004 (another example illustrated); L. Buck, “Features,” The Art Newspaper, No. 161, September 2005, p. 32; M. Sawyer, “Brothers Grim,” Vogue, September 2005, pp. 308-311, p. 381 (another example illustrated); J. McGuiness, “Brother in Arms,” Pol Oxygen, Issue Ten, 2004, pp.78-87 (another example illustrated); G. Wood, “The Cocky Horror Show,” The Saturday Times, October 8, 2005, pp. 28-32; N. Hackworth, “We Want to Commit Violence to Ideas,” Evening Standard, October 11, 2005, p. 35; L. Jury, “The Chapman Brothers Return with an Echo of Past Images,” The Independent, October 19, 2005, p. 12; H. Eyres, “The Heart of Nothingness,” FT Magazine, November 5-6, 2005, pp. 34-35 (another example illustrated); S. Baker, Jake & Dinos Chapman: Like a Dog Returns to its Vomit, London, 2005, pp. 5-6; S. Kent, “The Brothers Grim Turn Back to Goya,” The Times, November 29, 2006, pp. 14-15; C. Turner, “Jake and Dinos Chapman,” Tate Etc., Issue #8, Autumn, 2006 (illustrated); S. O’Hagan; “Jake & Dinos Chapman,” The Observer, December 3, 2006, pp. 8-9; A. Sooke, “Jake and Dinos Chapman at Tate Liverpool,” The Daily Telegraph, December 9, 2006, p. 19; L. Jury, “Chapman Brothers Look Back at a Life of ‘Bad Art’,” The Independent, December 15, 2006, p. 7; R. Dorment, “The Masters of Modern Horror,” The Daily Telegraph, December 19, 2006, p. 27; A. Searle, “Gore Blimey,” The Guardian, December 19, 2006, pp. 24-25; “Two Chapmans,” The Independent, January 30, 2007, p. 11; D. Osbaldeston, “Jake & Dinos Chapman: Bad Art for Bad People,” Art Review, March 2007, p.136-137 (another example illustrated); T. Barson, C. Grunberg, C. Turner and C. Wallis, Jake and Dinos Chapman: Bad Art for Bad People, London, 2007 (another example illustrated)
Catalogue Essay
The Chapmans’ Disasters of War III, it should be obvious, unlike Goya’s original work, is neither a meditation on, nor commentary about, much less a critique of, its apparent subject. Goya’s work results from an impassioned, desperate engagement with the specific events and effects of war, massively over-reaching and surpassing the conventional discourses of reportage or evidentiary image making... Goya is behind the Chapmans’ Disasters of War III at many levels: he is literally ‘beneath’ some images (reconstituted and over-painted) while elsewhere he is merely a trace or cipher, buried deep within the Chapmans' distinct, idiosyncratic arsenal of figures and fantasies... Disasters of War then, offers something unusual in the way it seems to reveal the Chapmans thinking out loud: working, doodling, joking and playing; responding (or failing to respond); rising to, (or falling over), the same challenges again and again. Both in its entirety and in its discreet parts (in unique sets and individual images within sets) it constitutes a relentlessly imaginative and inventive series of ruminations on and over both the images and their possible associations.
Simon Baker, London, 2007

216

Jake and Dinos Chapman

Disasters of War III

2000
Portfolio of 83 etchings with watercolour on paper.
Paper size: 9 5/8 x 13 9/16 in. (24.5 x 34.5 cm) each.
Signed “J and D Chapman” and numbered sequentially one through 83 on the reverse of each.

Estimate
£200,000 - 300,000 ≠♠†

Sold for £192,000

Contemporary Art Evening Sale

Evening Sale
13 October 2007, 4pm
London

201
Katja Strunz
Untitled
Estimate £10,000 - 15,000 ♠
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202
Anselm Reyle
Untitled
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203
Zaha Hadid with Patrick Schumacher, Charles Walker and Daniel Dendra
Urban Nebula
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204
Mark Grotjahn
Untitled (White Butterfly)
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205
Future Systems - Amanda Levete
Prototile
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206
Tracey Emin
Sorry Flowers Die
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207
Jim Hodges
A Model of Delicacy
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208
Tom Friedman
Untitled
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209
Johannes Kahrs
O.T. (Schmerz)
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210
Tim Noble and Sue Webster
Puny Undernourished Kid & Girlfriend From Hell
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211
Richard Prince
My First Girl
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212
Jake and Dinos Chapman
CFC.77393898
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213
Jonathan Meese
Noël Coward is Back XXI (Tintenfisch und Pilzsuppe)
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214
Daniel Richter
Trevelfast
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215
Kai Althoff
Untitled (Red Soldiers)
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216
Jake and Dinos Chapman
Disasters of War III
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217
Damien Hirst
Tuberculosis. Remission. (The Death of Saint John)
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218
Ugo Rondinone
Out of reach until it’s magic we are crossing our own stony ocean
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219
Marlene Dumas
Over Lyken Lopen (Over Dead Bodies)
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220
Paul McCarthy
Black and White Heidi
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221
Paul Noble
Nobsend
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222
Cecily Brown
Night Passage
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223
Albert Oehlen
Stueck (Piece)
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224
Martin Kippenberger
Paris Bar
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225
Franz West
Untitled (Bench)
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226
Sarah Lucas
Eating a Banana
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227
Sarah Lucas
Blue Suede Shoes
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228
Rudolf Stingel
Untitled
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229
Jeff Koons
Mermaid Troll
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230
Richard Prince
The Five Chairs
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231
Ron Arad
Before Summer
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232
John Currin
Red Faced Woman
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233
Jeff Koons
Snorkel (Dacor)
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234
Ugo Rondinone
No. 213 ZWEIUNDZWANZIGSTERJULIZWEITAUSENDUNDNULL
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235
Gavin Turk
Nomad
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236
Steven Parrino
Untitled
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237
Damien Hirst
Diethylene Glycol
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238
Franz Ackermann
Mental Map: Evasion IV
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239
Damien Hirst
Eternity
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240
Anish Kapoor
Untitled
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241
Ed Ruscha
Southwestern Systems
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242
Lucio Fontana
Concetto spaziale, Attese
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243
James Rosenquist
Untitled III
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244
David Hockney
Sinked
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245
Sean Scully
River
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246
Tom Wesselmann
Barbara and Baby
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247
Lucio Fontana
Concetto spaziale (Teatrino)
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248
John Baldessari
Knees
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249
On Kawara
'Friday' Mar. 22, 1991. 'Today' series no. 6
Estimate £100,000 - 150,000 ‡
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250
Anselm Kiefer
Siegfried’s Difficult Way
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251
Gilbert & George
Toy Wine
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252
Antony Gormley
Domain XXXIII
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253
Jannis Kounellis
Untitled
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254
Antoni Tàpies
Grey of the Vertical Cross (Gris a la Croix Vertical)
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255
Juan Muñoz
Pelotaris (Looking Left)
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256
Thomas Struth
Musee d'Orsay I
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257
Anselm Kiefer
Tiefes Wasser (Deep Water)
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258
Jörg Immendorff
Sonnentor (Sun Gate)
Estimate £150,000 - 250,000 ≠†
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259
Natalya Nesterova
Dancing People
Estimate £40,000 - 60,000 ‡♠
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260
Jörg Immendorff
Section de merde allemande
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261
Michael Raedecker
Still
Estimate £50,000 - 70,000 ≠♠†
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262
Wilhelm Sasnal
Car
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263
Thomas Scheibitz
Untitled (nr. 242)
Estimate £50,000 - 70,000 ≠♠†
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264
Eberhard Havekost
Untitled
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265
Grayson Perry
Saint Satin Satan
Estimate £25,000 - 30,000 ≠♠†
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266
Dexter Dalwood
Paisley Park
Estimate £60,000 - 80,000 ≠♠†
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267
Robert Wilson
Fritzi's Chair
Estimate £10,000 - 15,000 Ω♠
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268
Matthias Weischer
Untitled 11
Estimate £150,000 - 200,000 ≠♠†
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269
Dirk Skreber
Untitled
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270
Thoralf Knobloch
Bei Merkwürden
Estimate £10,000 - 15,000 ≠♠†
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271
Olafur Eliasson
Small Cloud Series
Estimate £40,000 - 60,000 ‡♠
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272
Vladimir Dubossarsky and Alexandre Vinogradov
Autumn March
Estimate £25,000 - 35,000 ≠♠†
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273
Semyon Faibisovich
In the Train
Estimate £40,000 - 60,000 ‡♠
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274
Matthias Weischer
Untitled (Hochhaus)
Estimate £70,000 - 100,000 ≠♠†
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275
Dirk Skreber
Untitled (Sunken Houses)
Estimate £80,000 - 120,000 ≠♠†
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276
Eberhard Havekost
Regal (Shelf)
Estimate £25,000 - 35,000 ≠♠†
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277
Michael Raedecker
Three Works: (i) Room 2; (ii) Room 4; (iii) Room 5
Estimate £60,000 - 80,000 ≠♠†
Sold for £54,000
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278
Tilo Baumgärtel
The Fencing Lesson
Estimate £25,000 - 35,000 ≠♠†
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279
Jörg Immendorff
Untitled
Estimate £30,000 - 40,000
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280
Daniel Richter
Nach dem Frühiling (After the Spring)
Estimate £20,000 - 30,000 ♠
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281
Kai Althoff
Winter
Estimate £80,000 - 120,000 ≠♠†
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282
Jonathan Meese
Sankt Ich III (Saint I III)
Estimate £18,000 - 22,000 ≠♠†
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283
Banksy
Untitled
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284
Alexander Kosolapov
Mickey and Minnie
Estimate £20,000 - 30,000 ‡♠
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285
Rineke Dijkstra
The Nugent R.C. Highschool, Liverpool, England, November 11
Estimate £10,000 - 15,000 ♠
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286
T.V. Santhosh
Untitled
Estimate £20,000 - 25,000
Sold for £66,000
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287
Shiro Kuramata
How High the Moon
Estimate £40,000 - 50,000
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288
Subodh Gupta
Untitled
Estimate £60,000 - 80,000 ‡
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289
Anselm Reyle
Monumento al Partigiano (Monument to the Partisan)
Estimate £50,000 - 70,000 ♠
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290
Sam Taylor-Johnson
Kate Moss Dolorosa
Estimate £15,000 - 20,000 ♠
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291
Wim Delvoye
Mosaic (90-144-CLA)
Estimate £40,000 - 60,000 ♠
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292
Cecily Brown
Carousel
Estimate £70,000 - 90,000 ‡♠
Sold for £114,000
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293
Yinka Shonibare CBE RA
Pedagogy Girl/Girl
Estimate £50,000 - 70,000 ‡♠
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294
Fernando Campana and Humberto Campana
Sushi II
Estimate £15,000 - 20,000 ♠
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295
Karen Kilimnik
Victorious at Roundaway Down The Royalist Forces, 1st Baron Byron the Male
Estimate £60,000 - 70,000
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296
Maurizio Cattelan
Good versus Evil
Estimate £120,000 - 180,000 ♠
Sold for £150,000
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297
Damien Hirst
Untitled (Spot Mini)
Estimate £400,000 - 600,000 ≠♠†
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298
Richard Prince
Untitled (check painting) #2
Estimate £100,000 - 150,000
Sold for £102,000
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299
Damien Hirst
Virgin (exposed)
Estimate £180,000 - 250,000 ‡♠
Sold for £356,000
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300
Cindy Sherman
Two Works: (i) Untitled #252; (ii) Untitled #262
Estimate £40,000 - 60,000
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301
Marlene Dumas
Child with Big-Nosed Shadow
Estimate £30,000 - 40,000 ‡
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302
Richard Prince
Untitled (Joke - I never had a penny to my name, so I changed my name...)
Estimate £25,000 - 35,000 ‡
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303
Rudolf Stingel
Untitled
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304
Jack Goldstein
Untitled
Estimate £30,000 - 40,000
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305
Damien Hirst
The Last Supper
Estimate £20,000 - 30,000 ≠♠†
Sold for £38,400
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306
Donald Baechler
Victory by Default
Estimate £25,000 - 35,000 ‡
Sold for £38,400
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307
Mike Bidlo
Not Picasso (Large Nude in a Red Armchair 1929)
Estimate £40,000 - 60,000 ≠†
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308
Qiu Shihua
Untitled
Estimate £70,000 - 90,000 Ω
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309
Ivan Chuikov
T.V. 4
Estimate £15,000 - 20,000 ♠
Sold for £31,200
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310
Andy Warhol
Keith Richards and Aretha Franklin
Estimate £25,000 - 35,000 ‡
Sold for £30,000
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311
Leonid Sokov
Marilyn and Stalin
Estimate £40,000 - 60,000 ‡♠
Sold for £36,000
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312
Luigi Ontani
Ibridoli
Estimate £70,000 - 90,000 ♠
Sold for £84,000
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313
Mario Merz
Untitled
Estimate £30,000 - 40,000
Sold for £48,000
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314
Andy Warhol
Man Ray
Estimate £100,000 - 150,000
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315
Tom Wesselmann
Marilyn in Bed
Estimate £25,000 - 35,000
Sold for £48,000
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316
Andy Warhol
Arman
Estimate £100,000 - 150,000 ‡
Sold for £120,000
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317
Komar and Melamid
A Break at the Conference
Estimate £20,000 - 30,000 ‡♠
Sold for £24,000
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318
Andy Warhol
Flowers (Portfolio of 10)
Estimate £200,000 - 300,000
Sold for £240,000
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319
Ilya Kabakov
La Cuisine Communautaire (The Communal Kitchen)
Estimate £350,000 - 450,000 ‡♠
Sold for £692,000
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320
Yayoi Kusama
Galaxy (Red) A, B, C
Estimate £80,000 - 120,000 ‡
Sold for £180,000
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321
James Rosenquist
LA Business
Estimate £150,000 - 200,000
Sold for £204,000
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322
Hermann Nitsch
Splatter Painting
Estimate £20,000 - 30,000 ≠♠†
Sold for £33,600
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323
Andy Warhol
Hammer and Sickle
Estimate £2,000,000 - 3,000,000 ‡
Sold for £2,372,000
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Contemporary Art Evening Sale

Evening Sale 13 October 2007, 4pm London

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Provenance

Exhibited

Literature

Catalogue Essay

216

Jake and Dinos Chapman

Disasters of War III

Contemporary Art Evening Sale

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Evening Sale
13 October 2007, 4pm
London