Idris Khan - MUSIC - Evening Sale London Thursday, December 9, 2010 | Phillips

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  • Provenance

    Acquired directly from the artist.

  • Catalogue Essay


    Idris Khan’s work is a cryptic play of appropriation and re-creation, profoundly rooted in questions of authorship and time. Khan starts by photographing a range of existing works, subsequently digitally layering and manipulating the images to produce a final piece that evokes new thoughts concerning the original content and opens up room for interpretation. He uses analog and digital photographic techniques to appropriate existing images, text and musical scores from cultural luminaries, such as Bernd and Hilla Becher, Ludwig van Beethoven, Johann Sebastian Bach, Franz Schubert, Caravaggio, William Turner, Sigmund Freud and the Holy Quran. These figures act as literal building blocks, with which Khan can create a single composite image.
    In the present lot, Khan uses musical scores from the Russian composer and pianist Sergei Rachmaninoff. The individual notes and staves have become almost indecipherable and recognizable only on close inspection. The numerous layers have created lines of engulfing energy, leaving a spectre of the original image. The once flat page of music has metamorphosed and become animated by the accumulative interventions of the artist’s hand. Such direct interventions imbue the present lot with a painterly sense; it pulsates with energy. Khan’s work can be conceived as a homage to the art, literature and music that has influenced him and the world around him.
    "I always wanted to be a painter – I can’t paint. I’ve always wanted to be a musician – I was too lazy to learn to read notes and always wanted to play music by ear. I‘ve always liked the idea of becoming a writer: but I can hardly write and reading frustrates me, because I find my mind wonders with images too much […] The one to one aspect of reading a book is an intimate experience, viewing art in a museum is usually a shared experience with you and the space that it is positioned in, listening to music can be both intimate and shared. A book is taken out of its usual intimate experience and becomes a large piece of art that can penetrate and pulsate in front of your eyes. The Music pieces envelop in front of the viewer and have the power of art instead of sound."
    (Idris Khan, in M. Andersen, ‘Idris Khan’s multi-layered photos’, 28 September 2009, http://photoslaves.com)

1

Rachmaninoff...Preludes

2007
Digital colour coupler print, flush-mounted to aluminium.
241.3 x 177.8 cm (95 x 70 in).
Signed, dated in ink and numbered AP 1/2 on a label affixed to the reverse of the frame. This work is an artist's proof from an edition of 6 plus 2 artist's proofs and is accompanied by a certificate of authenticity.

Estimate
£35,000 - 40,000 

Sold for £56,450

MUSIC - Evening Sale

10 December 2010
London