Henri Cartier-Bresson - Photographs New York Tuesday, October 2, 2012 | Phillips

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  • Provenance

    From the artist; Robert Klein Gallery, Boston

  • Literature

    Galassi, Henri Cartier-Bresson: The Early Work, fig. 36
    Galassi, Henri Cartier-Bresson: The Modern Century, back cover and p. 150
    Harry N. Abrams, Inc., How to Read a Photograph: Lessons from MasterPhotographers, p. 158
    Montier, Henri Cartier-Bresson and the Artless Art, pl. 111
    “Cartier-Bresson, 20th Century’s Premier Artist of the Lens, Is Dead at 95,”The New York Times, 5 August 2004, p. C13

  • Artist Biography

    Henri Cartier-Bresson

    French • 1908 - 2004

    Candidly capturing fleeting moments of beauty among the seemingly ordinary happenings of daily life, Henri Cartier-Bresson's work is intuitive and observational. Initially influenced by the Surrealists' "aimless walks of discovery," he began shooting on his Leica while traveling through Europe in 1932, revealing the hidden drama and idiosyncrasy in the everyday and mundane. The hand-held Leica allowed him ease of movement while attracting minimal notice as he wandered in foreign lands, taking images that matched his bohemian spontaneity with his painterly sense of composition.

    Cartier-Bresson did not plan or arrange his photographs. His practice was to release the shutter at the moment his instincts told him the scene before him was in perfect balance. This he later famously titled "the decisive moment" — a concept that would influence photographers throughout the twentieth century. 

    View More Works

28

On the Banks of the Marne

1938
Gelatin silver print, printed later.
11 3/4 x 17 3/4 in. (29.8 x 45.1 cm)
Signed in ink and copyright credit blindstamp in the margin.

Estimate
$10,000 - 15,000 

Sold for $15,000

Contact Specialist
Vanessa Kramer Hallett
Worldwide Head of Photographs
vhallett@phillips.com
+ 1 212 940 1245

Photographs

2 October 2012
New York