Helen Frankenthaler - Evening Editions New York Wednesday, April 20, 2011 | Phillips

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  • Literature

    Pegram Harrison 233

  • Catalogue Essay

    Freefall is printed on sheets of TGL handmade paper that is dyed or stained with color before being printed with woodblocks. Frankenthaler began each print by “drawing” with dyed paper pulp on a freshly formed sheet, as if she were creating a work on paper with the pulp. The paper was like a blotter to which she added the dyed pulp, melding the fibers into a single entity… As always, she paid particular attention to the registration of the blocks so that there is neither an overlapping of the colors nor an unwanted gap between them. Pegram Harrison, Frankenthaler A Catalogue Raisonné Prints 1961-1994, p. 471

  • Artist Biography

    Helen Frankenthaler

    Helen Frankenthaler was one of the most influential members of the second generation of Abstract Expressionists and had a considerable impact on the transition from the prevailing New York School sensibilities to the subsequent Color Field style. Frankenthaler first achieved widespread praise for the opaque, floating fields of color of her 1952 painting Mountain and Sea, created using a technique that involved pouring thinned paint onto untreated canvases that had been laid on the floor of her studio. This so-called “soak-stain” technique was an acclaimed overture to Frankenthaler’s tireless experimentations with other styles and media throughout her career, including work in ceramics, sculpture, and printmaking.  

    Frankenthaler’s distinguished career has been widely celebrated since its beginnings. She was featured in the storied 1951 Ninth Street Show in New York as well as in Clement Greenberg’s 1964 Post-Painterly Abstraction exhibition at the Los Angeles County Museum of Art. Frankenthaler co-represented the United States at the 33rd Venice Biennale in 1966 and received the National Medal of the Arts in 2001.  

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Woodcut in colors, on TGL handmade paper, the full sheet,  
S. 77 7/8 x 60 1/4 in. (197.8 x 153 cm)
signed and dated in pencil, numbered 27/30 (there were also 12 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.

$60,000 - 80,000 

Sold for $72,100

Evening Editions

21 April 2011
New York