Glenn Ligon - Contemporary Art Part II New York Thursday, November 16, 2006 | Phillips

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  • Provenance

    D'Amelio Terras Gallery, New York

  • Literature

    L. Firstenberg, "Neo-Archival and Textual Modes of Production: An Interview with Glenn Ligon", Art Journal, Spring 2001, vol. 60, no. 1, pp. 42-47

  • Artist Biography

    Glenn Ligon

    American • 1960

    Glenn Ligon gained prominence in the early 1990s as a pioneering artist whose incisive work exploring of the contemporary American experience utilized the methods and legacies of modern painting and conceptual art. Embracing an intertextual approach, Ligon incorporates works from the arts, literature, history, and his own life to investigate American society and its inequities. Though he began his career as an abstract painter, he began incorporating text into his work in the mid-1980s to better articulate his political concerns and his ideas about racial identity and experience. He samples writing from famed Black writers including James Baldwin, Zora Neale Hurston, and Ralph Ellison, among other authors. 

    Ligon’s body of work includes painting, photography, sculpture, installation, video, and neon art, but he is most widely associated with his text-based paintings. He is also notable for conceptualizing the term “Post-Blackness,” with Thelma Golden, describing it as “the liberating value in tossing off the immense burden of race-wide representation, the idea that everything they do must speak too for or about the entire race.” His work is held in notable museum collections around the world.

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Untitled #2 (Hands / Stranger in the Village)

Silkscreen and coal dust on canvas.
48 x 56 in. (121.9 x 142.2 cm).
Signed, titled and dated "Glenn Ligon Untitled #2 1999"; titled and dated again "Untitled (HANDS/Stranger in the Village) 1999" on the reverse.

$35,000 - 45,000 

Sold for $48,000

Contemporary Art Part II

17 Nov 2006, 10am & 2pm
New York