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  • Provenance

    Galerie Jennifer Flay, Paris

  • Catalogue Essay

    Working from photographic sources – shots from TV and video, images culled from magazines and catalogues and his own photographs – he selects prosaic subjects ranging from anonymous buildings, trains and trailers, and modifies them to make inkjet prints as the departure point for his paintings. His paintings elude straightforward classification: mundane images that are abstracted into a kind of mannerism of the everyday. Havekost's paintings are executed in colour on top of a six underlying and alternating coats of grey and white. This slow, careful process creates a luminous atmosphere that makes the paintings glow with a strange, otherworldly richness of light. Havekost describes this as a 'democratic light' that reveals the immanent brilliance of everything.Taken from www.whitecube.com
     

260

Mobile 1

2000
Oil on canvas.
140 x 200 cm. (55 1/8 x 78 3/4 in).
Signed, titled and dated Eberhard Havekost Mobile 1 2000’ on the reverse.

Estimate
£50,000 - 70,000 ≠ ♠ †

Contemporary Art Evening Sale

29 June 2008, 5pm
London