Create your first list.

A way to share and manage lots.

  • Provenance

    Kent Fine Art, Inc., Kent, Connecticut

  • Exhibited

    New York, Alternative Museum, 1987; Munich, The Orangerie, Englischer Garten, 1991; New York, Whitney Museum of American Art, Variations on Themes: Recent Print Acquisitions, 1991; New York, International Center of Photography, Special Collections: The Photographic Order from Pop to Now, 1992; Lausanne, Deutsch Fondation; Evanston, Northwestern University, Block Gallery; Tempe, Arizona State University Art Museum; Norfolk, Virginia, The Chrysler Museum; Miami Beach, Bass Museum of Art; New York, The Museum at Stony Brook; Lincoln, Nebraska, Vancouver Art Gallery, Sheldon Memorial Art Gallery: 1992; Pully/Lausanne, FAE Musée d'Art Contemporain;  Torino, Castello di Rivoli, Museo d'Arte Contemporanea; Athens, Deste Foundation for Contemporary Art; Hamburg, Deichtorhallen: Post Human, June 1992 - , Hannover, Sprengel Museum, Konstruktion Zitat: Kollektive Bilder in der Fotografie, 1993; Munich, Stadtische Galerie im Lenbachhaus, American Art, 1996; New York, P.S.1 Contemporary Art Center, The Promise of Photography; Frankfurt, Schirn Kunsthalle, a.M., 1999; New York, Museum of Modern Art, Open Ends/One Thing After Another, 2001; Long Beach, University Art Museum; San Diego, Museum of the Photographic Arts: Double Vision: Photographs from the Strauss Collection, 2001-2002 (another example exhibited in each case)

  • Literature

    J. Bowsher, Patricia Hearst-A thru Z, Minneapolis, 1979; P. D'Agostino, & L. Thomas, eds., Still Photography: the Problematic Model, San Francisco, 1981, pp. 111-115; P. C. Phillips, Building Against Image 1979-1987, New York, 1987; E. Leffingwell, & K. Marta, eds., Modern Dreams: The Rise and Fall and Rise of Pop Art. New York/Cambridge/London, 1988, pp. 6, 9, 110-117;  M. A. Staniszewski, The Architecture of Amnesia. New York, 1990, pp 18-19; C. Stainback, Special Collections: The Photographic Order from Pop to Now, New York, 1992; F. Bex, Transactions, Antwerp, 1994, pp. 20-21; J. Deitch, Post Human, Lausanne/Torino/Athens/Hamburg, 1992; T. Weski & S. Iglhaut, Konstruktion Zitat: Kollektive Bilder in der Fotografie, Hannover, 1993; J. Fitch, Double Vision: Photographs from the Strauss Collection, Long Beach, 2000; M. Flugge, & F. Meschede, Warum, Berlin, 2003

177

Patricia Hearst A thru Z

1990
Portfolio of 26 two-color serigraphs with four printed text sheets in a galvanized steel box. 
Each serigraph 20 x 16 in. (50.8 x 40.6 cm); 128 x 80 in. (325.1 x 203.2 cm) overall.

Signed and dated "D. Adams 90" and numbered of 30 on a title page.  This work is from an edition of 30. 

Estimate
$8,000 - 12,000 

Sold for $6,250

Contemporary Art Part II

15 May 2009, 10am
New York