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  • Executed on a large scale, Kopf, Frage, Jager, Sage, 1, 2, 3, 4, A. R. Penck ist heir, is a wall poem, created for the opening of the Brigitte Schenk Gallery in Cologne in 1996. The painted letters and simplified symbols and patterns are characteristic of Penck’s unique artistic output. While frequently likened to the graffiti-based work of Keith Haring and Jean-Michel Basquiat, Penck’s distinctive style developed independently as a reaction to the censorship of the German Democratic. Embodying the graffiti ethos, A.R. Penck wanted the present work to be exposed to the ravages of time and circumstances: to let it ‘live’. Visitors to the gallery have immortalised the work, carving their names into the painted strokes and sticking their chewing gum onto the surface. The gallery owner's protests to conserve it died away when Penck repeated that this would not diminish the value of the work of art, but on the contrary increase its value: It is reminiscent of the primitive form of cave painting with which people immortalised themselves because they wanted to leave a trace.

    • 來源

      現藏者於1996年直接購自藝術家本人

    • 過往展覽

      Cologne, Galerie Brigitte Schenk, Head Hunter, 13 September - 6 November 1996

183

《頭,問題,獵人,傳奇,1,2,3,4 A.R. 彭克來了》

壓克力 玻璃
240 x 159 公分 (94 1/2 x 62 5/8 英吋)
1996年作

Full Cataloguing

估價
£80,000 - 120,000 ‡ ♠

成交價£68,040

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二十世紀及當代藝術日間拍賣

倫敦拍賣2021年10月14日