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"But you are here for the circus today." —Alexander Calder
From Parisian salons and Park Avenue parlors, to the storied collection of prominent New York gallerist Ruth O’Hara, Alexander Calder’s Aerialist captures the unique trajectory of one of the most important American modern artists. Created circa 1926-1931, this early work belongs to the artist’s legendary Circus series created during the artist’s interwar sojourn in Paris. Comprised of a miniature troupe of figures, animals and objects, the so-called Cirque Calder represents the artist’s first major body of work. A rare example from this series to come to auction, Aerialist presents itself as a delicate wire figure gracefully soaring through the air– showcasing not only Calder’s mechanical prowess, sense of playfulness and pioneering imagination, but importantly exemplifies his interest in movement and drawing in space that would become the defining characteristic of his art from the 1930s onwards. Arguably one of Calder’s most beloved works, a major Circus installation is notably in the permanent collection of the Whitney Museum of American Art, New York.
Alexander Calder, Calder's Circus, 1926–1931. Whitney Museum of American Art, New York, Artwork© 2020 Calder Foundation, New York/Artists Rights Society (ARS), New York Cirque Calder
It was in the heady climate of 1920s Paris that Calder developed his artistic sensibility. A young engineer who decided to pursue a career as an artist, Calder had enrolled at the Art Students League in New York before moving to Paris in 1926. Soon after arriving in Montparnasse, Calder embarked upon his first major body of work that reflected his lifelong fascination with the circus: crafting lilliputian figures and props from simple, easily readily materials such as wood, wire, metal, cloth and cork, he summoned an imaginative universe comprised of animals, clowns and acrobats such as Aerialist, which he would activate in his legendary performances.
Calder’s Circus, or Cirque Calder as it was known in France, served as a favorite pastime of Paris’ cultural luminaries during the 1920s. Often the main event of parties held in the apartments of the Parisian avant-garde, the circus attracted the leading writers and artists of the day, from Jean Cocteau to Joan Miró. Calder’s show originally began on a small scale, comprising only two valises worth of equipment, but quickly expanded to meet the artist’s characteristic ambitions and soon filled five. “Ringmaster Calder” transported his act from one party to the next headlining the night’s festivities, eventually bringing the show with him to New York.
Suitcase filled with elements from Calder’s Circus. © Whitney Museum of American Art, New York. Photo Sheldan C. Collins. Artwork© 2020 Calder Foundation, New York/Artists Rights Society (ARS), New York As in Paris, Calder staged shows for a veritable who’s who of the city’s cultural cognoscenti, often enlisting the help of friend Isamu Noguchi to man the Victrola for the night’s festivities, for crowds that included writer Tom Wolfe and many others. Famously gregarious and theatrical in nature, Calder loved his performances so dearly that he even put on a show the night before his own wedding; when the reverend, who married the artist and his wife, apologized for missing the festivities the night before, Calder is reported to have responded “But you are here for the circus today.”
Drawing in Space
Calder’s fascination for the circus, a theme that would continue to appear throughout his career, also shows itself in such drawings as Lion Cage, circa 1931, from the collection of Ruth O’Hara. Seen together, these works demonstrate the remarkable economy of line with which Calder was able to render form. Indeed, Calder’s early work, especially the Circus installation, can be seen to set many of the principles and concepts that would inform his groundbreaking sculptural practice just years later. As James Johnson Sweeney, famed curator and frequent spectator of the Cirque Calder, indeed remarked, “Calder’s miniature circus was to serve as a laboratory in which some of the most original features of his later work were to be developed.”i
Circus in many ways certainly served as a laboratory for his larger-scale wire sculptures which debuted at the Weyhe Gallery in New York in 1928, his first ever solo gallery show, and, when exhibited at the Galerie Billiet-Pierre Vorms in Paris a year later, prompted a critic to famously refer to his unprecedented sculpture in terms of “drawing in space.”
If Calder had arrived in Paris aspiring to be a painter, by the time he left in 1933 he had become a defining force in modern abstract sculpture– having, in the fall of 1931, created his first truly kinetic sculptures that Marcel Duchamp dubbed “mobiles”. While Calder’s 1930 visit to Piet Mondrian’s studio was a significant turning point for his path to abstraction, his early sculptural practice served as an important foundation. Aerialist, envisioned by Calder to be activated by performance and quivering with the potentiality of motion as it balances on a tightrope, encapsulates the kineticism that would come to define Calder’s pioneering mobiles. In it, one recognizes the buoyant elegance, the drama but also playfulness, that Calder cultivated throughout his celebrated career.
Alexander Calder performs his "Circus"
i James Johnson Sweeney, quoted in Jean Lipman, Calder’s Universe, exh. cat., Whitney Museum of American Art, New York, 1976, p. 63.Provenance
Estate of the Artist
Private Collection
Ruth O'Hara, New York (acquired from the in 2007)Exhibited
New York, Whitney Museum of American Art, Alexander Calder: The Paris Years, 1926-1933, October 16, 2008 - February 15, 2009, pl. 151, p. 280 (illustrated, p. 164); then traveled as Paris, Musée National d’Art Moderne, Centre Georges Pompidou, Alexander Calder: Les années parisiennes, 1926-1933, March 18 – July 20, 2009, no. 50, p. 406 (illustrated, p. 227)
New York, James Goodman Gallery, Calder: Space in Play, October 22 – December 19, 2014
London, Tate Modern, Alexander Calder: Performing Sculpture, November 11, 2015 – April 3, 2016, p. 228 (illustrated, p. 98)
The Montreal Museum of Fine Arts; Melbourne, National Gallery of Victoria, Alexander Calder: Radical Inventor, September 21, 2018 – August 4, 2019, no. 81,[ p. 229 (illustrated, p. 68 )Literature
Alexander Calder: The Paris Years, 1926-1933, exh. cat, Whitney Museum of American Art, New York, 2008, no. 151, p. 164
Artist Biography
Alexander Calder
American • 1898 - 1976
Alexander Calder worked as an abstract sculptor and has been commonly referred to as the creator of the mobile. He employed industrious materials of wire and metal and transformed them into delicate geometric shapes that respond to the wind or float in air. Born into a family of sculptors, Calder created art from childhood and moved to Paris in 1926, where he became a pioneer of the international avant-garde. In addition to his mobiles, Calder produced an array of public constructions worldwide as well as drawings and paintings that feature the same brand of abstraction. Calder was born in Lawnton, Pennsylvania.
Property from the Estate of Ruth O’Hara
117
Aerialist
wood, wire, leather, cloth, lead, and string
13 1/2 x 5 1/2 x 1 1/2 in. (34.3 x 14 x 3.8 cm)
Executed circa 1926-1931, this work is registered in the archives of the Calder Foundation, New York, under application number A23043.
Estimate
$400,000 - 600,000
John McCord
Head of Day Sale, Morning Session
New York
+1 212 940 1261
20th c. and Contemporary Art Day Sale - Morning Session
New York 8 December 2020
101
Bill Traylor
Untitled (Black and Brown Horse)
Estimate $40,000 - 60,000
Sold for $55,440
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102
Jacob Lawrence
Street Scene
Estimate $40,000 - 60,000
Sold for $69,300
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103
Milton Avery
Landscape
Estimate $60,000 - 80,000
Sold for $81,900
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104
Hans Hofmann
Provincetown Blue Sea
Estimate $50,000 - 70,000
Sold for $105,840
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105
Vivian Springford
Untitled (VSF327)
Estimate $50,000 - 70,000
Sold for $81,900
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106
Helen Frankenthaler
Thanksgiving Day Series (#13)
Estimate $25,000 - 35,000
Sold for $27,720
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107
Beauford Delaney
Street Scene
Estimate $120,000 - 180,000
Sold for $478,800
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108
Matthew Wong
A Dream
Estimate $150,000 - 200,000
Sold for $864,900
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109
Alexander Calder
Untitled
Estimate $60,000 - 80,000
Sold for $302,400
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110
Alexander Calder
Untitled
Estimate $60,000 - 80,000
Sold for $176,400
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111
Alexander Calder
Light Fixture
Estimate $40,000 - 60,000
Sold for $37,800
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112
Alexander Calder
Untitled
Estimate $350,000 - 500,000
Sold for $315,000
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113
Alexander Calder
Fly choker
Estimate $70,000 - 100,000
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114
Alexander Calder
Tray
Estimate $25,000 - 35,000
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115
Alexander Calder
Lion Cage
Estimate $20,000 - 30,000
Sold for $45,360
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116
Alexander Calder
Untitled
Estimate $18,000 - 25,000
Sold for $52,920
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117
Alexander Calder
Aerialist
Estimate $400,000 - 600,000
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118
Alexander Calder
The Crooked Stick and the Straight Stick
Estimate $20,000 - 30,000
Sold for $28,980
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119
Joan Miró
Tête
Estimate $60,000 - 80,000
Sold for $60,480
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120
Joan Miró
Figures
Estimate $250,000 - 350,000
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121
Robert Rauschenberg
Untitled
Estimate $180,000 - 250,000
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122
Robert Rauschenberg
Untitled (de Gaulle)
Estimate $250,000 - 350,000
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123
Robert Rauschenberg
Untitled
Estimate $12,000 - 18,000
Sold for $37,800
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124
Conrad Marca-Relli
The Expendible
Estimate $100,000 - 150,000
Sold for $277,200
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125
Andy Warhol
Puma Invader
Estimate $40,000 - 60,000
Sold for $138,600
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126
Andy Warhol
Map of Eastern U.S.S.R. Missile Bases (positive)
Estimate $40,000 - 60,000
Sold for $88,200
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127
Andy Warhol
Map of Eastern U.S.S.R. Missile Bases (negative)
Estimate $40,000 - 60,000
Sold for $85,680
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128
Arthur Segal
Stillleben mit Flasche
Estimate $60,000 - 80,000
Sold for $163,800
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129
Marc Chagall
La danse au village
Estimate $4,000 - 6,000
Sold for $15,120
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130
Käthe Kollwitz
Mutter, zwei Kinder an sich pressend
Estimate $40,000 - 60,000
Sold for $56,700
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131
Richard Pettibone
Andy Warhol, "Liz," 1963
Estimate $40,000 - 60,000
Sold for $55,440
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132
Richard Pettibone
Andy Warhol, "Marilyn Monroe," 1962 (brown)
Estimate $30,000 - 40,000
Sold for $32,760
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133
Richard Pettibone
Jasper Johns "Grey Rectangles," 1957
Estimate $40,000 - 60,000
Sold for $37,800
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134
Richard Pettibone
Marcel Duchamp "Bicycle Wheel," 1913
Estimate $40,000 - 60,000
Sold for $63,000
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135
Alexander Calder
Untitled
Estimate $200,000 - 300,000
Sold for $365,400
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136
Saul Steinberg
Two Worlds
Estimate $8,000 - 12,000
Sold for $10,080
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137
Jean Dubuffet
Site aux trois arbres
Estimate $400,000 - 600,000
Sold for $541,800
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138
Jack Tworkov
Marsh
Estimate $60,000 - 80,000
Sold for $75,600
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139
Philip Guston
Slope
Estimate $300,000 - 500,000
Sold for $365,400
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140
Willem de Kooning
Untitled
Estimate $500,000 - 700,000
Sold for $630,000
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141
Mary Heilmann
Glide
Estimate $150,000 - 200,000
Sold for $126,000
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142
Richard Pousette-Dart
Pool of Contemplation
Estimate $180,000 - 250,000
Sold for $214,200
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143
Ralph Humphrey
Armanda
Estimate $30,000 - 50,000
Sold for $107,100
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144
Hans Hofmann
Untitled
Estimate $150,000 - 200,000
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145
This lot is no longer available.
146
Theodoros Stamos
Navarone
Estimate $80,000 - 120,000
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147
Betty Parsons
Untitled
Estimate $20,000 - 30,000
Sold for $138,600
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148
Robert Motherwell
Basque Suite #50
Estimate $50,000 - 70,000
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149
David Smith
Classic Figure III
Estimate $100,000 - 150,000
Sold for $201,600
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150
Elaine de Kooning
Bull
Estimate $15,000 - 20,000
Sold for $75,600
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151
Larry Poons
Panamar
Estimate $50,000 - 70,000
Sold for $100,800
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152
Friedel Dzubas
Key Largo
Estimate $50,000 - 70,000
Sold for $63,000
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153
Roger Brown
Two works: (i-ii) Untitled
Estimate $30,000 - 50,000
Sold for $35,280
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154
Roger Brown
Looking for a Leveraged Buyout
Estimate $60,000 - 80,000
Sold for $132,300
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155
Roger Brown
The Big Bang
Estimate $40,000 - 60,000
Sold for $42,840
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156
John Wesley
Flight
Estimate $90,000 - 120,000
Sold for $81,900
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157
Kenneth Noland
Dawn-Dusk
Estimate $150,000 - 250,000
Sold for $195,300
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158
Fred Sandback
Untitled
Estimate $60,000 - 80,000
Sold for $69,300
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159
Nam June Paik
Music is Not Sound
Estimate $100,000 - 150,000
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160
Carl Andre
Steel Parallels
Estimate $100,000 - 150,000
Sold for $176,400
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161
John Chamberlain
Los Ang Us
Estimate $400,000 - 600,000
Sold for $365,400
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162
Frank Stella
k.161b
Estimate $60,000 - 80,000
Sold for $75,600
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163
This lot is no longer available.
164
Roy Lichtenstein
Suspended Mobile
Estimate $150,000 - 200,000
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165
Jean-Michel Basquiat
Untitled (Geese+)
Estimate $300,000 - 400,000
Sold for $302,400
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166
Martin Wong
Untitled (Antonio Home)
Estimate $40,000 - 60,000
Sold for $138,600
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167
Keith Haring
For Herb
Estimate $50,000 - 70,000
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168
Andy Warhol
Marilyn
Estimate $100,000 - 150,000
Sold for $113,400
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169
Andy Warhol
Flowers
Estimate $250,000 - 350,000
Sold for $277,200
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170
Andy Warhol
Portrait of Bronka Weintraub
Estimate $120,000 - 180,000
Sold for $126,000
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171
Robert Rauschenberg
Pewter Drawer
Estimate $300,000 - 500,000
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172
Robert Rauschenberg
Quarters from the series Anagrams (A Pun)
Estimate $100,000 - 150,000
Sold for $126,000
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173
Ed Ruscha
Chick Unit
Estimate $200,000 - 300,000
Sold for $214,200
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174
Ed Ruscha
Three works: (i-iii) Periods
Estimate $120,000 - 180,000
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175
Alex Katz
Zihuatenejo Bay
Estimate $35,000 - 45,000
Sold for $50,400
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176
Neil Jenney
Lines and Track
Estimate $200,000 - 300,000
Sold for $245,700
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177
Ralph Goings
Hot Fudge Sundae
Estimate $200,000 - 300,000
Sold for $403,200
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178
Fernando Botero
Venus
Estimate $350,000 - 450,000
Sold for $529,200
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179
Manolo Valdés
Regina
Estimate $50,000 - 70,000
Sold for $55,440
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180
Fernando Botero
Reclining Woman with Mirror
Estimate $400,000 - 600,000
Sold for $403,200
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181
Bowl of Fruits
Estimate $180,000 - 220,000
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182
Pablo Picasso
Personnage endormi et femme accroupie (VIII)
Estimate $150,000 - 200,000
Sold for $151,200
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183
Henri Matisse
Jeune fille assise
Estimate $50,000 - 70,000
Sold for $56,700
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184
This lot is no longer available.
185
Francis Picabia
Sans titre
Estimate $20,000 - 30,000
Sold for $42,840
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186
Francis Picabia
Sans titre
Estimate $250,000 - 350,000
Sold for $226,800
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187
Joan Miró
Sans titre
Estimate $70,000 - 90,000
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188
Wassily Kandinsky
Untitled
Estimate $140,000 - 180,000
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189
Jean Dubuffet
Texte Logologique VI
Estimate $40,000 - 50,000
Sold for $52,920
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190
Alexander Calder
Untitled
Estimate $30,000 - 50,000
Sold for $69,300
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191
Alexander Calder
Untitled
Estimate $40,000 - 60,000
Sold for $75,600
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192
Bob Thompson
The Beg
Estimate $30,000 - 50,000
Sold for $75,600
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193
Beauford Delaney
Self-portrait
Estimate $30,000 - 40,000
Sold for $315,000
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194
Andy Warhol
Rolling Stones - Love you Live Bill Wyman
Estimate $15,000 - 20,000
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195
Andy Warhol
The Annunciation (after Leonardo da Vinci)
Estimate $40,000 - 60,000
Sold for $40,320
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196
Andy Warhol
Head (After Picasso)
Estimate $15,000 - 20,000
Sold for $71,820
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197
Marisa Merz
Untitled (Gold and Silver)
Estimate $70,000 - 90,000
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198
Gordon Matta-Clark
Bing-Go Gone
Estimate $20,000 - 30,000
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199
Sigmar Polke
Untitled
Estimate $100,000 - 150,000
Sold for $75,600
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200
Georg Baselitz
Untitled (Beach Picture)
Estimate $12,000 - 18,000
Sold for $12,600
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201
Anselm Kiefer
Gilgamesch im Zedernwald
Estimate $40,000 - 60,000
Sold for $37,800
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202
Friedrich Schröder-Sonnenstern
Pussy, Die mondmoralische Märchenwundersau com Kurfürstendamm
Estimate $3,000 - 5,000
Sold for $3,780
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203
Francis Bacon
Untitled (Figure upside down on sofa)
Estimate $100,000 - 150,000
Sold for $157,500
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204
William Turnbull
Untitled (Walking Figures)
Estimate $10,000 - 15,000
Sold for $50,400
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205
Yayoi Kusama
Grass-Igniting Coruscation
Estimate $50,000 - 70,000
Sold for $75,600
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206
Yayoi Kusama
Village with Mountain Views
Estimate $15,000 - 20,000
Sold for $23,940
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207
Mark Tobey
Untitled (Raissance of a Flower)
Estimate $20,000 - 30,000
Sold for $44,100
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208
Paul Jenkins
Phenomena Entrance to Peking
Estimate $25,000 - 35,000
Sold for $22,680
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209
Al Held
Cygnus I
Estimate $20,000 - 30,000
Sold for $52,920
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210
David Novros
Untitled
Estimate $15,000 - 20,000
Sold for $32,760
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211
Alfred Jensen
Gothic
Estimate $18,000 - 25,000
Sold for $25,200
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212
Lee Mullican
Isis Appearing (Guardian Figure)
Estimate $10,000 - 15,000
Sold for $44,100
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213
Larry Bell
Small Mirage Study #162
Estimate $15,000 - 20,000
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214
Harvey Quaytman
Walnut, Slate and Clay
Estimate $25,000 - 35,000
Sold for $47,880
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215
Sol LeWitt
Black and Gray Diagonal Bands in Three Directions with a Black Border
Estimate $40,000 - 60,000
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216
Richard Tuttle
Untitled
Estimate $7,000 - 10,000
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217
George Rickey
Inverted Column
Estimate $30,000 - 50,000
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218
George Rickey
Two Fixed Two Moving Lines III
Estimate $20,000 - 30,000
Sold for $32,760
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219
Joel Shapiro
Untitled
Estimate $12,000 - 18,000
Sold for $11,970
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220
Luis Tomasello
Atmosphère Chromoplastique No. 259
Estimate $40,000 - 60,000
Sold for $39,060
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221
Edgar Negret
Árbol
Estimate $25,000 - 35,000
Sold for $21,420
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222
This lot is no longer available.
223
Carlos Alfonzo
Thought Forms
Estimate $60,000 - 80,000
Sold for $138,600
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224
This lot is no longer available.
225
Ana Mercedes Hoyos
Inverapuestas el Perro
Estimate $70,000 - 90,000
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226
LeRoy Neiman
Le rendez-vous
Estimate $40,000 - 60,000
Sold for $40,320
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227
Bernard Buffet
La montagne Sainte-Victoire
Estimate $50,000 - 70,000
Sold for $52,920
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228
Bernard Buffet
Princesse Espagnole
Estimate $40,000 - 60,000
Sold for $252,000
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229
Christian Zervos
The complete set of Pablo Picasso, Catalogue Raisonné 1875-1973
Estimate $12,000 - 18,000
Sold for $37,800
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230
Georges Rouault
Jeune clown pensif
Estimate $25,000 - 35,000
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231
Auguste Herbin
Untitled
Estimate $8,000 - 12,000
Sold for $8,820
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232
Carl Paul Jennewein
Iris
Estimate $40,000 - 60,000
Sold for $37,800
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233
Jim Dine
Untitled
Estimate $18,000 - 25,000
Sold for $16,380
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234
Claes Oldenburg
Two Small Ray Guns
Estimate $40,000 - 60,000
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235
Larry Rivers
Dreyfus
Estimate $10,000 - 15,000
Sold for $8,820
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236
Kenny Scharf
Coconut Donut in Space
Estimate $15,000 - 20,000
Sold for $41,580
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237
Kenny Scharf
Turkone
Estimate $40,000 - 60,000
Sold for $126,000
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238
Kenny Scharf
Spacecase
Estimate $30,000 - 40,000
Sold for $81,900
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