Untitled

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  • Artist Bio

    Richard Prince

    American • 1947

    For more than three decades, Prince's universally celebrated practice has pursued the subversive strategy of appropriating commonplace imagery and themes – such as photographs of quintessential Western cowboys and "biker chicks," the front covers of nurse romance novellas, and jokes and cartoons – to deconstruct singular notions of authorship, authenticity and identity.

    Starting his career as a member of the Pictures Generation in the 1970s alongside such contemporaries as Cindy Sherman, Robert Longo and Sherrie Levine, Prince is widely acknowledged as having expanded the accepted parameters of art-making with his so-called "re-photography" technique – a revolutionary appropriation strategy of photographing pre-existing images from magazine ads and presenting them as his own. Prince's practice of appropriating familiar subject matter exposes the inner mechanics of desire and power pervading the media and our cultural consciousness at large, particularly as they relate to identity and gender constructs.

    View More Works

110

Untitled

2007
Two birch veneer wood panels, one with laser engraved text, fastened at the seam (as issued).
22 x 14 x 1 3/8 in. (55.9 x 35.6 x 3.5 cm)
Signed, dated and numbered 3/8 in black ink and laser engraved with the artist's name on the reverse (there were also 2 artist's proofs), published by Two Palms Press, New York.

Estimate
$12,000 - 18,000 

sold for $13,750

Contact Specialist
Kelly Troester
Worldwide Co-Head of Editions, Modern
+1 212 940 1221
ktroester@phillips.com

Cary Leibowitz
Worldwide Co-Head of Editions, Contemporary
+1 212 940 1222
cleibowitz@phillips.com

Kip Eischen
Specialist
+1 212 940 1332
keischen@phillips.com

General Inquiries
+1 212 940 1220

Editions & Works on Paper

New York Auction 17 October 2018