Richard Avedon - Photographs New York Tuesday, October 2, 2012 | Phillips

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  • Provenance


    The Nature Conservancy South Fork-Shelter Island Chapter, Back At The Ranch benefit auction, August 1995

  • Literature

    Fraser, On the Edge: Images from 100 Years of Vogue, pp. 232-233
    Shanahan, Richard Avedon: Evidence 1944-1994, p. 162 for a variant

  • Artist Biography

    Richard Avedon

    American • 1923 - 2004

    From the inception of Richard Avedon's career, first at Harper's Bazaar and later at Vogue, Avedon challenged the norms for editorial photography. His fashion work gained recognition for its seemingly effortless and bursting energy, while his portraits were celebrated for their succinct eloquence. "I am always stimulated by people," Avedon has said, "almost never by ideas." 

    Indeed, as seen in his portraits — whether of famed movie stars or everyday people — the challenge for Avedon was conveying the essence of his subjects. His iconic images were usually taken on an 8 x 10 inch camera in his studio with a plain white background and strobe lighting, creating his signature minimalist style. Avedon viewed the making and production of photographs as a performance similar to literature and drama, creating portraits that are simultaneously intensely clear, yet deeply mysterious.

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42

Nastassja Kinski and the Serpent, Los Angeles, California, June 14

1981
Gelatin silver print.
29 x 43 in. (73.7 x 109.2 cm)
Signed and numbered 75/200 in pencil on the verso.

Estimate
$60,000 - 80,000 

Sold for $86,500

Contact Specialist
Vanessa Kramer Hallett
Worldwide Head of Photographs
vhallett@phillips.com
+ 1 212 940 1245

Photographs

2 October 2012
New York