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"Miles Davis bends the notes. He doesn't play them, he bends them. I bend the paint." —Willem de Kooning
Lush and sensuous, Willem de Kooning's Untitled is a quintessential example of the benchmark paintings the artist created in the mid-1960s. Painted in 1964, it speaks of the defining moment in both de Kooning’s life and practice ushered in by his move from New York City to the pastoral environs of East Hampton just the year prior. The dramatic shift in scenery served as a catalyst for a wholly new body of work in which de Kooning pushed his iconic subject matter of the female figure into abstraction – fusing body and landscape into one with a distinctive new painterly approach. These are pictures distinguished by a baroque painterly hedonism, a luminous chromatic palette evocative of East Hampton's light and sea, and a palpable sense of joy that harkens back to Henri Matisse's early Fauvist work. Remaining in the same family collection for decades, Untitled perfectly encapsulates the turning point in de Kooning’s practice that gave rise to such masterpieces as Woman, Sag Harbor, 1964, Hirshhorn Museum and Sculpture Garden, Washington, D.C., and The Visit, 1966, Tate, London.
De Kooning in East Hampton
Just one of the artist’s many shifts between abstraction and figuration, works such as the present one encapsulate the complex artistic evolution that has come to define de Kooning's pioneering oeuvre. When de Kooning created works such as Untitled, he had recently turned 60 and was enjoying considerable acclaim as one of the leading proponents of the New York School; his series of painterly abstractions that had followed his breakthrough Women series from the early 1950s were well received, resulting in his lauded “abstract parkway landscape” series. Yet, continuously seeking new ways forward in his practice, he defied expectations by returning to the female figure upon his permanent move to Springs in Long Island’s East End in 1963, having previously spent many summers there visiting Leo Castelli.
De Kooning standing outside of Leo Castelli's Hampton home, 1953. © Tony Vaccaro / Bridgeman Images Untitled emanates the sense of openness and joie-de-vivre that de Kooning found in the environs of East Hampton, marking a distinct shift in mood from his existentialist renderings of the female figure more than a decade earlier. As art historian Thomas Hess indeed observed:
"…de Kooning's pictures of the 1960s are drained of the anguish and look of despair which had so profoundly marked his earlier work. In the new Woman, the mood is Joy." —Thomas Hess
Notably, the figures in these works are often barely discernible; de Kooning employs fleshy, pigment-laden hues and curved brushstrokes to hint at – rather than clearly define – the female form as it shifts in and out of focus. With a sly nod to the classical tradition of the nude in repose within a landscape, a theme artist such as Rubens and Titian popularized, de Kooning exploits the fertile ground between abstraction and figuration to create an arresting composition evocative of the light and colors he found in the bucolic landscape of Springs.
Blurring the lines between figure and ground, de Kooning ultimately allows the materiality of paint to take center stage. Untitled perfectly demonstrates the fluid painterly technique the artist achieved in this highly experimental period, marking the culmination of a shift in technical methods he had begun around 1960 and beautifully makes itself manifest in paintings such as The Visit, 1966.
Willem de Kooning, The Visit, 1966-1967. Tate Gallery, London. Photo Credit © Tate, London / Art Resource, NY, Artwork © 2020 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York The highly fluid, slippery appearance of de Kooning’s twisting and turning brushstrokes reflects his use of new binding media, one which enabled him to mix a slower-drying, more liquid paint. This was a crucial advance for his tendency of constantly re-working a canvas over prolonged periods of time — a complex process including tracing, superimposing and combining drawings and painting transfers to the surface of other works; of painting, scraping down and repainting. The increased fluidity of this paint manifests itself in de Kooning's dynamic brushwork: more complex and varied than ever before, it builds up richly textured panoplies saturated with pigment.
Towards a new painterliness
While de Kooning embraced the physical materiality of painting as early as the 1940s onwards, his paintings from the mid-1960s are truly distinguished by an unprecedented level of sensuality – a shift in style that was not uncontested at a time when the New York art world was in thrall of minimalism.
As Untitled makes clear, these paintings are revolutionary for the ways in which they re-position the female figure as subject matter. Beyond description, beyond metaphor, these are works that emphasize the phenomenology of both the human body and painting. With Untitled and its related works, de Kooning offers the viewer a truly sensory experience – echoing Susan Sontag’s sentiment that, “what is important now is to recover our sense. We must learn to see more, to hear more, to feel more … Our task is to cut content back so that we can see the thing at all.”i
Untitled sprung out of a transitory period of intense experimentation, perfectly exemplifying how de Kooning deftly probed the line between figuration and abstraction in a wholly new visual style. Importantly, as Valerie Hellstein put forth, “…de Kooning’s canvases remind us that looking is physical, is felt: that we as physical beings are part of the depth of the world.”ii
i Susan Sontag, "Against Interpretation", in Against Interpretation and Other Essays, New York 1969, p. 24
ii Valerie Hellstein, In Focus: Women Singing II 1966 by Willem de Kooning, Tate Research Publication, 2017, onlineProvenance
Private Collection
B.C. Holland, Inc., Chicago
Private Collection, St. Louis (acquired from the above)
Thence by descent to the present owner
Property from a Distinguished Midwestern Collection
140
Untitled
signed "de Kooning" lower right; dedicated "Happy Birthday / dear Martin / Bill" on the reverse
oil on paper laid on Masonite
35 3/8 x 22 1/2 in (90 x 57 cm)
Painted in 1964.
Estimate
$500,000 - 700,000
Sold for $630,000
John McCord
Head of Day Sale, Morning Session
New York
+1 212 940 1261
20th c. and Contemporary Art Day Sale - Morning Session
New York 8 December 2020
101
Bill Traylor
Untitled (Black and Brown Horse)
Estimate $40,000 - 60,000
Sold for $55,440
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102
Jacob Lawrence
Street Scene
Estimate $40,000 - 60,000
Sold for $69,300
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103
Milton Avery
Landscape
Estimate $60,000 - 80,000
Sold for $81,900
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104
Hans Hofmann
Provincetown Blue Sea
Estimate $50,000 - 70,000
Sold for $105,840
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105
Vivian Springford
Untitled (VSF327)
Estimate $50,000 - 70,000
Sold for $81,900
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106
Helen Frankenthaler
Thanksgiving Day Series (#13)
Estimate $25,000 - 35,000
Sold for $27,720
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107
Beauford Delaney
Street Scene
Estimate $120,000 - 180,000
Sold for $478,800
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108
Matthew Wong
A Dream
Estimate $150,000 - 200,000
Sold for $864,900
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109
Alexander Calder
Untitled
Estimate $60,000 - 80,000
Sold for $302,400
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110
Alexander Calder
Untitled
Estimate $60,000 - 80,000
Sold for $176,400
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111
Alexander Calder
Light Fixture
Estimate $40,000 - 60,000
Sold for $37,800
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112
Alexander Calder
Untitled
Estimate $350,000 - 500,000
Sold for $315,000
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113
Alexander Calder
Fly choker
Estimate $70,000 - 100,000
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114
Alexander Calder
Tray
Estimate $25,000 - 35,000
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115
Alexander Calder
Lion Cage
Estimate $20,000 - 30,000
Sold for $45,360
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116
Alexander Calder
Untitled
Estimate $18,000 - 25,000
Sold for $52,920
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117
Alexander Calder
Aerialist
Estimate $400,000 - 600,000
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118
Alexander Calder
The Crooked Stick and the Straight Stick
Estimate $20,000 - 30,000
Sold for $28,980
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119
Joan Miró
Tête
Estimate $60,000 - 80,000
Sold for $60,480
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120
Joan Miró
Figures
Estimate $250,000 - 350,000
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121
Robert Rauschenberg
Untitled
Estimate $180,000 - 250,000
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122
Robert Rauschenberg
Untitled (de Gaulle)
Estimate $250,000 - 350,000
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123
Robert Rauschenberg
Untitled
Estimate $12,000 - 18,000
Sold for $37,800
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124
Conrad Marca-Relli
The Expendible
Estimate $100,000 - 150,000
Sold for $277,200
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125
Andy Warhol
Puma Invader
Estimate $40,000 - 60,000
Sold for $138,600
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126
Andy Warhol
Map of Eastern U.S.S.R. Missile Bases (positive)
Estimate $40,000 - 60,000
Sold for $88,200
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127
Andy Warhol
Map of Eastern U.S.S.R. Missile Bases (negative)
Estimate $40,000 - 60,000
Sold for $85,680
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128
Arthur Segal
Stillleben mit Flasche
Estimate $60,000 - 80,000
Sold for $163,800
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129
Marc Chagall
La danse au village
Estimate $4,000 - 6,000
Sold for $15,120
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130
Käthe Kollwitz
Mutter, zwei Kinder an sich pressend
Estimate $40,000 - 60,000
Sold for $56,700
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131
Richard Pettibone
Andy Warhol, "Liz," 1963
Estimate $40,000 - 60,000
Sold for $55,440
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132
Richard Pettibone
Andy Warhol, "Marilyn Monroe," 1962 (brown)
Estimate $30,000 - 40,000
Sold for $32,760
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133
Richard Pettibone
Jasper Johns "Grey Rectangles," 1957
Estimate $40,000 - 60,000
Sold for $37,800
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134
Richard Pettibone
Marcel Duchamp "Bicycle Wheel," 1913
Estimate $40,000 - 60,000
Sold for $63,000
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135
Alexander Calder
Untitled
Estimate $200,000 - 300,000
Sold for $365,400
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136
Saul Steinberg
Two Worlds
Estimate $8,000 - 12,000
Sold for $10,080
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137
Jean Dubuffet
Site aux trois arbres
Estimate $400,000 - 600,000
Sold for $541,800
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138
Jack Tworkov
Marsh
Estimate $60,000 - 80,000
Sold for $75,600
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139
Philip Guston
Slope
Estimate $300,000 - 500,000
Sold for $365,400
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140
Willem de Kooning
Untitled
Estimate $500,000 - 700,000
Sold for $630,000
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141
Mary Heilmann
Glide
Estimate $150,000 - 200,000
Sold for $126,000
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142
Richard Pousette-Dart
Pool of Contemplation
Estimate $180,000 - 250,000
Sold for $214,200
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143
Ralph Humphrey
Armanda
Estimate $30,000 - 50,000
Sold for $107,100
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144
Hans Hofmann
Untitled
Estimate $150,000 - 200,000
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145
This lot is no longer available.
146
Theodoros Stamos
Navarone
Estimate $80,000 - 120,000
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147
Betty Parsons
Untitled
Estimate $20,000 - 30,000
Sold for $138,600
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148
Robert Motherwell
Basque Suite #50
Estimate $50,000 - 70,000
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149
David Smith
Classic Figure III
Estimate $100,000 - 150,000
Sold for $201,600
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150
Elaine de Kooning
Bull
Estimate $15,000 - 20,000
Sold for $75,600
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151
Larry Poons
Panamar
Estimate $50,000 - 70,000
Sold for $100,800
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152
Friedel Dzubas
Key Largo
Estimate $50,000 - 70,000
Sold for $63,000
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153
Roger Brown
Two works: (i-ii) Untitled
Estimate $30,000 - 50,000
Sold for $35,280
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154
Roger Brown
Looking for a Leveraged Buyout
Estimate $60,000 - 80,000
Sold for $132,300
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155
Roger Brown
The Big Bang
Estimate $40,000 - 60,000
Sold for $42,840
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156
John Wesley
Flight
Estimate $90,000 - 120,000
Sold for $81,900
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157
Kenneth Noland
Dawn-Dusk
Estimate $150,000 - 250,000
Sold for $195,300
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158
Fred Sandback
Untitled
Estimate $60,000 - 80,000
Sold for $69,300
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159
Nam June Paik
Music is Not Sound
Estimate $100,000 - 150,000
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160
Carl Andre
Steel Parallels
Estimate $100,000 - 150,000
Sold for $176,400
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161
John Chamberlain
Los Ang Us
Estimate $400,000 - 600,000
Sold for $365,400
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162
Frank Stella
k.161b
Estimate $60,000 - 80,000
Sold for $75,600
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163
This lot is no longer available.
164
Roy Lichtenstein
Suspended Mobile
Estimate $150,000 - 200,000
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165
Jean-Michel Basquiat
Untitled (Geese+)
Estimate $300,000 - 400,000
Sold for $302,400
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166
Martin Wong
Untitled (Antonio Home)
Estimate $40,000 - 60,000
Sold for $138,600
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167
Keith Haring
For Herb
Estimate $50,000 - 70,000
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168
Andy Warhol
Marilyn
Estimate $100,000 - 150,000
Sold for $113,400
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169
Andy Warhol
Flowers
Estimate $250,000 - 350,000
Sold for $277,200
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170
Andy Warhol
Portrait of Bronka Weintraub
Estimate $120,000 - 180,000
Sold for $126,000
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171
Robert Rauschenberg
Pewter Drawer
Estimate $300,000 - 500,000
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172
Robert Rauschenberg
Quarters from the series Anagrams (A Pun)
Estimate $100,000 - 150,000
Sold for $126,000
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173
Ed Ruscha
Chick Unit
Estimate $200,000 - 300,000
Sold for $214,200
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174
Ed Ruscha
Three works: (i-iii) Periods
Estimate $120,000 - 180,000
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175
Alex Katz
Zihuatenejo Bay
Estimate $35,000 - 45,000
Sold for $50,400
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176
Neil Jenney
Lines and Track
Estimate $200,000 - 300,000
Sold for $245,700
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177
Ralph Goings
Hot Fudge Sundae
Estimate $200,000 - 300,000
Sold for $403,200
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178
Fernando Botero
Venus
Estimate $350,000 - 450,000
Sold for $529,200
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179
Manolo Valdés
Regina
Estimate $50,000 - 70,000
Sold for $55,440
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180
Fernando Botero
Reclining Woman with Mirror
Estimate $400,000 - 600,000
Sold for $403,200
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181
Bowl of Fruits
Estimate $180,000 - 220,000
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182
Pablo Picasso
Personnage endormi et femme accroupie (VIII)
Estimate $150,000 - 200,000
Sold for $151,200
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183
Henri Matisse
Jeune fille assise
Estimate $50,000 - 70,000
Sold for $56,700
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184
This lot is no longer available.
185
Francis Picabia
Sans titre
Estimate $20,000 - 30,000
Sold for $42,840
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186
Francis Picabia
Sans titre
Estimate $250,000 - 350,000
Sold for $226,800
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187
Joan Miró
Sans titre
Estimate $70,000 - 90,000
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188
Wassily Kandinsky
Untitled
Estimate $140,000 - 180,000
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189
Jean Dubuffet
Texte Logologique VI
Estimate $40,000 - 50,000
Sold for $52,920
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190
Alexander Calder
Untitled
Estimate $30,000 - 50,000
Sold for $69,300
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191
Alexander Calder
Untitled
Estimate $40,000 - 60,000
Sold for $75,600
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192
Bob Thompson
The Beg
Estimate $30,000 - 50,000
Sold for $75,600
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193
Beauford Delaney
Self-portrait
Estimate $30,000 - 40,000
Sold for $315,000
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194
Andy Warhol
Rolling Stones - Love you Live Bill Wyman
Estimate $15,000 - 20,000
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195
Andy Warhol
The Annunciation (after Leonardo da Vinci)
Estimate $40,000 - 60,000
Sold for $40,320
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196
Andy Warhol
Head (After Picasso)
Estimate $15,000 - 20,000
Sold for $71,820
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197
Marisa Merz
Untitled (Gold and Silver)
Estimate $70,000 - 90,000
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198
Gordon Matta-Clark
Bing-Go Gone
Estimate $20,000 - 30,000
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199
Sigmar Polke
Untitled
Estimate $100,000 - 150,000
Sold for $75,600
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200
Georg Baselitz
Untitled (Beach Picture)
Estimate $12,000 - 18,000
Sold for $12,600
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201
Anselm Kiefer
Gilgamesch im Zedernwald
Estimate $40,000 - 60,000
Sold for $37,800
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202
Friedrich Schröder-Sonnenstern
Pussy, Die mondmoralische Märchenwundersau com Kurfürstendamm
Estimate $3,000 - 5,000
Sold for $3,780
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203
Francis Bacon
Untitled (Figure upside down on sofa)
Estimate $100,000 - 150,000
Sold for $157,500
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204
William Turnbull
Untitled (Walking Figures)
Estimate $10,000 - 15,000
Sold for $50,400
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205
Yayoi Kusama
Grass-Igniting Coruscation
Estimate $50,000 - 70,000
Sold for $75,600
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206
Yayoi Kusama
Village with Mountain Views
Estimate $15,000 - 20,000
Sold for $23,940
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207
Mark Tobey
Untitled (Raissance of a Flower)
Estimate $20,000 - 30,000
Sold for $44,100
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208
Paul Jenkins
Phenomena Entrance to Peking
Estimate $25,000 - 35,000
Sold for $22,680
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209
Al Held
Cygnus I
Estimate $20,000 - 30,000
Sold for $52,920
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210
David Novros
Untitled
Estimate $15,000 - 20,000
Sold for $32,760
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211
Alfred Jensen
Gothic
Estimate $18,000 - 25,000
Sold for $25,200
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212
Lee Mullican
Isis Appearing (Guardian Figure)
Estimate $10,000 - 15,000
Sold for $44,100
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213
Larry Bell
Small Mirage Study #162
Estimate $15,000 - 20,000
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214
Harvey Quaytman
Walnut, Slate and Clay
Estimate $25,000 - 35,000
Sold for $47,880
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215
Sol LeWitt
Black and Gray Diagonal Bands in Three Directions with a Black Border
Estimate $40,000 - 60,000
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216
Richard Tuttle
Untitled
Estimate $7,000 - 10,000
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217
George Rickey
Inverted Column
Estimate $30,000 - 50,000
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218
George Rickey
Two Fixed Two Moving Lines III
Estimate $20,000 - 30,000
Sold for $32,760
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219
Joel Shapiro
Untitled
Estimate $12,000 - 18,000
Sold for $11,970
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220
Luis Tomasello
Atmosphère Chromoplastique No. 259
Estimate $40,000 - 60,000
Sold for $39,060
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221
Edgar Negret
Árbol
Estimate $25,000 - 35,000
Sold for $21,420
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222
This lot is no longer available.
223
Carlos Alfonzo
Thought Forms
Estimate $60,000 - 80,000
Sold for $138,600
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224
This lot is no longer available.
225
Ana Mercedes Hoyos
Inverapuestas el Perro
Estimate $70,000 - 90,000
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226
LeRoy Neiman
Le rendez-vous
Estimate $40,000 - 60,000
Sold for $40,320
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227
Bernard Buffet
La montagne Sainte-Victoire
Estimate $50,000 - 70,000
Sold for $52,920
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228
Bernard Buffet
Princesse Espagnole
Estimate $40,000 - 60,000
Sold for $252,000
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229
Christian Zervos
The complete set of Pablo Picasso, Catalogue Raisonné 1875-1973
Estimate $12,000 - 18,000
Sold for $37,800
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230
Georges Rouault
Jeune clown pensif
Estimate $25,000 - 35,000
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231
Auguste Herbin
Untitled
Estimate $8,000 - 12,000
Sold for $8,820
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232
Carl Paul Jennewein
Iris
Estimate $40,000 - 60,000
Sold for $37,800
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233
Jim Dine
Untitled
Estimate $18,000 - 25,000
Sold for $16,380
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234
Claes Oldenburg
Two Small Ray Guns
Estimate $40,000 - 60,000
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235
Larry Rivers
Dreyfus
Estimate $10,000 - 15,000
Sold for $8,820
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236
Kenny Scharf
Coconut Donut in Space
Estimate $15,000 - 20,000
Sold for $41,580
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237
Kenny Scharf
Turkone
Estimate $40,000 - 60,000
Sold for $126,000
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238
Kenny Scharf
Spacecase
Estimate $30,000 - 40,000
Sold for $81,900
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