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96

Canteen for workers building the Hotel Metropol, Moscow, USSR

1954
Gelatin silver print, printed later.
9 1/2 x 14 in. (24.1 x 35.6 cm)
Signed in ink and copyright credit blindstamp in the margin.

Estimate
$7,000 - 9,000 

sold for $12,500

Contact Specialist
Rachel Peart
Specialist, Head of Sale
+1 212 940 1246

Sarah Krueger
Head of Department, Photographs

General Enquiries:
+1 212 940 1245 photographs@phillips.com

  • Provenance

    Acquired directly from the artist

  • Literature

    Cartier-Bresson, The World of Henri Cartier-Bresson, pl. 194
    Cartier-Bresson, The Europeans, pl. 71
    Bibliothèque nationale de France, De qui s'agit-il?, p. 152
    Centre Pompidou, Henri Cartier-Bresson: L’exposition, pp. 36-37
    Chéroux, Henri Cartier-Bresson: Here and Now, pl. 239
    Chéroux, Aperture Masters of Photography: Henri Cartier-Bresson, p. 77
    Galassi, Henri Cartier-Bresson: The Modern Century, p. 179
    Thames & Hudson, Henri Cartier-Bresson: The Image and The World, pl. 188
    Thames & Hudson, Henri Cartier-Bresson: Photographer, pl. 72

  • Catalogue Essay

    "Time out from work. Men and women dancing in one of the apartments of the house which they are building. The apartment has been transformed into a club. On the walls are union-bulletins, honor-lists of the best workers, posters urging increased production." The Europeans

    Having received governmental permission to visit the USSR, Henri Cartier-Bresson, who included a copy of The Decisive Moment with his visa application, traveled to Moscow with his wife Ratna Mohini in the summer of 1954. Speaking almost no Russian, they were accompanied by a state provided translator who also served as their guide. Cartier-Bresson’s photographs of the trip captured the everyday: inside schools, factories, stadiums, and concert halls, forming the basis of his book Moscow, which was published by Delpire, in 1954, and The People of Moscow, by Simon & Schuster in 1955. Cartier-Bresson then returned in 1973 stating, “After nineteen years since the first trip, I longed to go back and revisit Russia. There is nothing more revealing than comparing a country with itself by grasping its differences and trying to discover the thread of its continuity.”

  • Artist Bio

    Henri Cartier-Bresson

    French • 1908 - 2004

    Candidly capturing fleeting moments of beauty among the seemingly ordinary happenings of daily life, Henri Cartier-Bresson's work is intuitive and observational. Initially influenced by the Surrealists' "aimless walks of discovery," he began shooting on his Leica while traveling through Europe in 1932, revealing the hidden drama and idiosyncrasy in the everyday and mundane. The hand-held Leica allowed him ease of movement while attracting minimal notice as he wandered in foreign lands, taking images that matched his bohemian spontaneity with his painterly sense of composition.

    Cartier-Bresson did not plan or arrange his photographs. His practice was to release the shutter at the moment his instincts told him the scene before him was in perfect balance. This he later famously titled "the decisive moment" — a concept that would influence photographers throughout the twentieth century. 

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96

Canteen for workers building the Hotel Metropol, Moscow, USSR

1954
Gelatin silver print, printed later.
9 1/2 x 14 in. (24.1 x 35.6 cm)
Signed in ink and copyright credit blindstamp in the margin.

Estimate
$7,000 - 9,000 

sold for $12,500

Contact Specialist
Rachel Peart
Specialist, Head of Sale
+1 212 940 1246

Sarah Krueger
Head of Department, Photographs

General Enquiries:
+1 212 940 1245 photographs@phillips.com

Henri Cartier-Bresson: The Eye of the Century

New York Auction 12 December 2017

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