Provenance
Linda Cathcart Gallery, Santa Monica
Exhibited
New York, Museum of Modern Art, Cindy Sherman: The Complete Untitled Film Stills, June 26 – September 2, 1997, p. 51
(another example exhibited); Hamburg, Deichtorhallen; Konsthall Malmö and Kunstmuseum Lucerne, Cindy Sherman: Photographic Work, 1975-1995, May 25, 1995 – February 11, 1996 (another example exhibited); Los Angeles, The Museum of Contemporary Art; Chicago, Museum of Contemporary Art; Prague, Galerie Rudolfinum; London, Barbican Art Gallery; Bordeaux, Musée d’art Contemporain; Syndey, Museum of Contemporary Art and Toronto, Art Gallery of Ontario, Cindy Sherman Retrospective, November 2, 1997 – January 2, 2000 (another example exhibited)
Literature
P. Galassi, Cindy Sherman: the Complete Untitled Film Stills, New York, 2003, p. 51
(another example illustrated); P. Schjeldahl and I. M. Danoff, Cindy Sherman, New York, 1984, p. 8 (another example illustrated); P. Schjeldahl and E. Barent, Cindy Sherman, 3. erweiterte Auflage, Munich, 1987, p. 8
(another example illustrated); R. Krauss, Cindy Sherman 1975-1993, New York, 1993, pp. 50-51 (another example illustrated); Z. Felix and M. Schwander, Cindy Sherman Photographic Work 1975-1995, Munich, 1995, no. 20 (another example illustrated); A. Cruz, E. Smith and A. Jones, Cindy Sherman Retrospective, New York and London, 1997, p. 59, no. 9 (another example illustrated)
Catalogue Essay
I was vulnerable by being this other character. We’re all products of what we want to project to the world. Even people who don’t spend any time, or think they don’t, on preparing themselves for the world out there — I think that ultimately they have for their whole lives groomed themselves to be a certain way, to present a face to the world.

CINDY SHERMAN

(Cindy Sherman on the Untitled Film Stills)

Cindy Sherman’s Film Stills series, made between 1977 and 1980, comprised the most formative and groundbreaking work of her early career. Much of the series aims to portray one fictional actress, who Sherman herself embodies, at varying stages of a lengthy career. The current lot, Untitled Film Still #9, is a gelatin silver print from 1978, one in which Sherman intentionally used developing techniques to slightly alter the film, lending the images an antiqued quality of ready made nostalgia. The series, and the present lot in particular, vividly illustrate a side of Sherman’s relationship to feminism: as the viewer invents a narrative for the subject of the photograph, so does society invent and attempt to prescribe the roles of its women. In one manner, Sherman’s art is curative; with her careful establishment of her many artistic incarnations, it seems as though “being someone is no longer a permanent arrangement” (W. Januszczak, “Cindy Sherman: I’m Every Woman”, London Times, April 12, 2009).

In Sherman’s black and white piece, we see her actress subject just right of center, lounging contraposto in a beach in a frilled vintage bathing suit. The Long Island deck, incidentally at Robert Longo’s parents’ beach house, reflects the day’s warm sunlight, as, we presume, the beach’s waves break against the sands in the distance. We find Sherman’s actress in a middle place in her career, perhaps stagnating slightly. Her face reveals a subtle anxiety in the midst of such a serene environment; is the tension due to the character she inhabits or her professional misgivings? Either way, Sherman forgoes giving us a narrative, instead allowing us to create our own vision of the woman in front of the camera.
Artist Biography
Cindy Sherman
American • 1954
Seminal to the Pictures Generation as well as contemporary photography and performance art, Cindy Sherman is a powerhouse art practitioner. Wily and beguiling, Sherman's signature mode of art making involves transforming herself into a litany of characters, historical and fictional, that cross the lines of gender and culture. She startled contemporary art when, in 1977, she published a series of untitled film stills.
Through mise-en-scène and movie-like make-up and costume, Sherman treats each photograph as a portrait, though never one of herself. She embodies her characters even if only for the image itself. Presenting subversion through mimicry, against tableaus of mass media and image-based messages of pop culture, Sherman takes on both art history and the art world.
Though a shape-shifter, Sherman has become an art world celebrity in her own right. The subject of solo retrospectives across the world, including a blockbuster showing at the Museum of Modern Art, New York, and a frequent exhibitor at the Venice Biennale among other biennials, Sherman holds an inextricable place in contemporary art history.
View More Works

13

Cindy Sherman

Untitled Film Still #9

1978
Gelatin silver print.
30 x 40 in. (76.2 x 101.6 cm.)
Signed, titled and dated “Cindy Sherman 1978 MP #9” and numbered of three on the reverse. Edition one of three.

Estimate
$400,000 - 600,000

Contemporary Art Part I

12 May 2011
New York

1
Jacob Kassay
Untitled
Estimate $60,000 - 80,000
Sold for $290,500
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2
Urs Fischer
Cup / Cigarettes / Skid
Estimate $200,000 - 300,000
Sold for $290,500
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3
Wade Guyton
Untitled
Estimate $200,000 - 300,000
Sold for $422,500
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4
Thomas Houseago
Untitled
Estimate $80,000 - 120,000
Sold for $98,500
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5
Albert Oehlen
Panza de Burro
Estimate $250,000 - 350,000
Sold for $506,500
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6
Glenn Brown
Filth
Estimate $1,500,000 - 2,500,000
Sold for $2,546,500
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7
Ed Ruscha
Inferno
Estimate $1,500,000 - 2,000,000
Sold for $2,210,500
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8
Andy Warhol
Liz #5 (Early Colored Liz)
Estimate On Request
Sold for $26,962,500
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9
Damien Hirst
Night Follows Day
Estimate $1,200,000 - 1,800,000
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10
Mark Grotjahn
Untitled (White Butterfly)
Estimate $300,000 - 400,000
Sold for $422,500
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11
Christopher Wool
Untitled (F48)
Estimate $800,000 - 1,200,000
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12
Cady Noland
SLA Group Shot # 4
Estimate $400,000 - 600,000
Sold for $722,500
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13
Cindy Sherman
Untitled Film Still #9
Estimate $400,000 - 600,000
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14
Richard Prince
Wayward Nurse (Crashed)
Estimate $4,000,000 - 6,000,000
Sold for $4,562,500
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15
Christopher Wool
Untitled (P522)
Estimate $800,000 - 1,200,000
Sold for $902,500
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16
Lisa Yuskavage
Northview (Impressionist Jacket)
Estimate $1,000,000 - 1,500,000
Sold for $1,082,500
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17
Thomas Schütte
United Enemies
Estimate $1,000,000 - 1,500,000
Sold for $1,022,500
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18
Marlene Dumas
Evil Eye
Estimate $900,000 - 1,200,000
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19
Gerhard Richter
Abstraktes Bild
Estimate $3,000,000 - 4,000,000
Sold for $4,114,500
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20
Jean-Michel Basquiat and Andy Warhol
Third Eye
Estimate $2,000,000 - 3,000,000
Sold for $7,026,500
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21
Andy Warhol
Flowers
Estimate $8,000,000 - 12,000,000
Sold for $8,146,500
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22
Mark Rothko
Untitled (Red and Orange on Salmon)
Estimate $3,000,000 - 4,000,000
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23
Roy Lichtenstein
Still life with Mirror
Estimate $6,000,000 - 8,000,000
Sold for $6,578,500
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24
Jean-Michel Basquiat
Untitled (Lung)
Estimate $3,500,000 - 4,500,000
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25
Andy Warhol
Mao (Mao 10)
Estimate $3,500,000 - 4,500,000
Sold for $4,002,500
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26
Alighiero Boetti
Mappa (planisphère)
Estimate $1,300,000 - 1,800,000
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27
Robert Indiana
LOVE
Estimate $1,200,000 - 1,800,000
Sold for $1,314,500
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28
George Condo
The Nudist Couple
Estimate $500,000 - 700,000
Sold for $842,500
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29
Andy Warhol
Witch
Estimate $1,800,000 - 2,500,000
Sold for $2,658,500
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30
Richard Prince
Untitled Joke Painting
Estimate $350,000 - 450,000
Sold for $782,500
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31
David Hockney
30 Sunflowers
Estimate $1,500,000 - 2,500,000
Sold for $2,546,500
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32
Georgia O'Keeffe
Yellow Jonquils IV
Estimate $2,000,000 - 3,000,000
Sold for $2,210,500
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33
Joan Mitchell
Gouise
Estimate $1,500,000 - 2,000,000
Sold for $1,874,500
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34
Ellsworth Kelly
Green White
Estimate $3,000,000 - 4,000,000
Sold for $3,554,500
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35
Donald Judd
Untitled 90-3 Donaldson
Estimate $2,000,000 - 3,000,000
Sold for $2,098,500
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36
Robert Ryman
Summary
Estimate $500,000 - 700,000
Sold for $782,500
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37
Robert Morris
Untitled
Estimate $300,000 - 500,000
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38
Rudolf Stingel
Untitled
Estimate $500,000 - 700,000
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39
Richard Tuttle
Light Brown, Dark Brown
Estimate $250,000 - 350,000
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40
Claes Oldenburg
SCREWARCH MODEL
Estimate $250,000 - 350,000
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41
John Chamberlain
Popsicletoes
Estimate $600,000 - 800,000
Sold for $602,500
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42
Damien Hirst
Tranquility
Estimate $1,200,000 - 1,500,000
Sold for $1,202,500
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43
Cindy Sherman
Untitled #422
Estimate $300,000 - 500,000
Sold for $350,500
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44
Takashi Murakami
Magic Ball 2 (Nega)
Estimate $600,000 - 800,000
Sold for $842,500
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45
Andreas Gursky
Brasilia Plenarsaal II
Estimate $500,000 - 700,000
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46
Ugo Rondinone
No. 339 Vierterjunizweitausendundvier
Estimate $150,000 - 200,000
Sold for $194,500
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47
This lot is no longer available.
48
Keith Haring
Untitled (Boxers)
Estimate $250,000 - 350,000
Sold for $362,500
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49
George Condo
The Housekeeper’s Diary
Estimate $200,000 - 250,000
Sold for $302,500
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50
Kelley Walker
Black Star Press
Estimate $150,000 - 200,000
Sold for $314,500
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51
Kelley Walker and Wade Guyton
Coconut Chandelier (# 25)
Estimate $30,000 - 50,000
Sold for $74,500
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Contemporary Art Part I

12 May 2011 New York

Create your first list.

Provenance

Exhibited

Literature

Catalogue Essay

Artist Biography

Cindy Sherman

13

Cindy Sherman

Untitled Film Still #9

Contemporary Art Part I

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12 May 2011
New York