20th Century & Contemporary Art Evening Sale

London Auction 13 February 2020
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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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\nNew York

\n\n

1 212 940 1250

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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Best known for grey-scale paintings that combine abstract and figurative elements, Tomoo Gokita is one of the most internationally prominent contemporary Japanese artists. His signature works feature archetypal figures or groups with their faces obscured, evoking haunting film stills or magazine spreads. Gokita enrolled in a local art school in 1988, but dropped out two years later to pursue a career in graphic design. Though he found success as a designer in the Japanese music industry, he felt creatively stifled and returned to painting full-time in the mid 1990s. 

Similar to the way Gerhard Richter used photographs as a starting point for abstraction, Gokita combines visual references from found imagery with his stylized approach, creating portraits that are both rooted in memory and rich in painterly expression. His precise technique, often characterized by abstract flourishes and gestural swipes, can be traced to influence from New York’s Neo-Expressionists. In this playful manipulation of form, Gokita injects a sense of humor into his work, warping the archetypal into the absurd. Gokita has been the subject of multiple solo exhibitions at many prominent museums and galleries, including the Kawamura Memorial DIC Museum of Art in Sakura, Japan. The artist continues to live and work in Tokyo.

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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\n\t\t\t

Created during the breakout years of KAWS’s swift rise to fame, SMALL KM LANDSCAPE, 2001  is a seminal work marking an important transition in the artist’s career. As his first series made exclusively on canvas, KAWS’s landscape paintings represent a significant step from his beginnings as a graffiti artist towards his integration into the commercial art world. This year also marks KAW’s first solo exhibition in Tokyo, where he debuted his trademarked KIMPSONS characters like those featured in the present lot. Since this moment in the early 2000s, KAWS has continually challenged established distinctions between “high” and “low” art, taking inspiration from both art history and popular culture.
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\n\t\t\tSynonymous with the middle-class American lifestyle, The Simpsons explores the lives of a relatively mediocre family mischievously navigating through suburban life. Acknowledging the universal infatuation with these less than inspirational figures, KAWS pointedly noted, “I found it weird how infused a cartoon could become in people’s lives; the impact it could have, compared to, like, regular politics.”
[i] Decidedly honing in on this established, consumer-friendly subject matter, KAWS integrated his anarchic renderings of inflated crossbones and X-eyes on his appropriations of these beloved characters, renaming them THE KIMPSONS and making them distinctly his own.

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\"\"
\n\n\t\t\t

Vincent Van Gough, Wheat Field with Cypresses, 1889. The National Gallery, London. 

\n\n\t\t\t

 

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\n\n\t\t\t

\n\t\t\tIn SMALL KM LANDSCAPE, KAWS disrupts the visual understanding of his subject using both abstraction and dramatic re-contextualization. The only painting from the five works that make up this series to feature multiple Simpsons characters in a single composition, the present work utilizes careful circumscription to illustrate only the tops of Krusty the Clown and Marge’s heads, resulting in an animated landscape that recalls the naturalistic elements of traditional landscape painting, such as those found in Vincent van Gogh’s A Wheat Field with Cypresses. Despite seeing a condensed cropping of the composition in an unlikely context, the viewer instantly recognizes Marge’s iconic blue up-do and Krusty the Clown’s sparse eccentric locks. The puffed crossbones that protrude from Krusty’s head, signature to KAWS’s now ubiquitous visual lexicon, further the painting’s unanimous resonance. Doubling as mountaintops, bushes and trees and painted with sophisticated precision, this work functions as a hybrid between mass-marketed pop-culture and the realistic documentation of our natural surroundings, demonstrating the extent to which fabricated cartoons have been integrated into the daily life of modern society.
\n\t\t\t \n\n\t\t\t

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\n\t\t\tAs SMALL KM LANDSCAPE exudes wit and controversy – simultaneously paying homage to and mocking the established, formal components of art history – it is supremely representative of KAWS’s original mission to create universal content that encourages all to interact with and relate to his work.
\n\n\t\t\t
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 [i] KAWS, quoted in Monica Ramirez-Montagut, KAWS 1993-2010, New York, 2010, p. 126.
\n\n\t\t\t
 
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\n\n
 
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KAWS (b. 1974, Jersey City, New Jersey; lives and works in Brooklyn, New York) is renowned for his prolific body of work that straddles the worlds of art and design to include paintings, murals, graphic and product design, street art, and large-scale sculptures. Over the last two decades KAWS has built a successful career with work that consistently shows his formal agility as an artist, as well as his underlying wit, irreverence, and affection for our times. His refined graphic language revitalizes figuration with both big, bold gestures and playful intricacies.  

\n\n

KAWS often appropriates and draws inspiration from pop culture animations, forming a unique artistic vocabulary across mediums. Admired for his larger-than-life sculptures and hardedge paintings that emphasize line and color, KAWS’s cast of hybrid cartoon characters are the strongest examples of his exploration of humanity. As seen in his collaborations with global brands, the artist’s imagery possesses a sophisticated humor and reveals a thoughtful interplay with consumer products. With their broad appeal, KAWS’s artworks are highly sought-after by collectors inside and outside of the art world, establishing him as a uniquely prominent artist and influence in today’s culture.  

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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Taking from the tradition of gestural painting, Los Angeles-based artist Petra Cortright uses floral imagery to recreate Monet-type works on aluminum. But unlike those who preceded her, Cortright is digitally charged in her practice and renders analog images into "digital brushstrokes." She sources her images online and manipulates them in Photoshop in the hopes of constructing a palimpsestic sprawl. With the hint of glitch and a pinch of selfie culture, her work is self-reflexive in that it studies the progression of Abstract Expressionism into our current historical moment.

Cortright started her career by posting self-portrait videos taken by webcam to her own YouTube channel. The videos feature the artist scrolling through various recording effects.

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

\n","marketplaceStorefrontEmailBlastSent":false,"medium":"acrylic on fiberglass and reinforced plastic with iron base","dimensions":"each 72 1/2 x 36 5/8 x 16 7/8 in. (184.2 x 93 x 42.9 cm)","provenance":"Alexander Ochs Gallery, Berlin
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Herford, Museum fur zeitgenossische Kunst und Design, Loss of Control, 2008","literature":"","essay":"","sigEdtMan":"Executed in 2003, these works are numbers 15 and 16 from an edition of 25 and are accompanied by a certificate of authenticity signed by the artist.","showAdvanceBidButton":true,"showShippingLink":false,"preface":"Property from a Private European Collection","estimateSpecialChar":"","lotSpecialChar":"","cExtraInfo":"","partnerBidUrl":"https://live.phillips.com/place-bid/1-33D0RI","auctionLotBidUrl":null,"saleOfferThreshold":0,"auctionBidPartner":1,"otherEstimates":null,"otherEstimatesList":[],"cEssay":null,"artistInscription":"each signed, partially titled, respectively numbered and dated “yue minjin 5 [15, 16]/25 2003” on the backside","cArtistInscription":null,"cCirca":null,"cPreface":null,"cBirthDeath":null,"cMedium":null,"cProvenance":null,"cSigEdtMan":null,"cExhibited":null,"cLiterature":null,"detailVideoUrl":null,"webDescription":"","viewInRoomImage":"","videoAboveTheFold":true,"videoSquareAspectRatio":false,"auctionLotPublicId":115040,"auctionMobilityAuctionRowId":"1-2UKT9F","auctionMobilityLotRowId":"1-33D0RI","buyNowPrice":0,"cDescription":null,"cMakerName":null,"createDate":"2020-06-12T00:02:47.783","description":"Two works: Contemporary Terracotta Warriors No. 5","discipline":"Contemporary Art","displayOrder":0,"descriptionWithMarkup":"Two works: Contemporary Terracotta Warriors No. 5","estimateText":"","eventDate":"2020-07-02T19:00:00","eventTime":"","hammerPlusBP":150000,"hammerPlusBPLive":0,"highEstimate":100000,"is360View":false,"isCopyrightBlocked":false,"isHideDisplay":false,"isMixedAuction":false,"isNoLot":false,"isSoldOverride":false,"locationName":"New York","lotNumber":226,"lotNumberSuffix":"","lotNumberFull":"226","lowEstimate":70000,"lotStatusId":2,"makerName":"Yue Minjun","makerId":10975,"objectNumber":"140847","videoTitle":"","videoDescription":"","videoSource":"","saleNumber":"NY010520","isExhibition":false,"artistImageBlocked":false,"useCloudinary":true,"useObjectNumberAsImageName":false,"cloudinaryVersion":"1593618250","imageVersion":"1593618250","auctionLotDisplayTypeId":1,"auctionLotDisplayTypeName":"single-cell","currencySign":"$","detailLink":"https://www.phillips.com/detail/yue-minjun/NY010520/226","imagePath":"/auctions/NY010520/226_001.jpg","isNoReserve":false,"saleTitle":"20th c. & Contemporary Art Day Sale, Afternoon Session","saleTypeId":1,"showEstimateText":true,"showSaleOffers":false,"showSoldPrice":true,"lotStartDateTime":"2020-07-02T14:00:00","lotEndDateTime":"2020-07-02T19:00:00","tags":[],"wModelName":null,"wReferenceNo":null},{"additionalContent":[],"cAdditionalContent":[],"department":"Contemporary","circa":null,"startDateTime":"0001-01-01T00:00:00","isSaleOver":true,"showConditionReport":false,"showInquireButton":false,"condition":"This work is in very good condition overall. There is a pinpoint accretion to the upper right, visible only upon close inspection. There are minor losses to the right turnover edge and handling marks to the outer edges, not visible from the front. This work is not framed.","displayFavoriteLotButton":false,"isViewInRoom":false,"height":0,"width":0,"depth":0,"artistBiography":"

Takashi Murakami is best known for his contemporary combination of fine art and pop culture. He uses recognizable iconography like Mickey Mouse and cartoonish flowers and infuses it with Japanese culture. The result is a boldly colorful body of work that takes the shape of paintings, sculptures and animations.

In the 1990s, Murakami founded the Superflat movement in an attempt to expose the "shallow emptiness of Japanese consumer culture." The artist plays on the familiar aesthetic of mangas, Japanese-language comics, to render works that appear democratic and accessible, all the while denouncing the universality and unspecificity of consumer goods. True to form, Murakami has done collaborations with numerous brands and celebrities including Kanye West, Louis Vuitton, Pharrell Williams and Google.

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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The spin paintings gather and amalgamate the individuality of every individual color … to become pure expression of the basic and vital gesture of paintings and its mythology”
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\r\nDamien Hirst
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detail of the present lot
\r\n\t\t\t
\r\n\t\t\tBeautiful, Flaming Lips Day, Form of a Shell Painting, 2010 is a monumental canvas by Damien Hirst from his psychedelic Spin series, a dynamic body of work that pays homage to the active brushwork of abstract painting through modern technology and practice. Hirst first experimented with spin paintings in Brixton in 1992, the same year he received his first nomination for the prestigious Turner Prize. The following year, Hirst and fellow artist Angus Fairhurst set up a stall at the artist-led street fair A Fête Worse than Death, inviting patrons to create their own spin paintings to be signed by the pair for only a pound. By 1994, Hirst officially began his iconic Spin Paintings by throwing vibrantly colored paint on circular-shaped canvases placed on a rapidly moving spin machine. When asked to comment on the works, the artist explained, “You can’t make a bad one. Why bother with all that angst? You can’t argue with it; you can only change scale. You still make artistic decisions … But a twelve foot diameter painting is awesome.”[i]
\r\n\t\t\t
\r\n\t\t\tBeautiful, Flaming Lips Day, Form of a Shell Painting stands out from the series, not only for its phenomenal scale, but also for its unique title and story. In keeping with most of Hirst’s Spin paintings, the present work is titled starting with “Beautiful” and ending in “painting”, however, this work specifically evokes the artist’s passion for rock music.  A cacophony of turquoise, red and yellow that pulsate with spontaneity, Beautiful, Flaming Lips Day, Form of a Shell Painting takes its title from the renowned rock band of the same name. While on tour in the UK, the band was invited to Hirst’s studio after a concert to splatter their own Spin painting, which now decorates the ceiling of Delo Creative, a production house that works closely with the band. Aptly, Beautiful, Flaming Lips Day, Form of a Shell Painting was gifted by the artist to the current owner who, like Hirst, is a celebrated patron of both the performing and visual arts.

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A painting by Damien Hirst and the Flaming Lips being unrolled and installed on the ceiling of the Womb, Oklahoma City. Photo by Mary Beth Babcock, Artwork ©  2020 Damien Hirst
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\r\n\t\t\tAs a founding member of  the Young British Artists collective, Hirst utilizes unconventional techniques representing the revolutionary attitude of the movement. Rather than adhering to traditional and methodical brushwork by hand, The Spin series is characterized by the chaotic combination of Hirst’s own body movements when throwing the pigment and the machinery’s rapid rotations, resulting in a stunning vortex of vitality. In Beautiful, Flaming Lips Day, Form of a Shell Painting, Hirst advances the revolutionary action painting techniques developed by Jackson Pollock by placing scale at the forefront and utilizing his body as the method and impulse as the intention. Hirst notes, “I believe that after Pollock created a distance between the brush and the canvas by flinging the paint, there was nowhere to go with painting…but people still make action paintings. The urge to be a painter is still there even if the process of painting is meaningless.”[i]

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[i]Damien Hirst, quoted in an interview with Stuart Morgan, Damien Hirst, New York, 1996

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[ii]Damien Hirst, quoted in Damien Hirst and Robert Violette, eds., I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now, London, 1997, p. 246

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There is no other contemporary artist as maverick to the art market as Damien Hirst. Foremost among the Young British Artists (YBAs), a group of provocative artists who graduated from Goldsmiths, University of London in the late 1980s, Hirst ascended to stardom by making objects that shocked and appalled, and that possessed conceptual depth in both profound and prankish ways.

Regarded as Britain's most notorious living artist, Hirst has studded human skulls in diamonds and submerged sharks, sheep and other dead animals in custom vitrines of formaldehyde. In tandem with Cheyenne Westphal, now Chairman of Phillips, Hirst controversially staged an entire exhibition directly for auction with 2008's "Beautiful Inside My Head Forever," which collectively totalled £111 million ($198 million).

Hirst remains genre-defying and creates everything from sculpture, prints, works on paper and paintings to installation and objects. Another of his most celebrated series, the 'Pill Cabinets' present rows of intricate pills, cast individually in metal, plaster and resin, in sterilized glass and steel containers; Phillips New York showed the largest of these pieces ever exhibited in the United States, The Void, 2000, in May 2017.

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

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Tracey Emin is a prominent member of the Young British Artists (YBAs), who rose to critical and commercial success in the London art scene of the 1980s and 1990s. Emin is known for the personal, confessional nature of her work, which explores various mediums such as drawing, painting, photography, sculpture, neon text and found objects. Similar to fellow YBA artist Damien Hirst, Emin’s early work was championed by dealer Charles Saatchi, who exhibited Everyone I Have Ever Slept With 1963-1995 in 1997; the piece was comprised of names appliqued onto a small tent. Two years later, Emin was shortlisted for the Turner Prize. Her exhibition My Bed at the Tate Gallery became one of her best-known works, cementing her raw, confrontational style and catapulting her to international fame.

Born in Croydon, England, Emin currently divides her time between Spitalfields, East London and the south of France. As her career has progressed, she has become increasingly known for creating neon sculptures and editions, which pair neon glass light with her distinctive handwriting.

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

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1 212 940 1250

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

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Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

\n","marketplaceStorefrontEmailBlastSent":false,"medium":"hand-dyed gelatin silver print, in artist's frame, in 4 parts","dimensions":"each 28 x 33 1/4 in. (71.1 x 84.5 cm)\r\noverall 56 x 66 1/2 in. (142.2 x 168.9 cm)","provenance":"White Cube, London
Acquired from the above by the present owner in December 2003","exhibited":"London, White Cube, Gilbert & George New Horny Pictures, June 2 - July 15, 2001","literature":"Gilbert & George The Complete Pictures: 1971 - 2005, vol. 2, London, 2007, p. 1239 (illustrated, p. 1020)","essay":"","sigEdtMan":"Executed in 2001.","showAdvanceBidButton":true,"showShippingLink":false,"preface":"","estimateSpecialChar":"","lotSpecialChar":"","cExtraInfo":"","partnerBidUrl":"https://live.phillips.com/place-bid/1-33D0RY","auctionLotBidUrl":null,"saleOfferThreshold":0,"auctionBidPartner":1,"otherEstimates":null,"otherEstimatesList":[],"cEssay":null,"artistInscription":"signed \"Gilbert + George\" lower right","cArtistInscription":null,"cCirca":null,"cPreface":null,"cBirthDeath":null,"cMedium":null,"cProvenance":null,"cSigEdtMan":null,"cExhibited":null,"cLiterature":null,"detailVideoUrl":null,"webDescription":"","viewInRoomImage":"","videoAboveTheFold":true,"videoSquareAspectRatio":false,"auctionLotPublicId":114923,"auctionMobilityAuctionRowId":"1-2UKT9F","auctionMobilityLotRowId":"1-33D0RY","buyNowPrice":0,"cDescription":null,"cMakerName":null,"createDate":"2020-06-12T00:02:47.783","description":"Two","discipline":"Contemporary Art","displayOrder":0,"descriptionWithMarkup":null,"estimateText":"","eventDate":"2020-07-02T19:00:00","eventTime":"","hammerPlusBP":0,"hammerPlusBPLive":0,"highEstimate":80000,"is360View":false,"isCopyrightBlocked":false,"isHideDisplay":false,"isMixedAuction":false,"isNoLot":false,"isSoldOverride":false,"locationName":"New York","lotNumber":234,"lotNumberSuffix":"","lotNumberFull":"234","lowEstimate":60000,"lotStatusId":3,"makerName":"Gilbert & George","makerId":10617,"objectNumber":"143524","videoTitle":"","videoDescription":"","videoSource":"","saleNumber":"NY010520","isExhibition":false,"artistImageBlocked":false,"useCloudinary":true,"useObjectNumberAsImageName":false,"cloudinaryVersion":"1593618254","imageVersion":"1593618254","auctionLotDisplayTypeId":21,"auctionLotDisplayTypeName":"onerow_twocolumns-right","currencySign":"$","detailLink":"https://www.phillips.com/detail/gilbert-george/NY010520/234","imagePath":"/auctions/NY010520/234_001.jpg","isNoReserve":false,"saleTitle":"20th c. & Contemporary Art Day Sale, Afternoon Session","saleTypeId":1,"showEstimateText":true,"showSaleOffers":false,"showSoldPrice":true,"lotStartDateTime":"2020-07-02T14:00:00","lotEndDateTime":"2020-07-02T19:00:00","tags":[],"wModelName":null,"wReferenceNo":null},{"additionalContent":[],"cAdditionalContent":[],"department":"Contemporary","circa":null,"startDateTime":"0001-01-01T00:00:00","isSaleOver":true,"showConditionReport":false,"showInquireButton":false,"condition":"This work is in very good condition. There are very faint clear drip accretions to the lower edge, visible only upon very close inspection. There is a very minor loss to the top layer of paint to the extreme right edge, visible only upon very close inspection. There is no restoration apparent under Ultraviolet light. This work is not framed.","displayFavoriteLotButton":false,"isViewInRoom":true,"height":174.9,"width":125.1,"depth":0,"artistBiography":"","artistBirthYear":"","artistDeathYear":"","artistNationality":"","isWatch":false,"isAdult":false,"lotThumbList":"235_002.jpg","lotThumbs":["235_002.jpg"],"lotImages":[{"imagePath":"auctions/NY010520/235_001.jpg","isViewInRoom":true},{"imagePath":"auctions/NY010520/235_002.jpg","isViewInRoom":false}],"extraInfo":"

Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

\n","marketplaceStorefrontEmailBlastSent":false,"medium":"oil on canvas","dimensions":"68 7/8 x 49 1/4 in. (174.9 x 125.1 cm)","provenance":"Metro Pictures, New York
Acquired from the above by the present owner","exhibited":"New York, Metro Pictures, Paulina Olowska: Applied Fantastic, October 28 - December 18, 2010","literature":"Andrew Russeth, \"New York: Can't-Miss Gallery Openings This Week\", HuffPost, October 27, 2010, online (illustrated)
\"#TFWGucci\", ad campaign, Gucci, March 2017, online (illustrated in advertisement)
Lionel Bovier, ed., Paulina Olowska: Book, Zurich, 2013, p. 116 (illustrated)","essay":"","sigEdtMan":"Painted in 2010.","showAdvanceBidButton":true,"showShippingLink":false,"preface":"","estimateSpecialChar":"","lotSpecialChar":"","cExtraInfo":"","partnerBidUrl":"https://live.phillips.com/place-bid/1-33D0S2","auctionLotBidUrl":null,"saleOfferThreshold":0,"auctionBidPartner":1,"otherEstimates":null,"otherEstimatesList":[],"cEssay":null,"artistInscription":"signed, titled and dated \"Paulina Olowska \"Klaun\" 2010\" on the reverse","cArtistInscription":null,"cCirca":null,"cPreface":null,"cBirthDeath":null,"cMedium":null,"cProvenance":null,"cSigEdtMan":null,"cExhibited":null,"cLiterature":null,"detailVideoUrl":null,"webDescription":"","viewInRoomImage":"","videoAboveTheFold":true,"videoSquareAspectRatio":false,"auctionLotPublicId":114925,"auctionMobilityAuctionRowId":"1-2UKT9F","auctionMobilityLotRowId":"1-33D0S2","buyNowPrice":0,"cDescription":null,"cMakerName":null,"createDate":"2020-06-12T00:02:47.783","description":"Klaun","discipline":"Contemporary Art","displayOrder":0,"descriptionWithMarkup":null,"estimateText":"","eventDate":"2020-07-02T19:00:00","eventTime":"","hammerPlusBP":62500,"hammerPlusBPLive":0,"highEstimate":70000,"is360View":false,"isCopyrightBlocked":false,"isHideDisplay":false,"isMixedAuction":false,"isNoLot":false,"isSoldOverride":false,"locationName":"New York","lotNumber":235,"lotNumberSuffix":"","lotNumberFull":"235","lowEstimate":50000,"lotStatusId":2,"makerName":"Paulina Olowska","makerId":4371,"objectNumber":"140640","videoTitle":"","videoDescription":"","videoSource":"","saleNumber":"NY010520","isExhibition":false,"artistImageBlocked":false,"useCloudinary":true,"useObjectNumberAsImageName":false,"cloudinaryVersion":"1593618257","imageVersion":"1593618257","auctionLotDisplayTypeId":1,"auctionLotDisplayTypeName":"single-cell","currencySign":"$","detailLink":"https://www.phillips.com/detail/paulina-olowska/NY010520/235","imagePath":"/auctions/NY010520/235_001.jpg","isNoReserve":false,"saleTitle":"20th c. & Contemporary Art Day Sale, Afternoon Session","saleTypeId":1,"showEstimateText":true,"showSaleOffers":false,"showSoldPrice":true,"lotStartDateTime":"2020-07-02T14:00:00","lotEndDateTime":"2020-07-02T19:00:00","tags":[],"wModelName":null,"wReferenceNo":null},{"additionalContent":[],"cAdditionalContent":[],"department":"Contemporary","circa":null,"startDateTime":"0001-01-01T00:00:00","isSaleOver":true,"showConditionReport":false,"showInquireButton":false,"condition":"This work is in good condition overall. All elements are present and stable. There are pinpoint losses in areas to the extreme edges. There are minor drip accretions in areas, most noticeably to the black area of the lower left panel. There are scattered scuffs throughout, most noticeably to the two upper left panels. This work is not framed.","displayFavoriteLotButton":false,"isViewInRoom":false,"height":0,"width":0,"depth":0,"artistBiography":"","artistBirthYear":"","artistDeathYear":"","artistNationality":"","isWatch":false,"isAdult":false,"lotThumbList":null,"lotThumbs":[],"lotImages":[{"imagePath":"auctions/NY010520/236_001.jpg","isViewInRoom":false}],"extraInfo":"

Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

\n","marketplaceStorefrontEmailBlastSent":false,"medium":"acrylic on plywood, in 10 parts","dimensions":"each 19 3/4 x 15 3/4 in. (50.2 x 40 cm)","provenance":"Kunsthandel Andreas Lutherer, Germany
Private Collection, Germany
Phillips, London, January 22, 2015, lot 25
Acquired at the above sale by the present owner","exhibited":"","literature":"","essay":"","sigEdtMan":"Painted in 2001, this work is from a series of 4 unique variants and is recorded in the archive of Günther Förg as No. 01.B.0408.

We thank Mr. Michael Neff from the Estate of Günther Förg for the information he has kindly provided on this work.","showAdvanceBidButton":true,"showShippingLink":false,"preface":"","estimateSpecialChar":"","lotSpecialChar":"","cExtraInfo":"","partnerBidUrl":"https://live.phillips.com/place-bid/1-33D0S4","auctionLotBidUrl":"https://live.phillips.com/place-bid/0","saleOfferThreshold":0,"auctionBidPartner":1,"otherEstimates":null,"otherEstimatesList":[],"cEssay":null,"artistInscription":"each signed, consecutively inscribed and dated \"Förg 01 [A3-J3]\" and stamped \"multiple\" on the reverse","cArtistInscription":null,"cCirca":null,"cPreface":null,"cBirthDeath":null,"cMedium":null,"cProvenance":null,"cSigEdtMan":null,"cExhibited":null,"cLiterature":null,"detailVideoUrl":null,"webDescription":"","viewInRoomImage":"","videoAboveTheFold":true,"videoSquareAspectRatio":false,"auctionLotPublicId":114901,"auctionMobilityAuctionRowId":"1-2UKT9F","auctionMobilityLotRowId":"1-33D0S4","buyNowPrice":0,"cDescription":null,"cMakerName":null,"createDate":"2020-06-12T00:02:47.783","description":"Untitled","discipline":"Contemporary Art","displayOrder":0,"descriptionWithMarkup":null,"estimateText":"","eventDate":"2020-07-02T19:00:00","eventTime":"","hammerPlusBP":106250,"hammerPlusBPLive":0,"highEstimate":100000,"is360View":false,"isCopyrightBlocked":false,"isHideDisplay":false,"isMixedAuction":false,"isNoLot":false,"isSoldOverride":false,"locationName":"New York","lotNumber":236,"lotNumberSuffix":"","lotNumberFull":"236","lowEstimate":70000,"lotStatusId":2,"makerName":"Günther Förg","makerId":8656,"objectNumber":"142858","videoTitle":"","videoDescription":"","videoSource":"","saleNumber":"NY010520","isExhibition":false,"artistImageBlocked":false,"useCloudinary":true,"useObjectNumberAsImageName":false,"cloudinaryVersion":"1593618257","imageVersion":"1593618257","auctionLotDisplayTypeId":2,"auctionLotDisplayTypeName":"two-columns-one-row","currencySign":"$","detailLink":"https://www.phillips.com/detail/gunther-forg/NY010520/236","imagePath":"/auctions/NY010520/236_001.jpg","isNoReserve":false,"saleTitle":"20th c. & Contemporary Art Day Sale, Afternoon Session","saleTypeId":1,"showEstimateText":true,"showSaleOffers":false,"showSoldPrice":true,"lotStartDateTime":"2020-07-02T14:00:00","lotEndDateTime":"2020-07-02T19:00:00","tags":[],"wModelName":null,"wReferenceNo":null},{"additionalContent":[],"cAdditionalContent":[],"department":"Contemporary","circa":null,"startDateTime":"0001-01-01T00:00:00","isSaleOver":true,"showConditionReport":false,"showInquireButton":false,"condition":"This work is in very good condition. There are no apparent condition issues with this work. There is no restoration apparent under Ultraviolet light. This work is not framed.","displayFavoriteLotButton":false,"isViewInRoom":true,"height":177.8,"width":121.9,"depth":0,"artistBiography":"","artistBirthYear":"","artistDeathYear":"","artistNationality":"","isWatch":false,"isAdult":false,"lotThumbList":null,"lotThumbs":[],"lotImages":[{"imagePath":"auctions/NY010520/237_001.jpg","isViewInRoom":true}],"extraInfo":"

Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

\n","marketplaceStorefrontEmailBlastSent":false,"medium":"oil on canvas","dimensions":"70 x 48 in. (177.8 x 121.9 cm)","provenance":"Fraenkel Gallery, San Francisco
Acquired from the above by the present owner","exhibited":"San Francisco, Fraenkel Gallery, Mel Bochner: Photographs and Not Photographs 1966-2010, September 9 - October 30, 2010, pp. 52, 78 (illustrated, p. 53; installation view illustrated, p. 70)","literature":"","essay":"","sigEdtMan":"Painted in 2010.","showAdvanceBidButton":true,"showShippingLink":false,"preface":"","estimateSpecialChar":"","lotSpecialChar":"","cExtraInfo":"","partnerBidUrl":"https://live.phillips.com/place-bid/1-33D0S9","auctionLotBidUrl":"https://live.phillips.com/place-bid/0","saleOfferThreshold":0,"auctionBidPartner":1,"otherEstimates":null,"otherEstimatesList":[],"cEssay":null,"artistInscription":"signed, titled, inscribed and dated \"MB 3-116 BLAH, BLAH, BLAH, MEL BOCHNER 2010\" on the reverse","cArtistInscription":null,"cCirca":null,"cPreface":null,"cBirthDeath":null,"cMedium":null,"cProvenance":null,"cSigEdtMan":null,"cExhibited":null,"cLiterature":null,"detailVideoUrl":null,"webDescription":"","viewInRoomImage":"","videoAboveTheFold":true,"videoSquareAspectRatio":false,"auctionLotPublicId":114914,"auctionMobilityAuctionRowId":"1-2UKT9F","auctionMobilityLotRowId":"1-33D0S9","buyNowPrice":0,"cDescription":null,"cMakerName":null,"createDate":"2020-06-12T00:02:47.783","description":"Blah, Blah, Blah","discipline":"Contemporary Art","displayOrder":0,"descriptionWithMarkup":null,"estimateText":"","eventDate":"2020-07-02T19:00:00","eventTime":"","hammerPlusBP":187500,"hammerPlusBPLive":0,"highEstimate":60000,"is360View":false,"isCopyrightBlocked":false,"isHideDisplay":false,"isMixedAuction":false,"isNoLot":false,"isSoldOverride":false,"locationName":"New York","lotNumber":237,"lotNumberSuffix":"","lotNumberFull":"237","lowEstimate":40000,"lotStatusId":2,"makerName":"Mel Bochner","makerId":279,"objectNumber":"136386","videoTitle":"","videoDescription":"","videoSource":"","saleNumber":"NY010520","isExhibition":false,"artistImageBlocked":false,"useCloudinary":true,"useObjectNumberAsImageName":false,"cloudinaryVersion":"1593618254","imageVersion":"1593618254","auctionLotDisplayTypeId":20,"auctionLotDisplayTypeName":"onerow_twocolumns-left","currencySign":"$","detailLink":"https://www.phillips.com/detail/mel-bochner/NY010520/237","imagePath":"/auctions/NY010520/237_001.jpg","isNoReserve":false,"saleTitle":"20th c. & Contemporary Art Day Sale, Afternoon Session","saleTypeId":1,"showEstimateText":true,"showSaleOffers":false,"showSoldPrice":true,"lotStartDateTime":"2020-07-02T14:00:00","lotEndDateTime":"2020-07-02T19:00:00","tags":[],"wModelName":null,"wReferenceNo":null},{"additionalContent":[],"cAdditionalContent":[],"department":"Contemporary","circa":null,"startDateTime":"0001-01-01T00:00:00","isSaleOver":true,"showConditionReport":false,"showInquireButton":false,"condition":"These works are in good condition. \r\n\r\n(i) There is a clear accretion to the upper edge. There is a stable hairline crack to the right edge, visibly only under raking light. There is a minor rub to the upper edge, visible only under very close inspection. There are diagonal faint abrasions to the upper right, visible only under raking light.\r\n\r\n(ii) There is an area of pink stay media to the lower left. There are pinpoint accretions to the upper edge and upper left corner, visible only upon very close inspection. There is stable hairline cracking to the upper edge and left edge, visible only under raking light. There are minor yellow accretions to the turnover edges, not visible from the front.\r\n \r\n\r\nThere are areas that fluoresce brightly to the exterior edges and center of both works, attributed to minor rubbing of the upper paint layer. These works are not framed.","displayFavoriteLotButton":false,"isViewInRoom":false,"height":0,"width":0,"depth":0,"artistBiography":"","artistBirthYear":"","artistDeathYear":"","artistNationality":"","isWatch":false,"isAdult":false,"lotThumbList":null,"lotThumbs":[],"lotImages":[{"imagePath":"auctions/NY010520/238_001.jpg","isViewInRoom":false}],"extraInfo":"

Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

\n","marketplaceStorefrontEmailBlastSent":false,"medium":"oil on linen","dimensions":"each 15 7/8 x 12 in. (40.3 x 30.5 cm)","provenance":"Quint Gallery, San Diego
Leo Koenig, Inc., New York
Acquired from the above by the present owner","exhibited":"","literature":"","essay":"","sigEdtMan":"Painted in 1998.","showAdvanceBidButton":true,"showShippingLink":false,"preface":"","estimateSpecialChar":"","lotSpecialChar":"","cExtraInfo":"","partnerBidUrl":"https://live.phillips.com/place-bid/1-33D0SL","auctionLotBidUrl":null,"saleOfferThreshold":0,"auctionBidPartner":1,"otherEstimates":null,"otherEstimatesList":[],"cEssay":null,"artistInscription":"(i) signed, titled and dated \"Seascape #1 16,2,98 Peter Dreher\" on the reverse\r\n(ii) signed, titled and dated \"Seascape 4 Peter Dreher 1998\" on the reverse","cArtistInscription":null,"cCirca":null,"cPreface":null,"cBirthDeath":null,"cMedium":null,"cProvenance":null,"cSigEdtMan":null,"cExhibited":null,"cLiterature":null,"detailVideoUrl":null,"webDescription":"","viewInRoomImage":"","videoAboveTheFold":true,"videoSquareAspectRatio":false,"auctionLotPublicId":114999,"auctionMobilityAuctionRowId":"1-2UKT9F","auctionMobilityLotRowId":"1-33D0SL","buyNowPrice":0,"cDescription":null,"cMakerName":null,"createDate":"2020-06-12T00:02:47.783","description":"Two works: (i) Seascape #1; (ii) Seascape #4","discipline":"Contemporary Art","displayOrder":0,"descriptionWithMarkup":"Two works: (i) Seascape #1; (ii) Seascape #4","estimateText":"","eventDate":"2020-07-02T19:00:00","eventTime":"","hammerPlusBP":40000,"hammerPlusBPLive":0,"highEstimate":18000,"is360View":false,"isCopyrightBlocked":false,"isHideDisplay":false,"isMixedAuction":false,"isNoLot":false,"isSoldOverride":false,"locationName":"New York","lotNumber":238,"lotNumberSuffix":"","lotNumberFull":"238","lowEstimate":12000,"lotStatusId":2,"makerName":"Peter Dreher","makerId":17106,"objectNumber":"143346","videoTitle":"","videoDescription":"","videoSource":"","saleNumber":"NY010520","isExhibition":false,"artistImageBlocked":false,"useCloudinary":true,"useObjectNumberAsImageName":false,"cloudinaryVersion":"1593618258","imageVersion":"1593618258","auctionLotDisplayTypeId":21,"auctionLotDisplayTypeName":"onerow_twocolumns-right","currencySign":"$","detailLink":"https://www.phillips.com/detail/peter-dreher/NY010520/238","imagePath":"/auctions/NY010520/238_001.jpg","isNoReserve":false,"saleTitle":"20th c. & Contemporary Art Day Sale, Afternoon Session","saleTypeId":1,"showEstimateText":true,"showSaleOffers":false,"showSoldPrice":true,"lotStartDateTime":"2020-07-02T14:00:00","lotEndDateTime":"2020-07-02T19:00:00","tags":[],"wModelName":null,"wReferenceNo":null},{"additionalContent":[],"cAdditionalContent":[],"department":"Contemporary","circa":null,"startDateTime":"0001-01-01T00:00:00","isSaleOver":true,"showConditionReport":false,"showInquireButton":false,"condition":"This work is in very good condition overall. There are very minor pinpoint accretions to the upper edge, visible only upon very close inspection. There is wear to the upper left corner and minor scuffing to the lower edge. There is no restoration apparent under Ultraviolet light. This work is not framed.","displayFavoriteLotButton":false,"isViewInRoom":true,"height":94,"width":94,"depth":0,"artistBiography":"

Few artists have dedicated their careers as singularly to one genre as George Condo has to that of portraiture. He is drawn to the endless inquiries posed by the aesthetics and formal considerations of Caravaggio, Rembrandt and the Old Masters. Emerging on the New York art scene in the 1980s alongside contemporaries such as Keith Haring and Jean-Michel Basquiat, Condo developed a distinctive visual lexicon that is unmistakably his own. 

\n\n

Student to Warhol, friend to Basquiat and collaborator with William S. Burroughs, Condo tracked a different path. The artist frequently cites Picasso as a predominant influence in his contemporary cubist compositions and joyous use of paint. Condo is known for postmodernist compositions staked in wit and the grotesque, which draw the eye into a highly imaginary world. 

\n","artistBirthYear":"1957","artistDeathYear":"","artistNationality":"American","isWatch":false,"isAdult":false,"lotThumbList":null,"lotThumbs":[],"lotImages":[{"imagePath":"auctions/NY010520/239_001.jpg","isViewInRoom":true}],"extraInfo":"

Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

\n","marketplaceStorefrontEmailBlastSent":false,"medium":"acrylic on canvas","dimensions":"37 x 37 in. (94 x 94 cm)","provenance":"Private Collection (acquired directly from the artist)
Phillips, New York, May 17, 2007, lot 73
Acquired at the above sale by the present owner","exhibited":"","literature":"","essay":"","sigEdtMan":"Painted in 1999.","showAdvanceBidButton":true,"showShippingLink":false,"preface":"","estimateSpecialChar":"","lotSpecialChar":"","cExtraInfo":"","partnerBidUrl":"https://live.phillips.com/place-bid/1-33D0SO","auctionLotBidUrl":"https://live.phillips.com/place-bid/0","saleOfferThreshold":0,"auctionBidPartner":1,"otherEstimates":null,"otherEstimatesList":[],"cEssay":null,"artistInscription":"signed, titled and dated \"Condo The Jimi Hendrix Experience 99\" on the reverse","cArtistInscription":null,"cCirca":null,"cPreface":null,"cBirthDeath":null,"cMedium":null,"cProvenance":null,"cSigEdtMan":null,"cExhibited":null,"cLiterature":null,"detailVideoUrl":null,"webDescription":"","viewInRoomImage":"","videoAboveTheFold":true,"videoSquareAspectRatio":false,"auctionLotPublicId":115085,"auctionMobilityAuctionRowId":"1-2UKT9F","auctionMobilityLotRowId":"1-33D0SO","buyNowPrice":0,"cDescription":null,"cMakerName":null,"createDate":"2020-06-12T00:02:47.783","description":"The Jimi Hendrix Experience from the series Jazz Paintings","discipline":"Contemporary Art","displayOrder":0,"descriptionWithMarkup":"The Jimi Hendrix Experience from the series Jazz Paintings","estimateText":"","eventDate":"2020-07-02T19:00:00","eventTime":"","hammerPlusBP":106250,"hammerPlusBPLive":0,"highEstimate":70000,"is360View":false,"isCopyrightBlocked":false,"isHideDisplay":false,"isMixedAuction":false,"isNoLot":false,"isSoldOverride":false,"locationName":"New York","lotNumber":239,"lotNumberSuffix":"","lotNumberFull":"239","lowEstimate":50000,"lotStatusId":2,"makerName":"George Condo","makerId":10606,"objectNumber":"143228","videoTitle":"","videoDescription":"","videoSource":"","saleNumber":"NY010520","isExhibition":false,"artistImageBlocked":false,"useCloudinary":true,"useObjectNumberAsImageName":false,"cloudinaryVersion":"1593618254","imageVersion":"1593618254","auctionLotDisplayTypeId":20,"auctionLotDisplayTypeName":"onerow_twocolumns-left","currencySign":"$","detailLink":"https://www.phillips.com/detail/george-condo/NY010520/239","imagePath":"/auctions/NY010520/239_001.jpg","isNoReserve":false,"saleTitle":"20th c. & Contemporary Art Day Sale, Afternoon Session","saleTypeId":1,"showEstimateText":true,"showSaleOffers":false,"showSoldPrice":true,"lotStartDateTime":"2020-07-02T14:00:00","lotEndDateTime":"2020-07-02T19:00:00","tags":[],"wModelName":null,"wReferenceNo":null},{"additionalContent":[],"cAdditionalContent":[],"department":"Contemporary","circa":null,"startDateTime":"0001-01-01T00:00:00","isSaleOver":true,"showConditionReport":false,"showInquireButton":false,"condition":"This work is in very good condition overall. All elements are present and structurally sound. There are abrasions and wear to the upper edges of the artist's wooden base. \r\n\r\nADDENDUM: Please note that this work is accompanied by a certificate of authenticity signed by the artist.","displayFavoriteLotButton":false,"isViewInRoom":false,"height":0,"width":0,"depth":0,"artistBiography":"","artistBirthYear":"","artistDeathYear":"","artistNationality":"","isWatch":false,"isAdult":false,"lotThumbList":"240_002.jpg,240_003.jpg","lotThumbs":["240_002.jpg","240_003.jpg"],"lotImages":[{"imagePath":"auctions/NY010520/240_001.jpg","isViewInRoom":false},{"imagePath":"auctions/NY010520/240_002.jpg","isViewInRoom":false},{"imagePath":"auctions/NY010520/240_003.jpg","isViewInRoom":false}],"extraInfo":"

Rebekah Bowling
\nHead of Day Sale, Afternoon Session
\nNew York

\n\n

1 212 940 1250

\n","marketplaceStorefrontEmailBlastSent":false,"medium":"silicone and wood base","dimensions":"sculpture 22 x 19 x 16 1/2 in. (55.9 x 48.3 x 41.9 cm)\r\nbase 39 x 24 1/2 x 21 1/2 in. (99.1 x 62.2 x 54.6 cm)\r\noverall 61 x 24 1/2 x 21 1/2 in. (154.9 x 62.2 x 54.6 cm)","provenance":"Luhring Augustine, New York
Nader Contemporary, Miami
Acquired from the above by the present owner","exhibited":"Van Abbemuseum Eindhoven, Paul McCarthy: Brain Box Dream Box, June 19 - October 14, 2004, p. 100 (another example exhibited and illustrated)
New York, Luhring Augustine, Paul McCarthy: Clean Thoughts, October 5 – November 2, 2002","literature":"","essay":"","sigEdtMan":"Executed in 2002, this work is artist's proof 2 from an edition of 6 plus 2 artist's proofs and is accompanied by a certificate of authenticity signed by the artist.","showAdvanceBidButton":true,"showShippingLink":false,"preface":"","estimateSpecialChar":"","lotSpecialChar":"","cExtraInfo":"","partnerBidUrl":"https://live.phillips.com/place-bid/1-33D0SQ","auctionLotBidUrl":null,"saleOfferThreshold":0,"auctionBidPartner":1,"otherEstimates":null,"otherEstimatesList":[],"cEssay":null,"artistInscription":null,"cArtistInscription":null,"cCirca":null,"cPreface":null,"cBirthDeath":null,"cMedium":null,"cProvenance":null,"cSigEdtMan":null,"cExhibited":null,"cLiterature":null,"detailVideoUrl":null,"webDescription":"","viewInRoomImage":"","videoAboveTheFold":true,"videoSquareAspectRatio":false,"auctionLotPublicId":114933,"auctionMobilityAuctionRowId":"1-2UKT9F","auctionMobilityLotRowId":"1-33D0SQ","buyNowPrice":0,"cDescription":null,"cMakerName":null,"createDate":"2020-06-12T00:02:47.783","description":"Dick Eye","discipline":"Contemporary Art","displayOrder":0,"descriptionWithMarkup":null,"estimateText":"","eventDate":"2020-07-02T19:00:00","eventTime":"","hammerPlusBP":75000,"hammerPlusBPLive":0,"highEstimate":60000,"is360View":false,"isCopyrightBlocked":false,"isHideDisplay":false,"isMixedAuction":false,"isNoLot":false,"isSoldOverride":false,"locationName":"New York","lotNumber":240,"lotNumberSuffix":"","lotNumberFull":"240","lowEstimate":40000,"lotStatusId":2,"makerName":"Paul McCarthy","makerId":7706,"objectNumber":"141586","videoTitle":"","videoDescription":"","videoSource":"","saleNumber":"NY010520","isExhibition":false,"artistImageBlocked":false,"useCloudinary":true,"useObjectNumberAsImageName":false,"cloudinaryVersion":"1592506352","imageVersion":"1592506352","auctionLotDisplayTypeId":21,"auctionLotDisplayTypeName":"onerow_twocolumns-right","currencySign":"$","detailLink":"https://www.phillips.com/detail/paul-mccarthy/NY010520/240","imagePath":"/auctions/NY010520/240_001.jpg","isNoReserve":false,"saleTitle":"20th c. & Contemporary Art Day Sale, Afternoon Session","saleTypeId":1,"showEstimateText":true,"showSaleOffers":false,"showSoldPrice":true,"lotStartDateTime":"2020-07-02T14:00:00","lotEndDateTime":"2020-07-02T19:00:00","tags":[],"wModelName":null,"wReferenceNo":null},{"additionalContent":[{"active":true,"saleNumber":"NY010520","objectNumber":"140957","componentContainerId":625,"displayOrder":1,"componentData":[{"active":true,"componentId":1461,"displayOrder":1,"htmlCaption":"


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detail of the present lot
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“My work evolved from looking at graffiti, vandalism, the violence of tags in the streets and other forms of visual aggression, but as is more and more the case in my work, my painting has become more formal, more abstract ... I think of it in terms of space, depth, punctuation or color, as I imagine artists have been doing for centuries.”
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\r\nSterling Ruby

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Installation view of Sterling Ruby at the Institute of Contemporary Art, Miami, November 7 2019-February 2, 2020. Photograph by Fredrik Nilsen Studio, Artwork © 2020 Sterling Ruby

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