Portrait of Jean Royère.
Jean Royère’s distinctive style, characterized by sinuous forms and playful motifs, is exemplified by the iconic Ours Polaire armchairs and his Tour Eiffel furniture designs. Our Design Auction on 11 December in New York includes three of Royère’s most iconic designs.
Jean Royère, Pair of "Boule" also known as "Ours polaire" armchairs, circa 1942 (lot 132). New York Design.
The Ours Polaire armchairs, also known as Boule armchairs, reflect Royère’s radical departure from traditional furniture. Debuting in 1942 at the Salon des Artistes Décorateurs, these pieces were initially conceived as part of an “Attic Nook” concept for a mountain chalet. Over time, the design evolved into the plump, rounded forms that earned them the affectionate nickname “Polar Bear” armchairs. These armchairs eliminate sharp lines, with arms that gracefully slope into the seat back, creating an organic silhouette. Despite their unconventional appearance at the time, Royère adhered to traditional craftsmanship, using sturdy inner frames and plush Italian velvets in deep, tactile colours. The result is furniture that feels alive, cozy, and effortlessly chic.
Jean Royère, “Tour Eiffel” coffee table, circa 1947 (lot 133). New York Design.
Royère’s Tour Eiffel motif offers another layer of his genius, seamlessly blending architectural inspiration with functional design. First introduced in 1939 and refined by 1947, the Tour Eiffel coffee table embodies this motif with its intricate latticework of rods and bronze balls. The framework, inspired by the Eiffel Tower’s iron structure, is both decorative and structural, supporting a glass tabletop while casting fascinating shadows that play across the room. This motif was featured prominently in prestigious commissions during the late 1940s and 1950s, solidifying its prominent place within Royère’s oeuvre.
Jean Royère, Large “Tour Eiffel” console, circa 1955 (lot 135). New York Design.
Through designs like the Ours Polaire armchairs and the Tour Eiffel tables, Jean Royère challenged conventions, proving that furniture could transcend functionality to become sculptural and poetic. His works continue to inspire and delight, reminding us of the magic that arises when whimsy meets craftsmanship.
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