A Fancy Yellow Diamond and Diamond Necklace
Graeme Thompson, Worldwide Head of Jewels, discusses the rarity of fancy yellow, brilliant cut diamonds included in our Jewels & Jadeite November sale in Hong Kong.
Gallery Tour | Photographs, New York
Our Photographs team in New York leads us on a private tour of their gallery exhibition. The first g…
Behind the Scenes: New Now, London
Simon Tovey, head of New Now, takes us behind the scenes at the installation of our New Now viewing …
Now On View | Hong Kong | July 2020
Jonathan Crockett, Chairman for Asia, takes us on a private tour of our Hong Kong viewings.
Larry Ossei-Mensah in Conversation with Tremaine Emory
In advance of Phillips’ 20th Century & Contemporary Art Evening and Day Sales in New York on 2 July,…
Picabia’s Women: Francis Picabia’s ‘Portrait de Femme’
Executed during the beginning of the 1940s after relocating to the South of France, ‘Portrait de Fem…
Art World Breakthrough: Banksy’s ‘Monkey Poison’
Stenciled in spray paint atop an Old Masters reproduction encased in a gilded frame, ‘Monkey Poison’…
In an Eggshell: Maxfield Parrish’s ‘Humpty Dumpty’
Presaging Pop Art’s interest in iconic figures and commercial culture, Maxfield Parrish portrayed Le…
Hammons's Revenge: David Hammons's 'Hidden Drawing (Jordan begins 8th season as No. 1)'
David Hammons’s objects, such as ‘Hidden Drawing (Jordan begins 8th season as No. 1)’, carry an emot…
To Repel Ghosts: Jean-Michel Basquiat's 'Victor 25448'
In an exclusive reading, poet Kevin Young, director of the Schomburg Center for Research in Black Cu…
Gallery Tour | Ed Dolman, Chief Executive Officer of Phillips
Ed Dolman, chief executive officer, and Phillips specialists takes us on a personal tour of our 20th…
Drawing in Space: Julio Gonález’s ‘L'arlequin / Pierrot ou Colombine’
Challenging traditional modes of sculpture using clay or stone, ‘L’arlequin / Pierrot ou Colombine’ …
One Painting, Three Histories: Ali Banisadr's 'Motherboard'
Weaving together his own narratives using the language of abstraction, Ali Banisadr's monumental can…
Truth in Abstraction: Gerhard Richter's 'Abstraktes Bild (801-3)'
With a practice that has oscillated from photorealist to completely non-representational, Gerhard Ri…
Gallery Tour | 20th Century & Contemporary Art New York
Jean-Paul Engelen, Deputy Chairman and Worldwide Co-Head of 20th Century & Contemporary Art, takes u…
Jill Weinberg Adams on Joan Mitchell
Robert Manley, Phillips Deputy Chairman and Worldwide Co-Head of 20th Century & Contemporary Art, sp…
Hurricane Period: Zao Wou-Ki
Battling the elemental and chaotic, the grand brushstrokes in Zao Wou-Ki's ‘22.6.63’ and ‘24.10.63’ …
Daniel Arsham's 'Grey Selenite Eroded Porsche'
Danielle So, Head of Day Sale, examines Daniel Arsham's transformation of an iconic sports car into …
Absence of Presence: Matthew Wong's Mood Room
Created during a short burst of intense output, this vibrant painting clearly shows this self-taught…