Provenance
Paula Cooper Gallery, New York
Paul Frank McCabe
Literature
F. Bonami, ed., Rudolf Stingel, New Haven: Yale University Press, 2007, pp. 113 (illustrated)
Catalogue Essay
Always one to challenge the boundaries of art, Rudolf Stingel strives to dispel the preconceptions based around art’s elevated status and actively negates any notions of hierarchy within its production. Using a broad range of mediums and techniques, Stingel explores various means of artistic expression, however, what transcends all of his pieces is an inherently reductionist approach. Peeling away areas, scratching into surfaces, carving out patches in his material, are just some of the ways the artist signals his presence. In this manner, Stingel refuses to conform to notions of the artist’s hand bringing clarity and development.

Untitled is a powerful testimony to the core values that lie at the heart of Stingel’s paintings. Furthermore, painted in the late 1990s, it is a mature example from a series of paintings that consumed his artistic preoccupations that decade. Working on a painted black canvas, Stingel sprayed brilliant colour through gauzes that he had placed on the surface. Thus, once these were removed, a highly tactile and irregular pattern would emerge. The vivid tones used in this series illuminate the wondrous effects made possible through the stencil technique employed in his earlier strictly silver paintings. By using the gauze in such a manner, Stingel tries to disassociate himself from the final outcome; like Warhol in his Factory, his cruder method of printing brings to the fore wider theories on the artist’s role. In this manner, Stingel’s paintings lie in discourse with the Anthropometry paintings and FC (Fire Colour) works by Yves Klein that negate typical notions of painting through their innovative production process. Arguably, the choice of deep blue for this work only heightens the connection with Yves Klein’s repertoire.

At the Venice Biennale in 1989, Stingel published an illustrated 'do-it-yourself' manual in English, Italian, German, French, Spanish and Japanese that gave a step-by-step account of how to make one of his paintings. In this forthright way, the artist therefore, further disassociated himself from his works suggesting that anyone can make a ‘Stingel’. This controversial ideology runs parallel to Warhol’s philosophy, summarised in his Do it Yourself (Landscape) from 1962. Consequently, a defining characteristic of Stingel’s paintings are their ability to nod to the art of the key artistic figures of the twentieth-century whilst, paradoxically questioning the very possibility of originality and ownership.
Artist Biography
Rudolf Stingel
Italian • 1956
Rudolf Stingel came to prominence in the late 1980s for his insistence on the conceptual act of painting in a context in which it had been famously declared dead. Despite the prevailing minimalist and conceptual narrative of the time, the Italian-born artist sought to confront the fundamental aspirations and failures of Modernist painting through the very medium of painting itself. While his works do not always conform to the traditional definitions of painting, their attention to surface, space, color and image provide new and expanded ways of thinking about the process and "idea" of painting. Central to his multifarious and prolific oeuvre is an examination of the passage of time and the probing of the fundamental questions of authenticity, meaning, hierarchy, authorship and context by dislocating painting both internally and in time and space. Stingel is best known for his wall-to-wall installations, constructed of fabric or malleable Celotex sheets, as well as his seemingly more traditional oil-on-canvas paintings.
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Property from the Estate of Dr. Fredric S. Brandt, Miami

Ο◆8

Rudolf Stingel

Untitled

1996-97
oil on canvas
244 x 198.5 cm (96 1/8 x 78 1/8 in.)
Signed and dated 'Stingel 96-97' on the reverse.

Estimate
£700,000 - 1,000,000 ‡♠

Sold for £1,930,500

Contact Specialist
Peter Sumner
Head of Contemporary Art, London
psumner@phillips.com
+44 207 318 4063

Contemporary Art Evening Sale

London 14 October 2015 7pm

1
Mark Grotjahn
Untitled (Blue Eyes Brown Hanging Perforated Mark M3.d)
Estimate £100,000 - 150,000 ‡
Sold for £116,500
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2
Rosemarie Trockel
Study for Old Friend
Estimate £150,000 - 250,000 ‡♠
Sold for £200,500
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3
Peter Doig
Bird House
Estimate £200,000 - 300,000 ‡♠
Sold for £242,500
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4
Richard Prince
Untitled (Cowboy)
Estimate £500,000 - 700,000 ‡
Sold for £602,500
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5
Mark Grotjahn
Untitled (Three-Tiered Perspective)
Estimate £700,000 - 1,000,000 ‡
Sold for £842,500
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6
Christopher Wool
Untitled
Estimate £1,500,000 - 2,500,000 ‡
Sold for £2,266,500
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7
Christopher Wool
Untitled (Jazz death)
Estimate £1,200,000 - 1,800,000 ‡
Sold for £1,314,500
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8
Rudolf Stingel
Untitled
Estimate £700,000 - 1,000,000 ‡♠
Sold for £1,930,500
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9
Yoshitomo Nara
Missing in Action
Estimate £700,000 - 1,000,000 ‡
Sold for £1,986,500
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10
Anish Kapoor
Untitled
Estimate £400,000 - 600,000 ‡♠
Sold for £458,500
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11
Keith Haring
Untitled
Estimate £150,000 - 250,000 ‡
Sold for £218,500
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12
Keith Haring
Untitled (Head Stand)
Estimate £400,000 - 600,000 ‡
Sold for £482,500
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13
John Baldessari
Two Dogs and Two Aliens
Estimate £200,000 - 300,000 ‡
Sold for £266,500
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14
Ed Ruscha
Pneumatic Muscles Hydraulic Smiles
Estimate £300,000 - 500,000 ‡
Sold for £386,500
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15
George Condo
Stranger on a Plane
Estimate £150,000 - 250,000 ‡
Sold for £194,500
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16
Albert Oehlen
Omegasachen-35
Estimate £250,000 - 350,000 ‡♠
Sold for £302,500
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17
Damien Hirst
Aminobenzoyl Hydrazide
Estimate £300,000 - 500,000 ‡♠
Sold for £362,500
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18
Alighiero Boetti
Alternandosi e Dividendosi
Estimate £250,000 - 350,000 ‡♠
Sold for £302,500
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19
Lucio Fontana
Concetto Spaziale, Attese
Estimate £1,200,000 - 1,800,000 ♠
Sold for £1,314,500
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20
Cy Twombly
Untitled
Estimate £8,000,000 - 12,000,000 ‡
Sold for £7,922,500
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21
Mark Bradford
Constitution IV
Estimate £2,000,000 - 3,000,000 ‡
Sold for £3,778,500
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22
Tauba Auerbach
Untitled (Fold)
Estimate £1,200,000 - 1,800,000 ‡
Sold for £1,426,500
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23
Danh Vo
VJ Star
Estimate £500,000 - 700,000 ‡♠
Sold for £602,500
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24
Richard Prince
Untitled (Couples)
Estimate £80,000 - 120,000 ‡
Sold for £152,500
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25
Urs Fischer
Horse Fraud
Estimate £400,000 - 600,000 ‡
Sold for £362,500
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26
Cory Arcangel
Photoshop CS: 110 by 72 inches, 300 DPI, RGB, square pixels, default gradient "Russell's Rainbow" (turn transparency off), mousedown y=25300 x=17600, mouse up y=4300 x=17600
Estimate £120,000 - 180,000
Sold for £158,500
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27
Yayoi Kusama
Infinity-Nets (OPARHJ)
Estimate £250,000 - 350,000 ‡
Sold for £530,500
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28
Sterling Ruby
SP60
Estimate £400,000 - 600,000
Sold for £482,500
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29
Josef Albers
Homage to the Square: Wide Sight (study)
Estimate £250,000 - 350,000 ‡
Sold for £338,500
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30
Neo Rauch
Die Lage
Estimate £600,000 - 800,000 ‡♠
Sold for £866,500
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31
Anselm Kiefer
The Secret Life of Plants
Estimate £300,000 - 500,000 ‡♠
Sold for £362,500
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32
Anselm Kiefer
Paete non Dolet
Estimate £200,000 - 300,000 ‡♠
Sold for £218,500
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33
Antony Gormley
Domain XV
Estimate £250,000 - 350,000 ‡♠
Sold for £218,500
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34
This lot is no longer available.
35
Jonas Wood
D.J.
Estimate £50,000 - 70,000
Sold for £62,500
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36
Richard Prince
Untitled (portrait)
Estimate £80,000 - 120,000 ‡
Sold for £98,500
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37
KAWS
Snoopy: Red Baron
Estimate £80,000 - 120,000 ‡
Sold for £128,500
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Contemporary Art Evening Sale

London 14 October 2015 7pm

Create your first list.

Provenance

Literature

Catalogue Essay

Artist Biography

Rudolf Stingel

Ο◆8

Rudolf Stingel

Untitled

Contemporary Art Evening Sale

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