Provenance
Acquired directly from the artist
Private Collection, Miami
Exhibited
Caracas, Fundación Sala Mendoza, Roberto Obregón - el elocuente silencio de las formas, May 5, 2013
Literature
A. Jiménez, Roberto Obregón - El elocuente silencio de las formas, 2012 n.p. (illustrated)
A. Jiménez, Roberto Obregón - En Tres Tiempos, Caracas, 2013, p. 212-213 (illustrated)
Catalogue Essay
The present lot, Ene Eme, y Ene De, 1994, is a monumentally important piece within Roberto Obregón’s pivotal series Las Niágaras. This intimate series evokes aspects of Obregón’s personal life through the portraits of people close to him, who impacted his life in one way or another. The present lot is the culmination of a primary leit motif throughout his body of work: the rose and the concept of cyclical time, which encompass the unique and complex symbolism that defines his practice. It is this highly personal approach and subject matter that has placed Obregón at the forefront of the Latin American contemporary art scene.

The motif of roses first impacted Obregón at the early age of nine, when he visited his aunt who had a garden with a very prominent rose bush. These exquisite roses caused an indelible impression on him, exacerbated by the fact that he was forbidden from touching them. He would go on to obsessively collect images of roses that he gleaned from magazines and postcards. His earliest work focused on documenting his physical, bodily decay over time, which would become his obsession. He expressed this notion of cyclical time through his work, for example in Crónicas de una rosa (no.1) [Chronicles of a rose (no.1)], 1974. In this case, he photographed the decay of a rose sequentially, in a style reminiscent of Eadweard Muybridge. This method of documentation has interested many artists throughout history, including Monet who would document the chromatic transformations of environments over time. Obregón later stopped using photography as a medium, and started physically dissecting the flower in numerous ways, one of them being through the use of cut rubber, as he believed the use of rose imagery “gave weight to my work”. Ariel Jiménez aptly describes the symbolism of the rose where “…a flower is not only a flower that has petal after petal in a circular structure, rather, it also superimposes symbol over symbol: of youth, of freshness, of love, of loving commitment. It can allude to mourning, and from what I see, it is also a very old organism, prior not only to culture, but to humanity itself.” In this sense, Obregón’s petal dissections can be read as the intent to gradually accumulate (in consecutive layers) everything that a rose could possibly mean for humanity. The dissected flowers rendered in his creations highlight the bond that exists between the body and nature, as cycles of time and decay affect both the body and the flower. This visual comparison can also be found within the work of Félix González-Torres.

In the series Las Niágaras, Obregón brought another autobiographical dimension into his body of work. The title of the series originated from Marilyn Monroe’s movie Niagara. The title of the movie was translated in Spanish as Torrentes Pasionales (Torrents of Passion.) Obregón believed that a person’s biography is like a torrent of passion and, coincidentally, the name of Marilyn Monroe’s character in the movie was Rose. Each work in the Niagara series is like an encounter or an imaginary conversation between two persons—usually a female and a male character— who Obregón knew or who influenced him. Depending on the characters, the frame or border that surrounds them will sometimes change color according to gender, red for females and blue for males.

The title of the present lot is the initials spelled out “nm and nd,” alluding to Norma Marilyn and Marcel Duchamp. Throughout this series Obregón attempted to write Marilyn’s name in different languages, ranging from Chinese to Russian and French. In the case of Ene Eme y Ene De, he writes her name is Arabic and introduces a commercial brand of a perfume called “Evening in Paris”. What we see here are two broad layers of dissections framed within the thin red line. The upper layer consists of the dissected rose petals alluding to cyclical time and the above-described symbolism of the rose. The lower layer renders the silhouettes of Marilyn Monroe and Marcel Duchamp facing each other in conversation, surrounded by their initials and all the implications of mass production and commercial elements that these two historical figures have come to symbolize. It is also important to point out the type of font Obregón employed. He used a gothic font that Hitler had expressly prohibited, thereby adding a connotation of counter-culture and oppression.

In presenting us with such an intimate autobiographical context through his works, Obregón would seem to be ensuring the endurance and accessibility of his personal legacy over time. This is reminiscent of Duchamp’s attitudes towards his own work, due to the fact that he grouped many of his important pieces in his famous Boite-en-valise (de ou par Marcel Duchamp ou Rrose Sélavy), 1935-1941. As Ariel Jiménez states, this suggests “a fragile accumulation of memory in a type of small personal museum that he takes with him and that will disappear with us,” very much in the same way that Obregón is leaving behind his Niágaras. Thus, this towering work exemplifies Roberto Obregón’s intensely poetic, complex oeuvre, replete with intimate autobiographical and historical nuances. Each viewer will read and interpret clues that only Obregón has the keys to fully understand, and this oscillation between image and hidden meaning is ultimately at the center of his practice.
Artist Biography
Roberto Obregón
Venezuelan / Colombian • 1946 - 2003
Venezuelan artist Roberto Obregón studied at the Escuela de Artes Plásticas Julio Árraga in Maracaibo and was influenced by Eadweard Muybridge and Marcel Duchamp. The primary leitmotif in his body of work is the concept of cyclical time and roses. Obregón's works document his physical, bodily decay over time through the physical dissection of roses: He created installations of large rose petals made from cut rubber, which symbolized the dissection.

These petal dissections can also be read as an accumulation of everything a rose could signify for humanity. Further, they denote the bond between the body and nature, as cycles of time and decay affect the body and the rose equally — a concept reminiscent of Félix González-Torres's work.
View More Works

2

Roberto Obregón

Ene Eme y Ene De

1994
cut rubber and long-staple wool
79 1/8 x 262 5/8 in. (201 x 667.1 cm)

Estimate
$150,000 - 250,000

Sold for $173,000

Contact Specialist
Kaeli Deane
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Latin America

New York 26 May 2015 4pm

1
Tania Bruguera
Destierro (Displacement)
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2
Roberto Obregón
Ene Eme y Ene De
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3
Rivane Neuenschwander
One Thousand and One Possible Nights [N. 51-55]
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4
Rivane Neuenschwander
Conversations
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5
Tomás Saraceno
Flying Garden/Air-Port-City/12 SW Iridescent
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6
Arturo Herrera
Bedspring (Blue/Green)
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7
Anna Maria Maiolino
Untitled (from the Objeto pictorico series)
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8
Alejandro Otero
Untitled
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9
Carlos Cruz-Diez
Physichromie No. 655
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10
Mathias Goeritz
Mensaje dorado
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11
Mira Schendel
Objeto gráfico
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12
Zilia Sánchez
Topología (serie Amazona)
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13
Sergio Camargo
Untitled (Relief No. 273)
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14
Antonio Asis
Vibration Couleur
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15
Gego
Untitled
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16
Elsa Gramcko
Untitled
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17
Mateo Manaure
Columna policromada
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18
Eduardo Terrazas
From the series "Possibilities of a structure" subseries "Cosmos"
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19
Cildo Meireles
Inserções em circuitos ideológicos
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20
Rosângela Rennó
Heaven and Hell
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21
Vik Muniz
The Birth of Venus, after Botticelli (from Pictures of Junk)
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22
Luiz Zerbini
Corcovado
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23
Mariana Palma
Untitled
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24
Guillermo Kuitca
Untitled
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25
Wifredo Lam
Présages
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26
Wifredo Lam
Sans Titre
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27
Wifredo Lam
Las aguadoras
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28
Matta
L'impossible de l'un et de l'autre
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29
Leonora Carrington
Bat-men (How true my love)
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30
This lot is no longer available.
31
Armando Reverón
Desnudo
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32
Rufino Tamayo
El canto y la música
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33
David Alfaro Siqueiros
Explosión en la ciudad
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34
Remedios Varo
Study for “Phenomenon”
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35
Juan O'Gorman
Paisaje de la época feudal
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36
Diego Rivera
Mujer sentada en el mercado con rebozo azul y flores
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37
Miguel Covarrubias
Two works: (i) Introduction: The Singer; (ii) Midday Siesta at Sea
Estimate $15,000 - 20,000
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38
Francisco Toledo
Benito Juárez flechador
Estimate $60,000 - 80,000
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39
Oswaldo Guayasamín
Portrait of Mary Waller
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40
Eduardo Kingman
Contienda
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41
Pedro Figari
Desafinación
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42
Francisco Toledo
Three works: (i) Hombre sonriendo con sombrero negro; (ii) Niña gata con círculo; (iii) Niña gatita
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43
Rodolfo Morales
Untitled
Estimate $150,000 - 200,000
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44
Ricardo Martinez
Figura recostada
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45
Rafael Coronel
Five works: Untitled
Estimate $8,000 - 12,000
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46
Francisco Toledo
Untitled
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47
Carlos Mérida
Three Figures
Estimate $25,000 - 35,000
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48
Enrique Metinides
Car crash with firemen
Estimate $4,000 - 6,000
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49
Kati Horna
Leonora
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50
Alejandra Laviada
Red Totem (from the series Re-Constructions)
Estimate $3,000 - 5,000
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51
Carlos Eduardo Hellmund
Olas verdes (Green Waves)
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52
Anna Maria Maiolino
Ecce Homo
Estimate $6,000 - 8,000
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53
León Ferrari
Untitled
Estimate $10,000 - 15,000
Sold for $11,250
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54
Cildo Meireles
Fontes
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55
Los Carpinteros
La Panera
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56
Iván Capote
The Key to All Things
Estimate $5,000 - 7,000
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57
Los Carpinteros
Archivo doble
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58No Reserve
José Toirac
Plaza
Estimate $5,000 - 7,000 •
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59No Reserve
Tania Bruguera
Sin título
Estimate $6,000 - 8,000 •
Sold for $4,000
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60
Yoan Capote
In Love (After Brancusi)
Estimate $5,000 - 7,000
Sold for $9,375
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61
Tania Bruguera
Sunflower #2
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62
Gabriel Orozco
El jardín del mundo (The Garden of the World)
Estimate $8,000 - 12,000
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63
Gabriel Orozco
Michiote
Estimate $25,000 - 35,000
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64
Jose Dávila
Ejercicios de lo posible
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65
Luis Felipe Ortega
Primer desplazamiento: Tabatinga-Manaus
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66
Alexander Apóstol
Sopa de letras II
Estimate $20,000 - 30,000
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67
Tunga
Five works: (i)True Rouge Shadow with Profile I; (ii)True Rouge Shadow with Profile II; (iii)True Rouge Shadow with Profile III; (iv) True Rouge Shadow with Profile IV; (v) True Rouge Shadow with Profile V
Estimate $10,000 - 15,000
Sold for $16,250
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68
Anna Maria Maiolino
Codificações Matericas
Estimate $20,000 - 30,000
Sold for $25,000
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69
Liliana Porter
Untitled with menáce
Estimate $30,000 - 40,000
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70
Carlos Amorales
Typographical Patterns for Mass Reproduction
Estimate $25,000 - 35,000
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71
Gabriel de la Mora
D.A.S.
Estimate $25,000 - 35,000
Sold for $28,750
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72
Mauro Piva
Untitled
Estimate $12,000 - 18,000
Sold for $10,000
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73
Dr. Lakra
Sin título
Estimate $5,000 - 7,000
Sold for $6,875
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74
Dr. Lakra
Untitled (Don Getulio Vargas)
Estimate $8,000 - 12,000
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75
Stefan Brüggemann
Up Coming Down
Estimate $8,000 - 12,000
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76
Sandra Cinto
Untitled
Estimate $8,000 - 12,000
Sold for $10,625
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77
Vik Muniz
Outlet (Fabrica, Iron Mine)
Estimate $15,000 - 20,000
Sold for $20,000
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78
José Bechara
Triptico #5 Sem Titolo
Estimate $15,000 - 20,000
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79
Adriana Varejão
Contingente- Linha do Equador
Estimate $4,000 - 6,000
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80
Janaina Tschäpe
Arco Naturale (100 Little Deaths)
Estimate $4,000 - 6,000
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81
Nino Cais
Sem título, (Série cabeça de pássaros)
Estimate $8,000 - 10,000
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82
Marco Maggi
Sliding
Estimate $20,000 - 30,000
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83
Bosco Sodi
Untitled - 0089
Estimate $40,000 - 60,000
Sold for $87,500
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84
Edgar Negret
Navegante
Estimate $30,000 - 50,000
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85
Edgar Negret
Códice
Estimate $30,000 - 40,000
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86No Reserve
Eduardo Moll
Perú (Serie Banderas, Número 14)
Estimate $5,000 - 7,000 •
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87
Rogelio Polesello
Círculos centrales
Estimate $10,000 - 15,000
Sold for $12,500
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88
Elba Damast
Untitled
Estimate $7,000 - 9,000
Sold for $7,500
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89No Reserve
Ella Krebs
Sin título (Cinético)
Estimate $6,000 - 8,000 •
Sold for $12,500
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90No Reserve
Juan Melé
Círculos Invention
Estimate $20,000 - 30,000 •
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91
Pedro Friedeberg
Untitled
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92
Antonio Seguí
El día feriado
Estimate $30,000 - 40,000
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93
Kcho
Untitled
Estimate $25,000 - 35,000
Sold for $25,000
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94
Armando Mariño
The Raft (La Patera)
Estimate $3,000 - 4,000
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95No Reserve
Raúl Martínez
Cuba no está sola
Estimate $5,000 - 7,000 •
Sold for $3,125
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96
José Bedia
Enseñanzas de la roca
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97
Ernesto Pujol
Carriages and Scissors
Estimate $5,000 - 7,000
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98
Rubén Alpízar
Sueño de una tarde de verano
Estimate $10,000 - 15,000
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99
Daniel Guzmán
Two works: (i) Chupacabras Mix; (ii) Mala (from the series Chupacabras Mix)
Estimate $4,000 - 6,000
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100
Miriam Medrez
Staring Out into the Infinite
Estimate $7,000 - 9,000
Sold for $8,750
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101
Gustavo Vélez
Visions
Estimate $35,000 - 45,000
Sold for $40,000
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102
Eduardo Abaroa
Untitled
Estimate $5,000 - 7,000
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103
Fernanda Brunet
LAALA-LA!
Estimate $5,000 - 7,000
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104
Luis Enrique Camejo
Evidencia
Estimate $5,000 - 7,000
Sold for $6,250
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105
Douglas Pérez Castro
Cazando en la hispanidad
Estimate $5,000 - 7,000
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106
Cildo Meireles
Two works: (i) Zero Dollar (ii) Zero Cruzeiro
Estimate $2,000 - 3,000
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Latin America

New York 26 May 2015 4pm

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Provenance

Exhibited

Literature

Catalogue Essay

Artist Biography

Roberto Obregón

2

Roberto Obregón

Ene Eme y Ene De

Latin America

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