82 1/2 x 116 1/8 x 14 1/2 in (209.6 x 295 x 36.8 cm)
Manufactured by Giordano Chiesa, Italy. Each piece of glass acid-etched with ‘VITREX’.
Estimate
$70,000 - 90,000
Sold for $86,500
MORE LOT DETAILS
Provenance Primavera Gallery, New York
Literature ‘Spedizione per Stoccolma N.5’, Domus, 282, May 1953, p. 37 for a similar example Ugo La Pietra, ed., Gio Ponti, New York, 2009, p. 188, fig. 390 Murray Moss ‘Murray Moss’, Casa Grazia, no. 12, December 2011, pp. 82-83 Murray Moss,‘Midtown? Yes, Midtown: Design maven Murray Moss lives with the tourists—and loves every minute of it’, New York Magazine: Design, Summer 2012, illustrated p. 127 Arlene Hirst, ‘TDA/Total Design Addict’, Elle Décor Italia, no. 9, September 2012, illustrated cover, pp. 182, 187
CATALOGUE ESSAY
CONDITION REPORT
SHARE
Ponti’s ‘Parete Organizzata’ illuminated wall organizer assembles, all in one wall panel, shelves for objects and books, glass racks for magazines, protected nooks for more fragile objects, and a small plinth–nearly a reliquary–begging for art. In addition, the wall organizer provides lighting, which, placed behind the various containers, causes the sundry receptacles to appear floating, adding an overall quality of lightness. The idea of assembling and combining disparate items within an organized structure is of course akin to my affinity for creating montage; this wall unit, which Franklin and I have lived with and treasured for over 22 years, is to me the de-facto ‘poster child’ of Moss: Dialogues Between Art & Design, most representative of what Moss was and is now. It is an architecture at the service of Babel, encouraging multiple dialogues, visual cacophony, comparison, evaluation, and playfulness through hands-on participation, all the while ensuring an overall harmony and sense that all of the noise is in fact music.