Alvar Aalto - Nordic Design London Tuesday, September 23, 2014 | Phillips

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  • Literature

    Domus (Milan), no. 125, May 1938, p. 36
    Jennifer Hawkins Opie, Scandinavia: Ceramics & Glass in the Twentieth Century, London, 1989, p. 23, fig. 189
    Eva B. Ottillinger, Alvar Aalto, Möbel: Die Sammlung Kossdorff, Vienna, 2002, p. 74, fig. 76
    Thomas Kellein, ed. alvar & aino aalto. design collection bischofberger, exh. cat., Kunsthalle Bielefeld, Zurich, 2005, pp. 213-14

  • Artist Biography

    Alvar Aalto

    Finnish • 1898 - 1976

    In contrast with the functionalism of the International Style (as well the neoclassicism put forward by the Nazi and Soviet regimes), Alvar Aalto brought a refreshing breath of humanism to modern design: "True architecture exists only where man stands in the center," he wrote. Aalto designed furniture in stack-laminated plywood composed of Finnish birch, which was cost-effective and lent warmth to his interiors. Aalto also revived Finnish glass design with his entries in the various Karhula-Iitala glassworks competitions throughout the 1930s.

    In 1936 he won first place for a collection of colorful, wavy vases in various sizes titled Eskimoerindens skinnbuxa (The Eskimo Woman’s Leather Breeches). The vases were an immediate success and the most popular size, now known as the "Savoy" vase, is still in production today. Aalto's freeform designs, in harmony with human needs and nature, anticipated the organic modernism of the 1950s and 1960s; in particular, his innovations in bent plywood had a major impact on designers such as Charles and Ray Eames.

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113

Early and rare ‘Savoy’ vase, model no. 9750

designed 1936, executed 1937
Coloured glass still-blown into mould.
14.1 cm (5 1/2 in.) high
Produced by Karhula, Finland. Underside incised with A Aalto - 37 - Karhula.

Estimate
£12,000 - 15,000 

Contact Specialist
Ben Williams
bwilliams@phillips.com
+44 20 7318 4027

Nordic Design

London 24 September 2014 6pm